Phrases: "It's a day spa, you f*ck," "That's bullsh*t," "Let's cut the bullsh*t, pal," "Sh*tload," "Holy sh*t," "Ah/Oh sh*t," "I think this is bullsh*t," "Doesn't know sh*t," "You cocky little piece of sh*t," "That's kind of the idea, d*ckhead," "Hot chicks," "That sucks," "Shut up," "Out my ass," "(You little) punk," "Jerks," "Idiot," "Yo, grandma. Get off the road" (said to a slow driver), "Jeez," "Screw this," "You bastard," "What the hell are we doing?" "You gotta chill out," "What the hell's your problem?" "Oh hell no," "I'm in deep sh*t," "You G*ddamn animals," "Jack-off" (noun, for person), "Lady who sucks" (how an irate lawyer refers to a repo cashier), "You little bitch," "You lying bitch," "Your sorry ass" and "You idiot."
The Everyman: Ryan is an ordinary kid who Jason Statham's villain coldly rebukes "Even the bitch has more fight than you" as he mercilessly administers him a No-Holds-Barred Beatdown.
This Is for Emphasis, Bitch!: The thug that Jessica kills manages to do nothing but choke up until his last moments when he looks up and chokes out, "... bitch".
There is a line in "Cellular" where Ethan tells Ryan "The bitch has more fight than you", he's referring to Jessica Martin, the science teacher and yummy mummy who Ethan has kidnapped who between making calls on a smashed phone, slicing up a bad guy, taking beatings and still getting up as well as strangling a bad guy has more fight than your average secret agent.
I'm not one to get "squeamish" with swearing in movies, but holy shit they seemed to say bitch a lot. There were a couple times when they called her bitch, that the way it came out felt like a punch. I'm not sure how to explain it but it felt tonally out of place a couple of times.
I am tempted to rewatch the movie just to see if the husband calls Kim, "bitch".
I mean she's the only woman on screen, and they constantly call her bitch. Jason Statham and his buddies obviously knew who she is, but I don't recall them ever using her first name.
It's not just them calling her bitch but the repeating of bitch that starts hammering your ears like a wordy jackhammer. At some point, you break, and it hits you in the exposed nerve of your brain.
I've heard the new Predator movie is like this. The onslaught of swearing in so overwhelming it takes you out of the movie.
Sounds like you really would have hated an all time classic like Deadwood (2004-2006) since lots of profanity makes you squeamish. They say a lot more than 'bitch' in Deadwood. Doesn't change the fact it's an all time classic.
Guess what? Some real life villains can be quite misogynistic. Ruffians like Stratham's character referring to all women as bitches aren't uncommon, if you think so you should get out more. The shock value of the language taking you out of the movie is only temporary. It's an artistic decision you'll recover from.
I didn't come here to talk about Deadwood (an HBO western program compared to a relatively goofy PG-13 movie action movie) because that's an entirely different show. Don't give me the "slippery slope" argument (if you're going to complain about this, then you might as well complain about that since it's ten times worse). And also, don't give me that "well, so and so is a bad guy so of course it's expected for him to call women bitches" argument. That's lazy writing, especially as I had addressed, it's tonally out of place.
I don't see it as lazy writing, I saw it as an artistic decision to reinforce the low brow misogyny of the character by his choice of words.
I brought up Deadwood because the profanity is even more excessive and redundant where the writers were flying blind with their imagination of how people might have talked in western frontier towns. I found it grating initially just how often "fuck" was used for seemingly no purpose but to offend and grate on the ears. Doesn't change the fact it's an all time classic.
At least here there's more justification for Stratham's language because there are people that really talk like this.
Would you while you're at it, also give Quentin Tarantino a "pass" for the way that women are talked about and treated in his movies since it can also be seen as an "artistic decision"?
LOL! When you have to stoop to drawing the false equivalence between 'bitch' and the n-word it's because you know you lost the argument.
Incidentally, the n-word is used a lot in Deadwood too because that is how people talked in the 1800s. Sounds like you must hate that all time classic.
