Thoughts on Season 5
Well, Mitch Hurwitz & Co. luckily give us something of the optimistic spirit of the first three seasons which many found lacking in the wildly ambitious but not very funny Season 4. It isn't perfect, but it zips alomg nicely and some of it can actually make me laugh out loud like the original seasons. It is hard to evaluate it properly because we know we are seeing only the first half of an entire season. And so I present some scattered notes on stuff that worked and stuff that didn't.
-Portia is scarcely in it (semi-retirement after Scandal and too busy counting Ellen's millions in her spare time) even though one of the important storylines of season 5 involves Lindsay running for Congress. Most of her scenes use green screen and one gets the sense she had very little contact with the actual cast.
-Michael Bluth's cynicism returns after taking a detour through a dark night of the soul in Season 4. Jason Bateman echoes his delivery from the original seasons, quipping about his family's absurdity and getting laughs from the cleverness of the lines.
-Gone except in flashback: Ann Veal, Lucille 2 (with the strong possibility she'll be back in future episodes since her Season 4 story remains unresolved), Argyle Austero, Mark Cherry, Perfecto Telles, Marky Bark, Herbert Love, P Hound. This was a strength as some feel many of those characters added little (though I do confess a fondness for Terry Crews as Herbert Love). Mitch couldn't resist using Maria Bamford again, and so methadone addict Debrie Bardeaux is brought back into the story impersonating Lindsay (for reasons I didn't quite catch). Most viewers will be pleased to hear Seth Rogen and Kristen Wiig are nowhere to be found in this season.
-I despised the soft focus and darker color pallette of Season 4 which I assumed at the time was meant to flatter the aging cast. The visual look of it did not recreate the bright sunny look of the first seasons. (Devotees will remember the very first shot of the pilot episode is of the sun). Mitch must have sensed this, and I noticed in Season 5 more sharp visuals with bright primary colors and no soft focus. I admired this amendment from the previous season, even if it means you can count every single one of Jessica Walter's wrinkles.
--The funniest performance this season for me was......Alia Shawkat!!! I never thought that would happen!
-Though Hurwitz & Co. Might have omitted some storylines from Season 4, one that stubbornly remains involves Rebel Alley which I personally found not very interesting, though there is an amusing sequence in which George Michael meets the entire family of Ron Howard (I had to look them up to verify this was on the level).
--David Cross is poorly used. An attempt to pair him up with his bastard son Murphybrown doesn't yield any appreciable laughs. One positive development: the new season alludes to Tobias as a sex offender only once (a cruel joke on that character that seemed grotesquely unfair in Season 4), and gone completely are the sex offender neighbors who live in Sudden Valley.. Mitch probably realized there was only so much comic mileage he could get out of that dark subject.
These are preliminary impressions from Season 5 and I would be curious what other people feel are its strengths and weaknesses.