MovieChat Forums > Supergirl (1984) Discussion > The problem of 'female versions' of STRO...

The problem of 'female versions' of STRONG men


You can't just make a 'version for all' of something that proves to be popular. There's a reason strong men are more popular than strong women. There's also a reason why women don't have to be strong to get a mate in real life, but men can't be weak - I don't mean physically, but men have to have some form of status to score.

The easiest form to see is of course wealth, money, resources, etc., and it's the easiest to explain with evo-psychology as well.

The thing about men and women is that although we're all supposed to be just human beings, PEOPLE, and pay less attention to what kind of form we are piloting, the genders being very different make people very divided by their gender, when it comes to values, behaviour, mating strategies, desires and methods for trying to achieve their goals based on those desires.

You don't have to go further than the old interview of a 'boy and a girl', both which were supposedly 'gamers', and when they asked what kind of game they would create, if they could, the boy answered rationally and seriously, conjuring up as interesting a game as he could, the girl basically answered by putting down men and boys, and didn't really give a serious answer.

It's weird, how obsessed people have become of genders, although the same people think gender is meaningless, because it's just a social construction.

Even in some typical youtuber intro, I spotted japanese for 'Girl Power', as if we couldn't read simple kanji and katakana. It was even written as 'Onnanoko no pawaa', instead of 'Mesu chikara' or whatever.

Women love to boast how powerful women are, probably exactly because women really aren't that powerful physically. Their power is elsewhere, and societies and governments have always catered to this power and amplified it, while protecting women more than men. Compare the amount of women's shelters and women's institutions to .. the non-existent 'men's ones'.

My point, however, is that woman has more options than men, and her power is very different from man's, but because it's often more subtle and harder to see and pinpoint, simplistic thinknig never sees it.

The movie- and cartoonmakers (Think He-Man and She-Ra - of course they ALWAYS avoid the word 'Woman' for some reason.. what's wrong with She-Woman?) seem to think that they can just copy whatever the man is, super strong and muscular, for example, able to do amazing physical feats, and then just paste that to a more feminine body.

This doesn't work, because whereas man being strong makes sense for multitude of reasons, one of which is that historically, strong men have been able to gather resources, so they have been able to provide for the family (read: woman).

This is woman's psychology; to attract a mate that's useful. Man's value is in how useful he is to the woman. If he has money, he's useful. If he's a celebrity, he's useful. Alpha male, useful. It has nothing to do with man's looks, and even the most ardent, hard-boiled MGTOWs and men's rights advocates have not yet opened their eyes to this fact. I don't know how they can simultaneously say women choose rich men and bad boys, and think looks are what attract women.

If looks were enough, if THAT was an option, men would strive to improve their looks, because that would be the EASIEST route. No one would strive to be rich and powerful or become a bike gang member to attract women, if they could just take some plastic surgery and put on some make-up.

In any case, you can't just take a strong man and then make a female version of that and call it a day. It just doesn't work.

You can imagine women being attracted to a strong man that can do amazing feats with his muscular power, but can you imagine teenage boys drooling over a strongwoman? There's not even a term 'strongwoman'!

Men are physically strong, because they can be. They also have no choice. Or to put it in another way, they have only very difficult dilemmas, no real choice. They can become a CEO, but that's extremely difficult and hard work, and improbable.

Any form of status that attracts women, is hard work and difficult - the easiest probably being 'becoming a PUA', but even that takes commitment, facing your fears, growing as a human being, confronting difficult situations, going out into the field to practice, so much labor, toil, learning, failing, falling down and forcing yourself to get up over and over until you can ever even dream of becoming good at it.

Because women's and men's mating strategies are different, making your main hero a 'muscular, strong woman' just doesn't work, because its NOT the same. You can't just reverse genders by doing the same thing and calling it a day.

You can't take an ugly woman and ugly man and think they're equal. You can't take a pretty woman and handsome man and think they're equal. It doesn't work that way.

Their strengths are different - men's only strength is obvious, direct, physical, observable, measurable.

reply

Women's multiple strengths are multi-layered, subtle, hard to see, hard to realize and often invisible.

A woman can attract a man and make him sweat, his heart pound, and his feet jelly just by sitting on a chair and doing absolutely nothing. How do you measure that?

