MovieChat Forums > The Boy in the Striped Pajamas (2008) Discussion > Anyone else annoyed at the abrupt ending...

Anyone else annoyed at the abrupt ending?


I read all the reviews of people saying how amazing the movie was... I agreed until it ended without any real conclusion. It failed to follow the basic literary rules of dramatic structure: having a falling action after the climax, which it much needed. It was just rising rising rising, climax-THE END!

Even a 5 minute conversation between the parents would have been enough to save the ending.

Kind of dissapointing, and will probably prevent me from ever watching it for a second time. :/

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tbh i dont see how the ending lacked any kind of conclusion unless you dont know anything about the holocaust.

from the start the movie makes the assumption that audience has prior knowledge of the holocaust, or at least the cliffs notes version.

to me, this ending fit perfectly for this assumption. and every explanation of the fallacies presented in this film (from the propaganda film to the camp not being a farm) was for the benefit of character development and not as an explanation to the audience of whats occurring.


as an audience:

we dont need to be told that its not a farm that he saw through the window, we assumed at that point that it was a concentration camp.

we didn't need to be told that the propaganda film the soldiers were watching, we knew that from due to our knowledge of history.

we didn't need to be told what that smoke meant, or have it explained as to what the soldier meant by saying "they smell worse when they burn"; as the audience.


given this, and our prior knowledge as the audience, we know what that chamber was used for; we know that that soldier poured in the vents when he was wearing the gas mask, and we know that when people went in those chambers they didn't come back out. at this point, the main character was dead and the need for the story to explain this was gone.

i think that you misinterpreted the dramatic structure in this case.

rising - he goes under the fence (at this point the audience understands what might happen but still has hope for a happy ending)

climax - being herded to the gas chamber (the audience realizes exactly what is going on and some may still have hope that he will be recognized)

resolution - the door shutting on the chamber (any hope for a happy ending for him ends when that door is shut and locked. at this point the audience has the full realization of what will occur and any hope for an ending other than what happens is gone. as the audience with our prior knowledge we know what happens in that chamber and that when those doors are locked they're not opened again until all the occupants are dead)

end - family finds where he has gone and searches in vein only to have the realization of whats happened well after the fact (accomplishing a conflicting result in the audience, grief for the death of the innocents and a perverse sens of karmic enjoyment at the loss the family has suffered)


to end the movie in any other way, cheapens the intended effect on the audience. if someone watching this needs it explained to them what happened to the main character at this point, then i highly encourage that individual to research the Holocaust in a historical context or better yet ask their history teacher

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Very well said.

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Very well said.

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I believe the director want to end the movie with you in the darkness, having to comprehend the horror of what happened, how the parents would deal with this.

You should be left dealing with the horror - you should not have an acceptance of the situation - just dealing with the pain.

I thought the movie was perfectly laid out to tear your heart to ribbons.

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Im not bothered by the fact that it ended like it did (although i also felt like something was missing).

And then i figured it out... It wasn't missing, there was too much... The last scene should be about those 2 boys. Not the father reaction, nor mother, not the door for 30 seconds... We all got it.

It just should've been those 2 hands holding each other. Confused and scared, but together.

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someone's an expensive film school graduate :p

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I agreed until it ended without any real conclusion.


What did you want? Another five minutes of Mother wailing? Ten minutes of Father freaking out and going through dead bodies looking for his son? Use your imagination, for Pete's sake. Most likely you won't be too far off and even if you are, it has absolutely no bearing on the story because what happened after doesn't matter in the slightest.

Another poster said it sounds like you went to an expensive film school. If so, I'd ask for my money back.

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The entire film was showcasing a story-line from Bruno's point of view -- thus, when he died the film ended. If anything, I have to give them credit for doing exactly what they did. No ambiguity; just silence, empty clothes and a slow dolly zoom away from the chamber where the narration (and narrator) ended.

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It didn't feel abrupt to me. The whole point of the movie had been made, so what else was there to say or do? I don't think any conversation with the parents would have been fulfilling or would have added anything to the movie.

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I thought the ending was perfect. Very sad, but perfect. After a mass extermination scene like that, what more can you say? As far as seeing Bruno's father's reaction, I don't care. There was no attachment as a viewer to that character. I was more concerned for the mother and even Bruno's sister. I do hope that at least her brother's death at the hand of the Fatherland quashed any kind of loyalty she had to the reich.

________________________
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The ending was what made the film for me. It was all to obvious that the boy wasn't going to make it but as it built up to the point where it became clear that Bruno wouldn't either I get closer and closer to my TV screen. As others have said, having the family talk about it would've ruined it completely because his death and his father's realisation hits you so hard that anything after that would be so unnecessary, especially considering his father's role in the film.

"God, when I meet you, I'm gonna be pretty. If it's the last thing I do. I'll be a beautiful angel."

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