I liked the movie. But, the graphic sexual scenes added absolutely nothing to the story line.
I would have liked to share this movie with my daughter (18), because the underlying story and suspense is great, but, I would be so humiliated to watch this with her, and she with me.
I can't understand why movie makers feel the need to add raunchy sex scenes to their films.
Sure part of the twist was the wife of one brother was having an affair with the other brother. But did we need to see the entire sexual act? We can get the idea without visuals.
I had no problems with the sex scenes in this film. What "ruedevariance" said previously is the reason the sex scene starts the movie off. It was definitely necessary in this came, as it tells you a lot about Andy immediately. It does it in a graphic way to draw you into the movie immediately. I know my attention was raised immediately when I saw Andy reaming his wife from behind. It made me wonder why this was the first thing I was seeing in this movie. What's going on with these characters? I wouldn't have any problems taking my daughter to see this movie, because she will have already know about sex between a man and woman well before she's 18yrs old. Parents need to talk to this sons/daughters as soon as they hit their teens, so they don't make mistakes in their life when they are so young.
"I liked the movie. But, the graphic sexual scenes added absolutely nothing to the story line."
Of course they added something! Andy's vanity and arrogance, full on display in the first scene, were what triggered his financial problems. Moreover, his treatment of his wife as a "trophy wife" is clearly reflected there as well. Had the sexual position been different, the message would have been different.
^Exactly, I don't know if you noticed, but it wasn't the most intimate sex scene ever, and the film explains that this is the most passionate experience the couple have had in years, illustrating just how emotionless and stale the relationship has become. The scene also shows that both characters are unsatisfied, and this moment is barely able to quench that temporarily.
Oh, you are SO, SO wrong. That opening scene, with Hoffman checking himself out in the mirror said EVERYTHING about his character and his true feelings about his wife. She was nothing more than a toy for him -- a status symbol for which he was deathly afraid to lose. He revels in his possession of her, looking at himself in the mirror, trying to see himself as something better than what he is.
It's an AMAZING opening scene, and a painful, personal glimpse into the dark soul of a complete loser.
I wonder how many of those who defend the bizarrely incongruous use of nudity in this film would maintain that position if the actress cast as Gina was the female physical equivalent of Hoffman? Does anyone perhaps stop to wonder for a second why we don't get ageing and overweight woman with those in scenes like these? Do we suppose that, as Hollywood would have you believe, women don't have sex when they put a few pounds, age a bit or generally don't look like a lingerie model? Why wasn't there a scene involving Andy and Hanks mom & dad "getting jiggy wid it" to enhance the emotional pull during the robbery scene?
A shame that a directing legend like Lumet had to give in to modern trends of pandering to little boys in men's clothing that like to see a "hot" actress get her kit off in a movie. One wonders how greatly superior films of the 40s, 50s, 60s, 70s and 80s managed to survive without this sort of pandering to a certain cinema going demographic. Without the wonderful plot development that according to posters here can only be attained by extended nudity by one of the lead females.
Impotence as a topic could be covered in a myriad different ways, with more style, subtlety and grace and the film would have been all the stronger for it.
That Gina is made to walk around topless in a scene with Ethan Hawke for no apparent reason reinforces that it was "nudity for nudity's sake" aimed at the mentally adolescent. As is the selection of such an attractive actress to play the role of Gina. Gina, a woman who despite looking like a model fell for Andy, a chubby and (as we find out in the movie) thoroughly horrible man who was employed as a "gopher" at his company at the time he met Gina.
In isolation all these points can be explained and defended. When combined they simply illustrate that "sex sells" and that unfortunately such trends will continue to be shoe-horned into movies at the detriment of story telling and plot development.
"That Gina is made to walk around topless in a scene with Ethan Hawke for no apparent reason".
What "apparent reason" does there have to be for walking around nude or semi-nude in a domestic environment? Why is it even an issue, or a topic worth any particular discussion? But it is indeed "nudity for nudity`s sake" because, you know, sometimes humans are not fully clothed.
"Aimed at the mentally adolescent".
I`m sure you are the "mentally adolescent" one here for making such a fuss over a simple scene featuring a pair of exposed breasts.
"Sex sells".
I`d wager more people were put off by the sight of PSH`s bare ass as the film`s first image, than turned on.
"Andy, a chubby and (as we find out in the movie) thoroughly horrible man".
He was not "a thoroughly horrible man", but rather a basically normal man pushed to horrific acts by rapidly escalating circumstances.
I think if you re-read my post you'll see I wasn't really making a fuss about Gina's nudity in the scene with Hawke. Instead, I was using that to reaffirm my general point about mainstream films' predictable willingness to disproportionately cast young and/or attractive women and direct the camera on them in a state of undress in a manner that contributes nothing to the story or to the quality of acting.
If it had been Gina tucked up under the bedsheet and the male actor strutting about getting dressed (an everyday domestic scenario that mysteriously never seems to make it into mainstream movies) then that would undermine my point.
What instead I make a "fuss about" (although some might call it a "reasoned argument") is people who, possibly through self-esteem issues, feel the need to pretend that attractive women being disproportionately found in a state of undress in films is essential for the wellbeing of the craft. That it enhances the movie in a way that the likes of Hitchcock, Coppolla and Kurosawa were cruelly denied due to censorship in their time. I find that position utterly laughable.
It'd be far more honest to say, "I enjoy viewing the female form. I'd rather see Gina naked in this flick than Hoffman's parents and it has nothing to do with advancing the plot. It's superfluous fluff that increases the chances of a film getting financed."
But no, instead people, overwhelmingly of the male persuasion (go figure), feel the need to log into threads like this and throw around words like "prude". As if the preference to see a scene that advances the plot or the character rather than a scene with a pair of breasts is in someway inappropriate in a website dealing with movies.
As for Hoffman's character:
Heroin abuser - check Fraudster and embezzler - check Manipulates brother into committing a felony - check Orchestrates armed robbery against his own parent's business - check
Life must be peachy if people like that constitute "normal men" to you. You can make a case that Hawke's character was the normal man led astray but Hoffman's character was a 24 carat shyster, and, to reiterate my point, it is pushing the boundaries of believability that he above all mankind would enrapture Gina when he was a "gopher" when they first met.
"Mainstream films` predictable willingness to disproportionately cast young and/or attractive women and direct the camera on them in a state of undress in a manner that contributes nothing to the story or to the quality of acting".
Bizarre thing to worry about - or indeed to even take particular note of. And the answer to the mystery is simple - women are more often seen naked in films than men because of the simple fact that men are ugly. Not nice to look at. But this is such a silly, pointless topic from top to bottom; as a matter of fact, I should start my own thread inquiring why are most people in films gratuitously clothed? There`s usually heating and sh-t in modern appartments and clothes aren`t normally used to identify characters, either. So why this costly habit of dressing performers that contributes nothing to the story or to the quality of acting?
"It has nothing to do with advancing the plot".
There`s more to the art of film than "advancing the plot" you know.
"It`s superfluous fluff that increases the chances of a film getting financed".
When you`ve got the likes of Lumet, PSH, Hawke, Finney, Tomei etc on board - not to mention possess an outstanding screenplay to boot - you don`t need tits to get started.
"As for Hoffman`s character: etc etc etc".
Yeah, just what I said - he`s a pretty normal man and very much an adequate representative of the human kind. Nothing particularly bizarre or deviant about him.