For some reason, this enviable, immeasurable power is never seen as strength, although women use it every day to ruin men's lives and wreck marriages. A pretty woman can tie a man around her pinky in various ways. Crocodile tears, among with other manipulation tactics and playing men against each other or crushing some woman through her man are very powerful control methods women use without even thinking about them, it's natural for them.

Women make great spies and spreaders of information - gossiping is an actual, useful strength, if used for good, and it used to be. Think the fifties nuclear family, whose woman, wife, mother not only extracts information from everyone she meets, but then also creates a semi-coherent narrative based on all that information and is able to spew it into the family pool of knowledge in staggering detail and length.

There's a reason why men's version of the exact same night is 'We went bowling. The end.', and a woman's version is: 'So Jenny, of all people, out of the blue calls me - it was the most amazing thing, because I was just thinking about her, and she had all these ideas on a family get-together, and of course my blue dress was in the dry cleaners, so I had to stall and try to think of something we can do that doesn't involve something so fancy, so I was thinking of a party, but you know how Susie hates when one of her friends give parties, when she thinks of herself as some kind of party queen, so I half-wanted to do it just to see her smug face, but Jenny talked me out of it, because she had just had coffee with Nancy, who talked about how much fun her husband had last week bowling - Nancy is of course cheating on that husband of hers, and..'

reply

..Well, I think everyone gets the point by now.

That story will at some point come to some kind of point, but we will be better off just diverting back to my point before we want to re-decorate our livingroom walls with an interesting new color called a hint of brain.

My point is, if you think about the whole 'Kunoichi' phenomenon, how women could actually work as servants and other 'non-suspicious' elements, and thus smoothly flow through the otherwise impenetrable walls of societal discourse and flocks of important people, and how they can retain trivial and mundane details, whereas men focus on the big picture and important points, THAT power could be so easily and well shown by movies, TV shows and cartoons.

Instead of doing the typical 'strong woman beats up men for DARING to feel anything sexual - HOW DARE men have sexuality!1'-misandrytrope to show how strong and powerful a woman is, I would be more impressed seeing women seducing men and that way extracting secrets, poisoning men's drinks while flirting with them, eavesdropping on men while seemingly just being a good maid or a hostess or whatnot.

The possibilities of these feminine, subtle but powerful expressions of strength are endless, and yet all we get is a 'female version of a big muscle'.

You can't just take what works for a man and then make a female version of that. That's why She-Hulk is a boring character, and she has to do something -extra- even in the comics to stay interesting and relevant, like breaking the fourth wall. Titania got beaten up by Spider-Man in Secret Wars (they would NEVER do that nowadays even in a comedy movie, but it's the funniest thing I have ever seen in a comic), and that just goes to show that a strong woman is just boring.

A strong man can be interesting, because it's a natural extension of what men strive to be and can be anyway. A strong woman seems a bit off, it's not a natural extension, but more like going the OPPOSITE direction from nature.

reply

stop making sense

reply

Cesar Millan has often said, 'never go against mother nature'.

Yet we have She-Hulk, Titania, Supergirl (why not SuperWOMAN? Why are they ALWAYS so afraid to use the word 'woman'? Why 'She-Hulk' instead of something like 'Hulkess' or 'Hulkette'?), you name it. They just don't get it.

I am tired of seeing the SAME, exact character, but slightly smaller body, longer hair and more attitude and misandry.

My point is exactly why this movie is such a mess. It's easy to write a 'Superman' story; a strong, powerful man rescues weak people from the tyranny of some kind of villain. It writes itself.

But what do you do with a woman? The problem is, it has to offer something different than the 'strong man', or there wouldn't be any reason to even make that gender switch, if it's just going to be exactly the same, now is there?

However, by making the strong woman a copy of the strong man, they lose so many possibilities they could otherwise have. You can't just have a strong woman save weak people, because it would feel somehow 'wrong' for a woman to have to rescue some icky and yucky man, ecch. Men are always the worker drones, the robots, the cannon fodder and the nameless henchmen in stories.

Women are always pedestalized and valuable prizes that have to be treated with silk gloves. So what is a woman heroine to do, that would be different than what a man would do, but still show off her physical power,... ? It's a dilemma, moviemakers haven't been able to solve it, because they are going away from the nurturing, gossiping and stealth women would be so good at. Women could manipulate men so easily, but instead, they just physically beat them up.

Why can't women's strength be psychological? Women always win arguments against men. This is not coincidence. Men have physical power, which is USELESS against women in the modern world, because if you hit a woman, you will face DIRE consequences, and women don't even have to lift a finger, because simps are everywhere.

reply

But there are no simps for men. Hence, you can do anything to a man, and people will just think it's funny.

