Yes she has in my personal opinion. She is great in An Education, Made in Dagenham, Barney's Version, Pride and Prejudice, Wives and Daughters and The Libertine, and was brilliant in Gone Girl, which is by far and large her best performance. She is also good in Fugitive Pieces, The Big Year, What We Did on Our Holiday and Surrogates (by all means not an opinion everyone will share), and, while it was a very different interpretation to Glenda Jackson's, in Women in Love. She too saved Return to Sender and The Devil You Know from being unwatchable, and while Die Another Day had a lot of significant problems she is one of the best things about it. Have not seen Hector and the Search for Happiness or The World's End yet, but plan to.
I think she is an actress who has done more good than she has bad and is much better generally than she is given credit for, she just deserve bigger roles and much better material generally. I agree that she is not good at all in this or films like Doom (remember her not being particularly great in Wrath of the Titans or in that Trial and Retribution episode she had a quite small role in very early on her career, which are her two worst performances, and not registering much in A Long Way Down), but she was disadvantaged by the characters being very poorly written, having next to nothing to do and any material she was given was well below par (the same can be said for her role in Fracture, though she does do better in that). Any actress, if they had that character or material, in all honesty would have struggled to bring any believability to them. Anybody who is judging her acting on solely this or Doom, like a few people on this thread and on a thread on her board have, are I feel judging her and her acting unfairly. And as much as this sounds, I am not being biased at all, at least I have acknowledged she has done some bad stuff.
You or anybody else can disagree with me if you want, I just felt compelled to reply and tell it how I see it.
"Life after death is as improbable as sex after marriage"- Madeline Kahn(CLUE, 1985)
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