Hail Eris!
Storytelling-wise, I think romance is a cheap audience draw, as a rule, and is hardly ever handled well, mainly because the writers are only occasionally personally experienced in it, or possess sufficient insight to write it in a way that isn't either vastly overheated or hamhanded (Someone clone Diana Gabaldon, please! No, not so we can have every romance written like Jamie and Claire's, but so they can at least potentially be written that well, D.G. being both experienced and insightful); that said, "Pyka" has been one of the more understated examples (no insult, that, believe me), on TV, since Babylon 5 ended its fourth season. Myka's rather strong resistance to Pete's charms has been one of the show's main running gags from the beginning, but not because she's not in love with him -- rather, because she is, and can't bear to admit to herself that she, a mature, successful, female professional, could fall for such a blatant Han Solo-wannabe man-child, who is clearly the protagonist of Big, surely, and not an actual adult male in his forties <discreetly sweeps entire life under the carpet;-{P}>.
Since that romance was always an obvious way for the show to go, they decided to downplay it until the final season, because *doing the obvious thing* has never been the show's trademark. All the same, though, they did let various hints of something growing between them slip through, over the years, but never unequivocal hints, so it could still come as a surprise to some viewers and fans. I highly doubt they were concerned with pleasing a particular faction of fans, much as various factions of fans of TV genrefic (Stelena vs. Delena, anyone? McCoy fans vs. Pertwee fans, or Tennant fans vs. Eccleston, Smith, or Capaldi fans, those who ship Gray and Chandler vs. those who ship Ives and Chandler vs. those who ship Frankenstein and Chandler (in a show that had already completed filming its first season, before its first episode was screened), Sam vs. Dean, etc., ad nauseam) may be convinced of the pull of other factions* to the contrary.
[1] Here's a clue for you: Fans have no pull. If showrunners/writers/exec producers/network execs choose to listen to fans, it's not because the fans have "pull," it's because these various Olympian gods were bored, or decided to show mercy to *fans in general*, not because they had some sort of obligation, or owed anyone a favour, or were consciously pandering to any particular faction. Getting them to listen to any fans at all, ever, is a victory (only for fans, mind), if their response amounts to anything more than "that's nice"; getting them to listen *to your faction* is an unalloyed miracle, because it's a crapshoot. Usually, for the sake of good storytelling, it's best if they ignore the fans, because, for the most part, we're all Ian Levine, ca. early 1980's (or, at least, Ian Levine as he alleged himself at the time -- honestly, it's better for Eric Saward's rep, and JN-T's, if Levine did everything he claimed to have done), when it comes to making plot or story suggestions for any show. Which is to say, a bunch of wankers.
Snarky
A copy of the universe is not what is required of art; one of the damned things is ample.
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