I believe that 'The Departed' was way, way better than 'Infernal Affairs'. And don't get me wrong, guys. It happens that I am a fan of Martin Scorsese while it is also true that I loved 'Seven Samurai' rather than 'The Magnificent Seven'. But I would always say that 'The Departed' beats 'Infernal Affairs' by a wide margin.
Here's why.
'Infernal Affairs' is a great cop and gangster movie and a flawlessly executed thriller but that's it. I think the biggest problem in this film is that it sticks to formula, without experimenting anything substantial. We rarely get an idea about the harsh emotional turmoil that both the moles face. In its loyalty to the formula, the movie does not expand on its characters. It is indeed crisp, sharp and very suspenseful but once you know all about the twists and turns, you really don't feel like watching it again. At least, that is what I think.
Marty's film was every bit a grand film-making achievement. What made it unique was how Scorsese rooted the entire formula into the streets of Boston. The language was as authentic as it could get, so was the humor and characterization. One of the best things about 'The Departed' is how it amps up the drama and excitement along with visceral violence to show the emotional turmoil at the center of it. Both Colin and Billy are tormented souls, caught up in inside lives that they cannot handle. Colin is struggling with personal demons- of warped up manhood and slippery loyalty for Costello. Billy is having a hard time trying to adjust to the gang violence around him, yet he himself sinks deeper into becoming violent himself. And almost every other character had something to do other than just come up and say lines- Ellerby was a showboating cop, Queenan emerges as a patient father figure for Billy, Dignam was abusive, rude yet utterly honest and Madolyn as the love interest comes off as torn-apart as the two moles themselves.
I think that it is a misconception that'The Departed' was too comic...there was a lot of pitch black comedy in the film but the second half transformed into a fascinating dark and morbid part- and I think that eventually we root for almost every character and not just the two moles- when Queenan dies, we do feel a bit unfair, we feel tormented as Billy's reaction to it. Even as a bad guy like Costello dies with his mouth full of blood, Scorsese makes us feel for him- when his phone starts ringing and we feel a stab of pity for this guy.
The magic quality of Scorsese's direction is that he brings a gut-feeling to the formula. That is what 'Infernal Affairs' could not do.
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