[[[Tim Roth had me convinced, even though I knew he wasn't playing... the illusion was perfect.]]]
Absolutely. As an ex-pianist and organist, semi-pro many years back, I watch for that stuff also, and Roth was spectacular -- the mark of a true professional who will spend God-knows-how-much time to perfect that illusion rather than "shoot around it." The old film "Intermezzo" gave us that, as did Amy Irving and Shark-boy in "The Competition."
Unfortunately, there just weren't enough car chases, gunfights and silicone-enhanced breasts to suit many of the viewers ... and of course there are those who only want films that are "...all history or all fiction..." -- which eliminates everything but Disney nature documentaries, unless one really believes that historical events usually happened exactly the way they're portrayed. Words fail me there. The minor bit of disbelief one had to suspend was truly very small, and well worth the trade.
One suspects that what we're seeing in some of these comments is a phenomenon all too common on the Forum -- the almost universal tendency among those who have taken a couple of Film or Drama courses to display their newly-acquired "knowledge" (generally conveyed by some failed industry professional who now teaches) and appear sophisticated and astute by issuing blasé critiques. Sometimes they bring out valid and useful points; often, though, they are just dorks.
I seldom see anything more than twice unless it's one of those "Nothing On, Lesser of Three Evils" nights, but I've seen this one five or six times and am blown away each time. And I generally dislike foreign, especially Italian films, and don't much care for obvious allegories. Roth's and Vince's acting is simply superb.
I am reluctant to state that it's the finest film ever made, or that Roth's acting is the finest piece of work on film. But if pressed, I cannot name anything that I believe honestly tops either one, even considering all my favorites. But I do think it should rank near the top of any "All-time Greats" list.
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