Garbage theme
There's a recurring motif throughout the film of the killer discarding items (and people....) and throwing things in the trash, which, coupled with the pretty depressing -albeit spot on- depiction of how it feels to live in the early 21st century (all relationships are transactional, all locations "non-places" in the sense of Marc Augé (https://en.wikipedia.org/wiki/Non-place), the world seems "post-cultural" (none of the pop cultural references in the killer's aliases seem to elicit any reaction from anyone)....) must have some deeper thematic meaning intended by Andrew Kevin Walker and Fincher.
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