Superman takes quite a lot of pain and beatings in the movies, cartoons and comics. But a Supergirl can't take a punch, because how dare anyone punch a woman!

This makes it a very strange 'hero', because she's supposed to be powerful, but not powerful enough to take punches? She's supposed to rescue and save people, but this would make her a typical worker drone that men usually are. A woman punching something really hard is just boring, because we've already seen a man do that.

We should be able to expect woman to give us a feat of strength we haven't seen men do. They should be able to use seduction, flirtation, social-sexual power, even 'sleeping with the enemy' to gain some kind of advantage for the common good. They could be spies, kunoichi, psychological mind game masters and such, they wouldn't have to do acrobatics and punch people in the face, for crying out loud.

Why are women's ACTUAL strengths never seen in movies or cartoons? Why is She-Ra just another muscle-bound, physically strong entity?

Why is everything si physical anyway in movies? Even in the old, 'The Neverending Story', Autreyu doesn't pass the first gate because he ACTUALLY succeeds in doing what the rules say he should, but because he PHYSICALLY RUNS VERY FAST.

This is so mundane and banal, when it could've been something so much more interesting. Too often have I watched a movie, expecting something a bit more interesting, but then it all crumbles down because it's just 'physical'. Everything is SO physical, even if someone 'mind controls' someone, it's somehow done in a physical way.

I don't know if it's lack of thinking, understanding just HOW different the genders and powers endowed with each gender are, or just not caring about anything except money, but they just do a lazy 'copypaste' instead of really thinking how they could make a 'female version of Superman'.

reply

Just making a physically strong woman that can fly doesn't cut it. THIS is why this movie failed. It makes no sense, because the woman can't have a typical 'male story', but they couldn't figure out what to make a woman do in a movie, because she can't have crude fistfights or other typically 'male' thing. So what do they make her do? After watching this movie a few times, I still don't really have a clue.

She.. destroys .. a .. witch?!

Think what a REAL Superwoman could do. A Superman is just a man, whose natural strengths have been boosted to the extreme, and then some weird crap has been added, like eye beams and flying.

So what would a Superwoman look like that actually had a woman's natural strengths boosted? She would be even MORE nurturing, more adept at social interactions, even better at manipulation and gaslighting, even better at informational work and social engineering (gossiping), and so on. She wouldn't be physically strong, but BOY, would she be strong in so many other ways, especially social ones.

The power she would have over men would be beyond mere mesmerizing or even hypnotizing ability, she could make masses of men fall in love with her, and she could be bubbly and flirty with them and they would do her bidding. They would never figure out she doesn't really love them - she actually despises the losers she can control so easily. Sound familiar? This happens in every single webcam site.

This happened in human history for thousands and yet thousands of years.

Why can't stories take this power into account in their stories and build a REAL SUPERWOMAN instead of some muscule-bound, misandristic jerk that tries to simply mimic physically strong men? IT'S BORING, and it doesn't work!

reply

"Why can't stories take this power into account in their stories and build a REAL SUPERWOMAN instead of some muscule-bound, misandristic jerk that tries to simply mimic physically strong men? IT'S BORING, and it doesn't work!"

I believe that at least ONE film like you describe has been made in the 70s, called "I Killed Einstein, Gentlemen" (1970), from Czechoslovakia I believe, give it a look one day although its somewhat obscure and very cult movie.
https://www.imdb.com/title/tt0065235/?ref_=nv_sr_srsg_0

reply

Although actually, its still a sci-fi movie that probably succumbs to that other formula.

And besides, contrary to the "it doesn't work" statement, for many audiences, that's like the only way for female characters to get even with their male counterparts, and who knows, maybe some of them can be or even are almost as physically strong as some men are and the idea is more interesting than one of your rather theoretical examples of say someone pretending to love someone but not doing so in reality.

reply

"A woman can attract a man and make him sweat, his heart pound, and his feet jelly just by sitting on a chair and doing absolutely nothing. How do you measure that?"

Could it simply be because they are mesmerized, enamoured and affected by their natural female beauty? Which males mostly themselves don't have?

reply

"and even the most ardent, hard-boiled MGTOWs and men's rights advocates have not yet opened their eyes to this fact."