How is it exactly a "false equivalence"!? They're both in their own way derogatory terms (one to describe women and another to describe black people) that were used quite liberally in the examples that I set. And this ties into my other point about the way that Tarantino often treats women in his movies. And you yourself are using a "false equivalence" by again bringing up Deadwood when Tarantino has used the n-word in more modern settings like Pulp Fiction.
You're clearly unfamiliar the history of the n-word that you'd think 'bitch' or any other word in the US lexicon is even remotely similar. I urge you to educate yourself. Meanwhile, using your brilliant logic, all derogatory expletives should be banned from movies because they cause offense, or at minimum a strict 'slur count' should be enforced to prevent their 'liberal use' according to you. Except this isn't Soviet Russia. We have a First Amendment. There is a ratings system in place designed for people with your sensitivities. If excessive derogatory profanity offends you, you can avoid subjecting yourself to movies above a PG rating.
Regardless, I don't have an issue with the use of the n-word or any other derogatory slur in a Tarantino or any other film despite being a POC. Unlike you, I don't draw arbitrary lines in the sand on what should and should not be appropriate artistic expression given that one man's art is another's pornography. If a director's work offends me, I have the freedom to not watch their movies. I also recognize that it's not my place to decide for others what they should find offensive or place limitations on artistic expression, no matter how bad or in poor taste I believe that art to be.
I brought up Deadwood to force you to think, since it liberally uses highly derogatory and excessive profanity yet it remains an All Time classic. It's why you refuse to engage in the comparison since Deadwood is a great work of art while Cellular is not. You know that as soon as you criticize one for excessive derogatory profanity and not the other, your entire argument falls apart. It's the price you pay for being a morality scold on artistic expression, it's either all or nothing.
I never said that "all derogatory expletives" should be banned because they cause offense. What I am trying to say is that there should be some sort of rhyme or reason for why such things are said and not because the filmmakers have to use such things as a crutch to the point of utter and sheer distraction.
And you are the one who brought up Deadwood in the first place so don't turn around and say that you refuse to engage in some sort of comparison. Of course, calling a black person the n-word at the end of the day, is more over the top than calling somebody a bitch. My point is that both Tarantino and the makers of Cellular seem to use said insults as some sort of cheap and exploitative call back. And you're utterly pathetic by implying that it makes what Tarantino says even more okay (as if you've granted his ultimate blessing) since you're a person of color even if it may or may not make sense in context.
lolz! Have you bothered to think what you even mean by "no rhyme or reason"? How would you define "no rhyme or reason" compared to profanity being used *with* rhyme and reason? Would you institute a quota on how many times an expletive or slur can be used in a movie? If you make some effort to reflect on how you'd define what you're actually condemning you should arrive at the logical conclusion of the pure arbitrary nature of your subjective idea it was used as a "cheap and exploitative call back". My point about Deadwood keeps escaping you, since profanity (and not just the n-word) is used excessively with what can easily be called with "no rhyme or reason" and "exploitative" for shock value in similar respects. So should Deadwood be banned? Should it be censored? How do you condemn Cellular for excessive profanity with "no rhyme or reason" and not Deadwood? You deliberately avoid this question since it exposes your hypocrisy.
It's clear what I wrote completely flew over your head if you think I'm condoning using the n-word. I'm not. I said I don't have a problem with Tarantino using it because it's not my place to tell others what to take offense from and how to express themselves or their art. That's not the same as saying I approve of Tarantino using the n-word. You fail on nuance.
You're obviously unfamiliar with the famous quote by Voltaire "I Disapprove of What You Say, But I Will Defend to the Death Your Right to Say It". I encourage you to look it up and educate yourself, as the ideal forms the basis of a free society and the cornerstone of the First Amendment. The downside of freedom is that sometimes people are going say things you find offensive. Your advocacy for censorship on speech as a solution is the antithesis of liberty.
Again, I'm not here to talk about Deadwood, so stop forcing that into the conversation when it's all but apples and oranges. That's a totally different animal if you want to call it that (especially if you won't give me a specific context in regards to said vernacular). Just about any and every show on HBO has excessive profanity and nudity (which they have the liberty to do since it's on premium cable) so why is Deadwood an exception to the rule? You might as well use any TV program or movie that uses excessive profanity to argue your point. We might as well be here all day. And you must've missed my first sentence when I said that no, I don't think that all derogatory expletives should be out and out censored from top to bottom.
