When this movie came out in 1999 I though it was different, irreverent and hip. Now at 50...I I have come to realise that this movie is really meant or a certain age group and the point of view that some young adults have.
So if you are under thirty and love this movie, in 20 or so years you might have a different point of view. I still think it story is highly original though.
I agree. The ideas presented resonated with me as a 17 year old. Watching it years later I still enjoy it as a film but I certainly don't buy into any of the thoughts of the lead characters.
I think people who feel like the OP are getting it backwards. The movie is supposed to be more relevant as you age. The reason why is that it exists on two levels: 1) Immaturity 2) Maturity. Tyler Durden is supposed to represent The Narrator's immaturity. What represents The Narrator's maturity is the moment when he finally realizes that he is Tyler, and that he had created him to avoid facing his fear of intimacy and personal growth.
When young people watch Fight Club, they love the movie because they naturally want to identify with Tyler and his zany ideas. Why? Because he's cool, bad ass, sexy and edgy. But when they get older, they're supposed to identify with The Narrator after he realizes that Tyler was never anything more than an escapist fantasy.
Pop culture made such a cool anti-hero out of Tyler Durden that most people watching the movie think it's all about him and him alone. Consequently, when they outgrow Tyler's antics, they think they've outgrown the movie. But they haven't. They've outgrown Tyler and are supposed to then mature into The Narrator when he drops him, too.
Interesting, I don't remember ever identifying with Tyler Durden when this movie came out. Fight clubs were real over a decade prior to the movie (maybe earlier but I can only speak to what I know) and I knew young men who attended regularly although none of them called it "fight club". They were unemployed or blue collar, no prospects, no money, with excessive testosterone that they spent in bare knuckle fighting and enjoyed all the bruises, broken fingers, and lost teeth that came with it. They were very much like Tyler Durden minus the leadership qualities and terrorist activities. I played football, wrecked cars, joined the military, and have been in over a dozen fights but I'm too big a chicken to go head to head with one of these types unless I have to. They are brawlers and they are good at it. They don't fight out of anger, fear, or even for prestige .. they like it.
The movie isn't deep as metaphors go, Tyler Durden explains it dialog, and The Narrator has no name for obvious reasons. What matters is that Tyler Durden was right about a number of things. For example,
"... an entire generation pumping gas, waiting tables; slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need." -- Still true today. The job of marketing companies is to reprogram how you think and they are very, very good at it. They tell you what to buy, how to vote, and leave you believing that you never had any other choice. It was this movie that set me on the path of avoiding as much advertising as possible in my everyday life. I will not watch tv or movies unless I can skip commercials or it's commercial free. If an ad comes on the radio, I mute the radio. I can't eliminate everything, but I avoid most of it. It makes a difference. I'm tired and I've hit the character limit. Maybe more another time.
The Narrator has a name. His name is Jack. He says it several times during the movie.
Interesting, I don't remember ever identifying with Tyler Durden when this movie came out.
But you do identify with him. Case in point:
What matters is that Tyler Durden was right about a number of things. For example
You say that Tyler was right about many things. He couldn't have been, because he was a psycho/expression of Jack's mental illness/psychotic break. The psychotic break happens when he's confronted with Marla, who poses a psychological threat to him. See, Jack keeps ranting about his shallow and materialistic existence. All he has to do is change it, as in quit his job, stop buying stuff and stop listening to advertising. He doesn't because he's too scared to. Marla is the first real potential for change because she is the very anti-capitalist, anti-consumerist person that he needs, but he can't handle the possibility of changing. So, he creates Tyler in her place. This is why the opening sequence ends with The Narrator saying:
This all began with a girl named Marla Singer.
Not only does the movie itself make it very clear that Tyler is an expression of The Narrator's/Jack's mental illness, the novel on which it was based was even more to the point. (The guy wakes up in a mental hospital.) Of course, the ending is changed, but all it did was end on a somewhat "happy" note (Jack snaps out of his psychosis when he has the courage to be with Marla). But the principle was there all the same. As the author of the book put it:
Palahniuk doesn’t see Fight Club as particularly gendered anyway. “It was more about the terror that you were going to live or die without understanding anything important about yourself.”