Just this, based on their reputation and what a lot of us have heard about them, should we really give MGTOWS and MRAs literally ANY credit and value to what they think, say, do or don't do, and see them as rational and normal human beings?

Many of them seem to from what I have heard come across as biased and even misogynistic assholes and they often have uncivilized, selfish and unpopular views ala incels and whatnot.

Or are not all or even most of them that bad? Or even biased and too one sided for that matter - including irritatingly so?

reply

A lot if not all of what the OP says may make good on a long and detailed philosophical encyclopaedia on the differences between men and women but may simply not work overall as well for a silly and entertaining B-grade fantasy movie such as this.

And a lot of that stuff perhaps isn't all that important to filmmakers who basically make simple movies as part of entertainment with tested formulas to please the popcorn crowd and not any type of reality seeking, philosophically inclined and realistic wonderers about life.

reply

And I have dug MANY films with tough chicks acting physically and succeeding without overthinking all of this "women in reality are physically weaker than men but are in some ways superior mentally and morally" stuff that he wrote over here about in abundance, and I didn't mind at all. And this includes as much about films with female heroes in them as it did about strong female antagonists one way or another.

Long Kiss Goodnight (1996), "Nikita" (1990), Point of No Return (aka "The Assassin") (1993), various Russ Meyer flicks from "Beyond the Valley of the Dolls" (1970) and "Faster, Pussycat, Kill! Kill" (1966) to "Supervixens" (1975) (all amazing movies by the way), various James Bond films that had strong female at times heroes as they did with supervillains as such (GoldenEye, The Spy Who Loved Me et all), certain movies had "beautiful female villains" that also did immoral deeds and managed to physically in certain ways confront men (Skip Woods' black comedy thriller "Thursday" (1998), German cult early 80s film "Der Fan" (1982) (Der Fan), certain action movies), fantasy horror like "Possession" (1981) and all that, certain films I have seen included female characters who suffered but also turned to dark sides (Takashi Miike's brilliant Japanese psychological horror thriller "Audition" (1999) and others), Peter Greenaway's film "Drowning by Numbers" (1988) had three women drown and kill their husbands.

Certain classic HK and American action movies in the 80s including those directed by Andy Sidaris, some of them decent guilty pleasures, had chicks physically battle with bad guys and succeed, most of them were female heroes albeit with few later exceptions.

One little seen almost forgotten film from 1995 entitled "Someone to Die For", (NOT to be confused with To Die For also from 1995 with Nicole Kidman although that movie can also be added to list somehow) had one scene towards the end of a troubled female character confronting and attacking a man whilst reminiscing about her trag

reply

tragic past, that I spoke of a lot about here and own on video, LITERALLY MADE ME CRY.

And oh well... With most of those movies, some of them are even acclaimed classics that I also didn't mention, it pretty much included what it did, and I accepted it for what it is without over analysing or complaining. Or thinking even in modern terms with "controversial organizations" abound.

And that's me. Oh well...

reply

And on a LESSER note and a TL:DR version, on a purely CINEMATIC and FILM-RELATED level, OP, would watching THAT type of aforementioned scenario related to the theme of "girl power" stretched to feature-film length, in any way, shape or form, be interesting, compelling, worthwhile, even thought-provoking or, in whatever ways, "entertaining"?

And could a downright BRILLIANT FILM be made based on those type of cinematic concepts?

NOTE - REAL LIFE, for one, is DIFFERENT to movies, and not JUST because, obviously as it is, in film its not real whereas in life it is. But life, for one, we don't get to, unlike movies, analyse and rate on a 1-10 scale or a 1-5 star scale, at least not it on as a simple whole, and we don't delve into its themes let alone stuff like acting, direction, screen play, cinematography etc.

Similar to how, at least in some people's minds, some novels are unreadable and also unfilmable and would not make for a good movie adaptation.

reply

woman are very good actor and entertainers. they are good at being heroes when there character is not written or directed by woman, and they cast a likeable actress. i like strong female character like sara connor, ripley, leia. many film with great strong female character.

one thing woman truly suck at is writing and directing film. they cannot lead which mean the film they direct are sloppy and slow. they cannot write male characters just wussy ones so there script have boring male character and female character that are wish fantasys of themselfs.

helen slater is one of most beautiful woman i ever see in this film. and she convince me as ass kicker. this is becuase men write and direct her character and because helen slater is beautiful and likeable unlike present day female heroes like jizz face j-law and captain pancakes briee larson.

reply