And don't come in and say that I don't think that you're condoning a white filmmaker like Tarantino frequently using the n-word in his works and yet in the breath, say that you none-the-less don't have a problem since in your words, "it's not your place..." That's if anything double-speak. You're either for or against something plain and simple. And then you top it all of by using a fallacy about how I must be against the first amendment if I don't like it when a movie script goes overboard with the usage of one particular term of words.
"I Disapprove of What You Say, But I Will Defend to the Death Your Right to Say It" means exactly what I think of Tarantino using the n-word in a movie. I'm not sure how much more clearly I can make this point. It's not double-speak. It's the basis of the First Amendment.
So was Voltaire guilty of double-speak when he said this? If not, then how can I be? Your ignorance on this issue reflects just how little you've actually thought about this.
I haven't given serious thought to this statement in quite a while. I used to believe in the idea, but now that I hear and read the astounding statements manufactured by holocaust deniers, deniers of the Sandy Hook school massacre, Obama-Communist conspiracy "thinkers", I'm not sure I would die for their right to continue to spout such garbage.
For right now, "I disapprove of what you say, and you can rattle on and on, but I will defend to the death my right and the right of others to sue your prevaricating a—."
What's your point? Of course anyone has a right to bring a civil suit for defamation or libel like in the case of Sandy Hook. The First Amendment is not absolute. You don't have a legal right to falsely shout "fire" in a crowded theater without facing legal consequences.
But that's not what we're talking about here. We were discussing the use of expletives in a movie; a fictional work of art. You might want to try thinking about this issue for yourself rather than cutting and pasting a response that you think sounds good but doesn't actually apply to the the censorship on artistic expression that you're advocating for but there are no legal restrictions on.
You're the one who brought up Voltaire in the first place. And my point is that just because you may stand by that theory, doesn't necessarily mean that there aren't flaws or there aren't people who may take said statement to the proverbial extreme to formulate their own argument.
First, it's not a 'theory'. It's the principle on which the First Amendment was formed. Nor are the exceptions carved out by the courts 'flaws', but instances where explicit material harm to aggrieved parties is quantifiable and can be proven.
I brought up Voltaire to counter your nonsensical accusation that I was engaging in "double-speak" for supporting Tarantino's right to express himself, however profane, while not approving his use of the n-word. Your failure to grasp this nuance and call it "double-speak" made your ignorance of Voltaire and this principle behind the First Amendment obvious. You then chose to deflect and distract by cutting and pasting nothing of relevance in addressing this point.
I'm not choosing to deflect and distract from anything like you seemed to do by bringing up how I might as well complain about the excessive language in Deadwood. And since you repeatedly cite Voltaire and my presumed ignorance behind his principles instead of "theories" then how exactly do said PRINCIPLES translate into the 21st century with avenues like Facebook: https://www.sutori.com/story/voltaire-s-ideas-on-freedom-of-speech--pbWdkbuCmZDNKek6958DW7Wm/
Just because you may feel that Tarantino's and the filmmakers behind Cellular have a right to express themselves, doesn't mean that it can't go the other way around.
Give me a clear cut example of a REAL LIFE villain who is misogynistic (and don't say Donald Trump or Harvey Weinstein because that's too "obvious") like Staham's character in this movie and I'll take your suggestion as more valid.
I've been around limited vocabulary types restricted to referring to all women as bitches. It's junior high locker room talk, some juveniles have more expansive vocabularies, others don't.
If you want to bag on Stratham's limited imagination in his references to Basinger for the misogynistic character he was playing, then do so. But if your complaint is that his choice of language isn't realistically represented by how dumb sexist ruffians really talk, then again I think you should get out more.
The previous President of the United States used "locker room talk" as an excuse and rationalization when he was caught on tape bragging about grabbing women by the pussy. And that was before he was elected!
So I suppose that in your mind, what Trump said and his excuse behind it is really no big deal and simply case of "boys will be boys" right!? How much do I have to get through your thick skull that essentially boasting and laughing about sexually assaulting women (especially if you go on to become the "Leader of the Free World") sets a really bad precedent?