I told you that I don't and your "point" is a non sequitur. I suspect that it is/was you that wanted to identify with Tyler Durden but we are supposed to identify with the Narrator, he is us, but specifically young GenX males.
You say that Tyler was right about many things. He couldn't have been, because he was a psycho/expression of Jack's mental illness/psychotic break.
Tyler and The Narrator are fictional expressions of the author, actors in a metaphor; of course he can be right just as he can be wrong. The Narrator is not unlike Neo from The Matrix, both intuitively know that society is a fantasy, an illusion difficult to escape because we are trapped by our job, social circle, and the things we own. Both explore the idea that leaving society means leaving the trappings it offers, Neo wears rags and eats goop, Narrator/Tyler squats in an abandoned house and makes soap. Fight Club is a metaphor for the Narrator slapping himself awake. Many movies follow this general theme because subconsciously many of us reject modern society in little ways and long for escape.
Palahniuk doesn’t see Fight Club as particularly gendered anyway. “It was more about the terror that you were going to live or die without understanding anything important about yourself.”
Tyler spoke of this and is another example where he offers keen insight.. how can he know himself if he's never been in a fight. Beneath the wool suits and khaki pants we are still animals, social animals, that live in a hierarchical society. Much like dogs, we are uncomfortable not knowing our place in the pack. This is why young boys in a school yard fight and why some men fight. It is nature's way of resolving rivalries and often the guys become close friends after. I suppose women have similar ways of sorting out the pecking order. Out of characters again.
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What exactly IS the name of the main character in Fight Club, is his name Tyler, Jack, or something else?
Chuck Palahniuk: His name was never given in the book. They needed a name for the screenplay to put next to the character's lines so they just put Jack in there for the hell of it. In the book at one point he even takes out his drivers license and shows it to Marla to prove that he's not Tyler Durden, but Marla was introduced to him under a dozen different names in the support groups. So when he finally comes to save her as Tyler, that's who she knows him as. All the people who have met him have met him as Tyler, so that's who they know him as. But his name is really…. I have no idea.
I never liked the name jack as it through you off. They did mention it as a reference and I thought that was his name. When the twist came I was disappointed mostly cause I was mislead and what were theh going to call him? His alter ego? Brad Pitt Street fighter?
I think this movie would’ve been a lot better without that concept into it.
...the narrator frequently references a genre of article made famous by Reader's Digest meant to educate people in regard to organ health. Articles such as these were written from the point of view of bodily organs and were given the titles such as "I am Jack's liver" or any other body part. The name "Jack" or "Jill" was used simply as a stand in for any given human being.
I told you that I don't and your "point" is a non sequitur.
My point was not a non sequitur, and you can't just throw around latin terms whenever you feel like it. They actually have to be used correctly.
So, let's try this again. You first said that you didn't identify with Tyler and practically in the same breath talk about how right he was in so many things he said. This shows that you identified with Tyler, because when the twist happens, you were supposed to drop everything he said as nonsense like The Narrator does and realize that Tyler's dissertations were nonsense. But here you are still feeling as if the character was a fount of truth and insight into society, when--like I said--Tyler is an expression of someone's psychotic breakdown after he's forced to make a change in his own life.
You are so enamored with Tyler that after putting my comments down as non sequitur, you keep talking about how he had "insight." Insight about what? Tyler Durden is a projection of Jack's mental issues. Rather than just change his boring, humdrum life by shacking up with a non-conformist like Marla, Jack invents Tyler to convince himself that he can't change at all because he's a victim of society. But he is not a victim of society. No one is, because everyone has the ability to change their lives for the better.
I suspect that it is/was you that wanted to identify with Tyler Durden but we are supposed to identify with the Narrator, he is us, but specifically young GenX males.
