1. Rachel's entire arc; with her scoring the lead role in Funny Girl (along the sh*t she pulled with her directors, and her being welcomed back into NYADA despite practically spitting on Madame Tibideaux's second (and last) chance, and her getting a Tony. As others said, she's said time and time again that she dreamed of making it big on Broadway since she was a toddler, and then she gets bored with it only a few months after getting the lead of a big name musical? I still find it ridiculous and insulting that a newbie who has no previous credits would get something like that just handed to them.
2. "The Klaine Show", with the forced marriage that nobody asked for in the final season--especially when they've both proven to be terrible people to one another.
3. Mercedes becoming a successful recording artist right not long after graduation. Yeah, there are young artists out there, but it's just not that realistic. This also goes for Sam's modeling storyline. Just not that likely or real.
4. Everything relating to NYADA, especially a handful of students from the same school, in the same "small city" getting into a school that's made out to be the Harvard of art schools--which is notably true with Rachel and Kurt, who forced themselves onto Tibideaux (like demanding second chances) and/or having no real qualities or abilities that make them worthy, as you stated.
5. Sue's baby. I only included this one because it had no closure, and nothing came of it besides Finn saying what he did that pissed everyone off.
Honorable Mentions:
6: Everything revolving around Sue's antics as a whole: How the hell she didn't get rightfully fired after the first season, I don't know.
7. Terri's faked pregnancy: I highly doubt she would have gotten away with things for as long as she did, even for having a hysterical pregnancy.
8. Everything relating to Schue's antics as a whole: From how he favorites students over others, and how creepy and alarming his interactions with the ND and student body are. I know others have said this, but doesn't he have friends his own age? If any teacher did anything he did, even if viewed out of context (like Rachel's creepy crush on him, or how he got pissed off at Marley in some Katy Perry themed episode), his ass would be fired on the spot.
9. Samchel in Season Six. I honestly found Blam to be more realistic. Their relationship felt so random and sudden, and I can't wrap my mind around it.
Our songs will all be silenced, but what of it? Go on singing. -- Orson Welles
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