Well, there's now too many replies for me to read them all, but I do have something to add to the ones I did read.
On the Criterion DVD, there's a small interview conducted by Tim Robbins where, among other stuff, Altman addresses this issue (not that I think it was really needed, as most answers were obvious without the need for overthinking it, but what the hell...)
The scene where Marian finally comes clean to her husband about the night with the guy is when she's at her most vulnerable, fragile, and at the same time, candid and earnest. That is not only "shown" to us with words, it is actually there for everyone to see. She's opening herself up, she's coming clean, and, despite what she did, she probably feels somehow lighter for finally saying it, and, in my humble opinion, it comes across in such a nice and natural way that the scene wouldn't just be as rich if she had her fur coat and winter boots on. This is also, and maybe first of all, a visual medium, and Altman is obviously able to use that to the fullest. So, yes, it does serve a purpose, be it "artistic" or what have you. It also, as has been said, tells us something about the nature of her relationship to her husband at that specific moment and, what I think is just as important, his feelings towards her; he is there as a completely non-sexual entity as far as she is concerned, learning the details of an adultery he already kind of knew had happened. This added yet another layer to what's going on, but I'm not going into that.
On that same interview, Altman says Madeleine Stowe rejected that part (which eventually ended up being played by Julianne Moore), not because of the nudity per se, but because it was so intense. Altman told her it was OK and understandable, but she wanted to prove to him (and most likely, herself) that she'd have no problem with nudity so she asked him to give her some nude scenes, and thus the nude painting scene came to be. Also, when Moore got the part, guess what she told Altman? "Oh, and by the way, I have a bonus for you: I really am a redhead." Now, does that sound like someone who's uncomfortable to you?
On the subject of Frances McDormand's naked scene when she's walking out of the shower, I'll just quote Altman: "It is real." And it is! She's just walking out of the bath, thinking she is alone, so she goes to get a towel while naked. It is, in fact, so real that I didn't even give that scene a second thought. It happened there as it happens in real life and that idea was obviously what Altman was going for here (and probably throughout his career, but I've only just seen three of his movies so I can't be sure.) So, there, hope that was helpful.
Now, that being said, why would you even ask something like this? Honestly, either it makes sense to you and speaks to you on some inner level or it doesn't. If it doesn't, you can either disregard the scene or even the entire movie, or you can try and make sense of it. How can posting on an internet forum somehow help you emotionally connect with the idea that permeates and is the driving force, if not the central theme, in a movie? I am really sorry but I just don't understand. I have to admit that I was kind of confused about the last scene Chris Penn was on, but it never crossed my mind to come here and ask "Do you think it was there for its shock value or whatever, or was it actually the logical conclusion to the kind of character development he was getting up to that point? How should I feel?" Sorry if that was harsh, but these forums have made me jaded.
(Oh, and by the way, my first thoughts when I saw Moore take her skirt off were actually "she really is a redhead.")
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