I disagree with you, Jim-764, I don't think those were good points.
We're not talking about 19th century racial oppression here. We're not talking about 1960's racism. We're talking about racism right now.
Slavery is only relevant to this discussion because it provides a historical context, nothing more. It's an incredibly boring and shallow argument to assert that a film's racism pales in comparison to that of slavery.
Of course Boomerang isn't as racist as slavery (like duh), can we move on now and actually talk about racism IN FILM?
I mean, that is the topic of conversation, not whether or not slavery is bad.
Anyway, I think the old "racist white movies outnumber racist black movies 10,000 to 1" argument is a pretty weak one at best. The number distribution is irrelevant to discussing the morality of a single film.
Is the depiction of race in Boomerang reductionary? Is this reduction justified within the world of the film? If not, then what does this say about the vision of the film?
If we decide that the vision of the film is, indeed, racist, then what we are doing is saying the film fails on a moral level.
This is incredibly murky territory, critically speaking. It would be worth discussing whether or not film even has an impertaive to be inherently moral. However, if our discussion of The Birth of a Nation (a beautiful epic film even for its failings) is any indication, then it seems to be that the general consensus is yes, film does have an imperative to meet the standards of our current system of cultural morality.
To not judge all films, whether they be aimed at a black audiences or white audiences, by the same standard is the textbook definition of prejudice.
As film analysts, we should avoid prejudice whenever possible.
Therefore, yes, The Birth of a Nation is racist. Slavery was racist. Boomerang is, in all probability, racist. It should be our goal to always condemn racism.
It should not be the goal of black filmmakers to turn the tables of racism back on "the white man". The goal of black filmmakers should be the same as that of any other filmmaker: to address social issues and cultural phenonmenon in an interesting, entertaining way that reveals a certain truth.
By the way, have you watched Eddie Murphy's stand-up routines? They're hilarious, especially if you like thinking about how greedy and worthless women are and calling homosexuals "f*ggots".
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