Anti-American??
Roger Ebert and other critics have accused von Trier - and this movie - of being anti-American. Ebert really savaged it: "His dislike of the United States (which he has never visited, since he is afraid of airplanes) is so palpable that it flies beyond criticism into the realm of derangement."
I didn't get this impression at all. I took it as being a commentary on human, not specifically American, nature. Not sure what the Depression-era (I believe) photos, and Bowie's "Young Americans" over the closing credits are intended to represent.
I'd be interested in any theories.