This film was cliche, by-the-numbers, uncreative and melodramatic; it was largely an unintelligent piece of film-making. Sports and reality TV shows are no more anti-intellectual than this was, despite its intelligent subject matter.
The Man Who Knew Infinity, which I viewed three times in the theaters, is flawed, but your condemnation of it is excessively harsh in my opinion. The film is quite sophisticated, subtle, and shrewd in its treatment of ethnic prejudice, imperialism, and cross-cultural tension; it offers a definite sense of ironic humor; and the movie is more compelling visually than most pictures nowadays, with a nice sense of (at times painterly) composition and textured, shaded lighting. In addition, a splendid score that blends Indian and Western classical music makes the
The Man Who Knew Infinity more atmospheric than many films of this sort.
To be sure, the movie is overly sentimental and perfunctory in places, and Dev Patel comes with his limitations in this role. But I would certainly take this film over the Oscar-nominated likes of
The Theory of Everything and
The Imitation Game.
That said, I appreciate learning of another opinion.
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