You bring up some really good points, and I think that's what helps juxtapose the narrative of the film about "toxic masculinity".
For instance...
he does have some good qualities after all, he's smart, self-reliant, focussed, hard-working, he isn't entranced by the trappings of success and he doesn't seek to ingratiate himself with his social superiors. In fact, think he's a better role model for a young man than George, in some ways.
This is all very true. He does possess all of those qualities, but then he's hampered by the hang-ups of his sexual frustrations. He's quite the curmudgeon towards most people outside his working circle (hence him blowing up at the others in the restaurant when they were playing the piano and being jovial), and he makes it his mission to unseat amiability wherever he can, if he can (hence his mind games during the dinner party and Rose's attempts to practice the piano).
All of this still stems back to his anger over repressing his homosexuality (viz., angry Rose took George from him, angry about Henry's passing, angry about Peter's feminine traits, angry about his parents being incapable of understanding his love for Henry and being a rancher).
So all of his positive traits are offset by his truculent behavior spawned from his repression, and that same behavior is what the film portrays as "toxic", as it nearly drives Rose to suicide.
As for this...
But I fail to see what's "Leftist" about this film. It doesn't portray homosexuality as intrinsically good or desirable
Current day Leftists literally live by the motto, "No bad tactics, only bad targets". In this case, Phil was a good target where no bad tactics were off the table, hence Peter's actions. Remember at the beginning of the film Peter commented that he felt it his job to protect his mother? Well, it all comes full circle at the end.
It didn't matter what good traits Phil had, or even if he was homosexual (contd)
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