(This site restricts post size, so I have to break this replay in two)
Simple. They're not talented or creative enough. Whatever talent they might have is warped by their ideology. When your job is to create entertainment, but you're driven by an ideology, it will stifle you creatively. The Message becomes the priority. The protagonist of your story is almost certain to be an ideological self-insert into the story, and because he has to be a hero for The Cause, you'll likely not allow him or her to have significant flaws -- the character will all too likely be a Mary Sue. The plot, the story, the characters, they will all come in second to The Message.
Back when George Lucas created Star Wars, he wasn't pushing an agenda, he just wanted to tell the kind of stories that he had loved as a kid watching movies and movie serials. He tried to buy the rights to Flash Gordon, but he couldn't get them, so he and Gary Kurtz (with whom he'd worked on American Graffiti), decided to make something in the sci fi genre that was all their own. They bounced ideas off each other, and came up with a broad outline for an epic saga, and decided to film what became Star Wars/episode IV "A New Hope" because that was a part of the whole thing that could work as a standalone story -- in case it flopped and they never got the chance to finish telling the rest.
But Star Wars not only didn't flop, it didn't even just become a hit, it became a phenomenon like nothing anyone had ever seen. There had been blockbusters before, but this was next level.
And it all worked because George Lucas just wanted to tell a great story. He deliberately mined classic mythological tropes that date back to antiquity. Jos. Campbell, who wrote "Hero with a Thousand Faces," cataloguing these ancient myths, called Lucas the best student he ever had.
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