Depiction of the Logical Conclusion to Meaninglessness
Minority Report presents the audience with a very grim depiction of the logical conclusion to endless nihilism (drugs, endless consumerism, unadulterated hedonism). Ignoring the film’s primary narrative that deals with determinism vs. free will, the cinematographic aesthetic presents a dreary, difficult to absorb color palette. Spielberg himself stated he wanted the film to look as dirty and ugly as possible. The film, with its shades of grey, dark shadows, and low and Dutch angles augment the seediness and immorality; the high contrast lightning (chiaroscuro lighting) capture the aura of psychological oppression brought about by existential angst, a product of a world devoid of meaning and purpose.
In Dostoevsky's, The Brothers Karamazov, there is a poem titled The Grand Inquisitor. The premise presents Jesus returning to Earth during the time of the Inquisition. He begins performing miracles again, and starts to be loved by those around him. Shortly thereafter, he is imprisoned by The Inquisition, and sentenced to be burnt to death. In prison, he visited by The Grand Inquisitor, who tells him that the church no longer needs him. He states that Jesus’ overall message was that people needed to choose redemption and salvation, but human nature, because of choice, dooms most of humanity to miss salvation and suffer. The Inquisitor says that, "man prefers peace, and even death, to freedom of choice in the knowledge of good and evil" and that it is better for individuals and society that people trade their freedom of choice for "miracle, mystery, and authority."
He thinks himself a person capable of freedom of choice and that it is up to men like him to run society, rationalizing that the rest of humanity will live their lives relatively happy, but in complete ignorance. The story takes the idea that man simply will not accept the supernatural--that is, the perfect order descended from the heavens--in whatever manner it appears, because they are already consigned to rule.
The Inquisitor admits to Christ that centuries ago, the church had abandoned Jesus to follow Satan, saying they accepted the offer Jesus denied in the desert where he was tempted to worship the devil in exchange for all the kingdoms of the world; in taking up such an exchange, they planned to become the sole rulers of Earth and, eventually, bring happiness to all mankind.
If happiness is truly the goal of life, regardless of who is providing it, then perhaps the means justify the end. However, in surrendering their freedom of choice to The Inquisitor, people have abandoned the providence of God and lost the basic foundations of consciousness to, essentially take up the life as a slave to the ruling church, and therefore the rule of Satan. Have we sacrificed our own freedom to a guiding mind, a force of will for the comfort of a system or group that promises a happy life?
What is the goal of life? Certainly, today, it would seem that the goal is to maximize happiness and minimize discomfort. Technology serves as a way to streamline life through the elimination or dilution of redundancy. And so, in the world of Minority Report, we have this goal at the end of the spectrum. We see a world devoid of meaning, purpose, ambition, drive and, ultimately, life. It is Albert Camus’ absurdist reality, wherein he writes, “The literal meaning of life is whatever you're doing that prevents you from killing yourself.” If the ends justify those means, then a life of endless temporal pleasure aligns with that notion. Here, Spielberg’s vision encapsulates that dystopia/utopia, the logical conclusion to "what becomes of humanity when meaninglessness and nothingness replaces the narratives of civilization."
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