I have read through the entirety of this thread and have seen three versions of the story; Dangerous Liaisons, Valmont and Cruel Intentions. I have never read the book or seen the play but for personal taste, I'd rank the movies in this order
Valmont
Dangerous Liaisons
Cruel Intentions
I didn't like either of these two films but if I had to choose one, Dangerous Liaisons knocks Cruel Intentions out of the park. I mean Malkovich has a lot of that manipulative characteristics down and Glen Close was actually pretty well performed but in terms of De Tourvel, no one and I mean no one can compete with Michelle Pfeiffer. The dark tone did actually do a lot in the movies favour and made me feel uncomfortable in scenes such as when Valmont rapes Cecile.
Cruel Intentions had a kind of premature tone about it. The acting in this film was atrocious and the writing is hypnotisingly bad (I know thats not a word but its the only way I can describe it). After I saw Cruel Intentions, I had to comprehend for a bit that the movie actually had fans. I mean considering that Valmont and Merteuil were step-siblings...that made the movie more disturbing. Why am I complaining? A bet two people make where they destroy the lives of everyone involved is disturbing enough, even in modern times, it doesn't need THAT too.
The reason why Valmont is by far my favourite is for a few reasons. The tone of this movie is kind of light but that is what works so well with it. At first it feels like fun and games and when all these horrible things start happening, it becomes more shocking to someone who knows nothing about the story. Colin Firth plays his part with plenty of charm and he did kind of pull off the look that Milos Forman was going for. I mentioned a rape scene in Dangerous Liaisons. In that they don't even try to mask it and in Valmont they make it even more uncomfortable by giving the scene an almost soothing tone. It gave both Valmont and Merteuil more of a human side than I have seen in either of the two versions which just added to the emotional weight of the climax. The emotional subtlety of this film is simply phenomenal and I stick by this as my vote for the best of the three versions I've seen.
"I have always valued my lifelessness."
reply
share