I'm going to for a moment, borrow from Oliver Harper and his review of Predator 2 in regards to the language (at the 30:06 mark): https://youtu.be/PxXjTceyKl4?t=1807
He said that using swear words all of the time sort of sounds like a cheap way or say, short-cut to avoid writing something more creative. In return, the film has this aggressive attitude throughout. If people are not swearing, then they are shouting at the top of their lungs. It sort of falls in line with the mean-spirited tone that the film has.
Meanwhile, this is what one critic said of Cellular:
"Cellular" would qualify as being simply dumb fun — stress the dumb part — if it didn't have such a vicious, misogynistic bent to it. For a PG-13 rated movie, there's a surprising amount of cruel violence — violence that verges on debasing — against its main female character.
Also, too often this suspense-thriller does too good a job of living up to its title — way too much of the movie consists of people talking to each other over the telephone. Even when they're supposedly in peril or doing something incredible dumb and dangerous!
You'd be able to laugh the whole thing off if it weren't so mean-spirited at times. In addition to the other bits of unpleasantness, the film also resorts to the old child-in-peril bugaboo.
What reality are you living in? "Bad guys" are very often, very nasty people. What do you expect? "The most fine lady we have illegally apprehended, has very understandably broken her bonds and has slain our most deserving associate! Drat her!! I do hope she won't enjoy tea for an entire month!!"
Saying it once is one thing, but doing it again and again to the point of redundancy (like a sledge hammer to the ears) is utterly pathetic if not cliched from at least, a screenwriting standpoint.
They felt a certain way about her. It's not a stretch that they would repeat it. Just like in real life. Going back to your previous comment, have you actually seen "bad guys" in action? Lazy, trite and cheap? That's how they actually talk and much worse. Ever been in the hood where guys hang out? The stuff they say about women would curl your hair! The script painted these guys as being awful people by being nasty and abusive to her. How else should they have done this? If they were gentlemen, the audience might sympathize, when the guy got his artery opened. Your "bad guy argument" stance is a total fallacy. The "bad guys" were totally in character. Sorry if these truths don't fit your agenda.
"Cellular" would qualify as being simply dumb fun — stress the dumb part — if it didn't have such a vicious, misogynistic bent to it. For a PG-13 rated movie, there's a surprising amount of cruel violence — violence that verges on debasing — against its main female character.
But entertaining as "Cellular" is, Ellis doesn't have complete control over its tone. The picture is snickeringly funny in places (particularly a sequence involving a snotball lawyer and his freebie sports car with its "WL SU YOU 2" license plate). But Ellis can't always distinguish between suspense and sadism, and unfortunately, Basinger is the performer who suffers for that. Basinger is a limited actress, but there's a fragile sweetness about her that tends to inspire protectiveness in an audience, if not excitement. Ellis seems to take far too much pleasure in showing her being knocked around and terrorized: When Statham, as Ethan, swings at her with that mallet, or seizes her and lashes her slender neck to a post with his leather belt, her eyes betray genuine terror.
This bothered me as I watched "Cellular," and after reading the press notes for the movie, I understood why. Ellis claims that he didn't rehearse some of the "more physical scenes" between Statham and Basinger; instead, he gave Statham an idea of the effect he was after and allowed Basinger to be surprised.
I have a better idea. Seeing things first hand would be better for you. I don't know where you live but I'll wager you're not too far from what is considered a "bad part of town". Take a little trip there and spend a few hours "immersing your self". Let me know what you find.
Well, I'm a woman and if it were me I'd be much more concerned about how dangerous the guy is to my welfare then some stupid derogatory names he might call me.
Remember sticks and stones...
I'm beginning to wonder if some people these days will be able to watch many films at all that don't somehow trigger them in some way.
The list of older (as in a few years) film and tv shows that could not even be made today must be staggering.
If said guy is dangerous to your welfare, then don't they essentially go hand in hand? What I mean is that we can already get the former point without excessively needing to punctuate it or drive home the point that said female character is worthless to the bad guy.