god-king-kalu: "are you sure? the octopus traps the spirit in a toilet in the first fight, that's not intentional? that was a serious fight?"
Comedy has a place in Will Eisner's oeuvre, and satire too. That's fine. The ridiculous situations the Spirit gets into, like when he was hanging off the side of the building, are an expected pleasure.
But the difference between Frank Miller's harshly bombastic style of satire, just taking things way over the top and having the actors grind out hyperbolic tough guy lines, is too much. At that point, you're not going along with the comedy and adding your own touches to it, you're shouting it down in favor of your own style.
god-king-kalu: "and your against satire in general? or only when something you like is collateral damage?"
I admit, I'm not a great audience for comedy.
But I like the movie to deliver what's in the title. Frank Miller's Sin City was indeed Frank Miller's Sin City, and it was and is great. Will Eisner's The Spirit should have been more Will Eisner-ish.
Baz Luhrmann has a style of his own that's nothing like how William Shakespeare would ever have staged his plays. Romeo + Juliet (1996) is Baz Luhrmann's Romeo + Juliet, not William Shakespeare's. Undeniably, William Shakespeare is more worthy of respect than Will Eisner, even though there's nothing wrong with Will Eisner.
I don't know why I like Romeo + Juliet (1996) and not The Spirit (2008). I should like The Spirit. I like Will Eisner. I like Frank Miller. I like babes, and specifically Scarlett Johannson, who was smoking hot as expected.I can go with over-the-top-ness if the script is sharp and the performances are great, as in Tropic Thunder (2008).
But even though I mentally "let Baz Luhrmann get away with it", with Frank Miller doing Will Eisner and me wanting it to work, it didn't work for me. It was like Michael Bay does Agatha Christie.
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