Wow. How lame. I'm not only female, I didn't even see this movie until five years ago when I was in my early 40s, so what are you talking about?
And this movie was never a "GenX" movie. Both David Fincher and Chuck Palahniuk are Boomers (born in 1962). The movie's sensibilities are not GenX either. It had its own sensibilities, which is why millennials and GenY identify with this film more than any other demographic (but for all the wrong reasons).
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And I thought you were one of those cool people who I could get into a fun, interesting debate with, like back in the days when people would hang out at a Greenwich Village or Parisian cafe talking politics and culture. That's why I engaged with you.
But turns out you're just another pseudo-intellectual moron (hence all the latin and foreign terms) who expects to babble inaccuracies or half-baked nonsense without getting challenged on it. So, I was wrong about you. Thanks for letting me know, so I can put you in my ignore list, so I won't have to waste any more time discussing things with a halfwit.
If I recall, Jack is a name in a series of books he finds in the old house; I am Jack's liver, I am Jack's spleen, and so forth. He later refers to himself, and his current emotional state, in a parody of the books, but his real name is never revealed to be Jack.
When I watched it in my teens its themes resonated with me, it meant something to me, yet 20 years later it means a lot to me just the same, only because of my new interpretation of those themes, the power of this film is that there's no clear social commentary, everyone can take something different from it. There is no clear message in this film, its symbolical nature allows for different ways of interepretation and therefore resonance. Palanuik's novel works on many levels. If there was a theme that everyone should see, then Palanuik's intentions would be contradictory, being a slave in this film does not only mean feeding off advertising, it means being a slave to the physical reality itself, that can be even your body, people, their beliefs, their actions to the point of being offended, anxious or hurt, and that is important. It speaks to the power of an individual, inner truth, not a sheep mentality that follows what is followed by others. Find the truth within yourself, including yourself, your creativity, imagination, self will, individual thought, that is what I take from this film.
It's a metaphor, not to be taken literally. It's a call to action to disempower corrupt institutions and rebuild anew, make the world your own. Every generation believes they will be better than the last then the world eats you one bite at a time, with a job, with possessions, with children, responsibilities, and pretty soon are you following the path of least resistance. In the end it doesn't mean anything because everywhere in all times people are just people doing the same things.
The "now, go out and destroy everything" message is puerile and undermines the final third. However, for all that , the film still does have some salient points about self-improvement, choosing your own destiny and not becoming a slave to consumer culture.
Yes. Someone who gets it. It's about choice and self improvement
No one is a victim of society. We all have the choice to rise above its trappings. If you're obsessed with IKEA catalogs, you have the choice to stop buying from IKEA and go to flea markets. If you're inundated with consumerism, you have the choice to not be consumed by it.
In the last scene in the first act, we see The Narrator is forced to make a choice in the phone booth between giving up his current life for a new one. He can abandon his old life and be with Marla (someone who is anti-consumerist, a free spirit and can cure his loneliness), or he can continue to be mired in his own shitty consumerist lifestyle. He chooses to remain mired in his shitty consumerist lifestyle, which is represented by him deciding to choose Tyler over her.
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Does paper street really exist where I can have a house to crash to? Can I really blackmail my boss and if it fails can I serve the rest of my life getting beat up in jail? Having broken bones and bruises is fun when in the next scene your like whatever and at the end of the movie your still rich and famous Brad Pitt banging tons of hot famous women and not some washed up from a support group. Soap ingredient really doesnt work. People dont really follow you in masses no matter how tough you are. No woman is going to put with your fked up lifestyle and you have children to support. Good luck staying above minimum wage all carved up, pissing on food, putting porn in movies, coughing in food, listening to radio while serving...
I don't think my opinion has changed very much. At the time I thought Tyler was presented as the epitome of cool on the surface-- he looked, dressed, spoke, and acted like every man wishes he could-- and he made some intelligent observations about the world, but his overarching world view and plan were demented. I feel about the same now.