MovieChat Forums > The Thing (1982) Discussion > Stop blaming E.T. for The Things failure...

Stop blaming E.T. for The Things failure.


People really need to stop blaming my dude E.T. I keep seeing this argument come up, yes, E.T. was a huge hit and The Thing had stiff competition but other films managed well enough.


Poltergeist came out one week before E.T and made bank. Poltergeist was in it's fourth week when The Thing opened and was above it on the box office charts for that week. The Thing couldn't oust a month old Poltergeist.

Rocky III and Star Trek III also opened before E.T. yet finished higher than The Thing in it's opening week.

E.T. is irrelevant.

https://www.boxofficemojo.com/weekend/1982W26/?ref_=bo_rl_table_1

Poltergeist held strong in it's sixth through eigth weeks whilst The Thing and Blade Runner started petering out. Poltergeist and others (Star Trek, Rocky, Firefox, Annie) had legs and endured the E.T. wave. The Thing and Blade Runner fell of a cliff.

https://www.boxofficemojo.com/weekend/1982W28/?ref_=bo_we_nav

https://www.boxofficemojo.com/weekend/1982W29/?ref_=bo_we_nav

https://www.boxofficemojo.com/weekend/1982W30/?ref_=bo_we_nav

How come E.T. didn't kill off Poltergeist, Star Trek & Rocky?

Poltergeist bodied The Thing, it's as simple as that. Poltergeist was the marquee Horror film of 1982. It was a commercial hit and was nominated for academy awards and BAFTAs whilst The Thing struggled commercially and was nominated for a Razzie.

Stop blaming lovley little E.T. and start facing the facts that another Horror film ruled the roost in the summer of 82.

For the record I'm a big fan of both films, it just seems odd that everyone talks about E.T. and doesn't mention Poltergeist. The other Horror film that was in cinemas at the time.

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I agree. I fucking hate the argument everyone loves to say about how "people only wanted friendly aliens, not scary aliens". Like what??? Alien came out three years prior and was a massive hit, and Aliens came out three years later and again was another massive hit. Really frustrating to hear people still say that in 2022.

I'm also sick of hearing that the movie was "universally panned" when that's factually untrue. There were some pretty negative reviews, but you can find so many positive reviews from the time period as well. Everyone talks about how Roger Ebert hated The Thing with his 2.5/4 review (which is more medicore than awful, 2.5/4 = 6.4/10), but NOBODY EVER mentions that his partner, Gene Siskel, gave The Thing a 3.5/4 and called it a "great play on Macaurthism" and "truly horrific in ways we've never seen before". On top of that, James Berandenelli, Ty Burr, and Empire all praised The Thing back in 1982. Marc Savlov of the Austin Chronicle even listed it in his Top 10 of the year!

If anything, The Thing failed due to shit marketing. It was released as a summer blockbuster, when it should've been released in the fall or winter season. The last thing people want to see in the fun summertime is a frigid psychological gorefest set in the winter. What the fuck was Universal thinking? I truly think the film would've done far better they had revamped their marketing and released it in November 1982, against no new releases. Would've grossed $50mil.

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People just keep regurgitating opinions they hear from others. I've seen on another site today (it's the 40th anniversary so people are discussing The Thing) the E.T. argument once again. The little darling keeps getting flogged for 'causing' The Thing to flop. It's quite ridiculous.

Many other films were successful and survived the E.T. hype stampede.

I agree with you 100% on the foolishness of releasing a gorefest set in fucking Antartica during the summer. It could have opened around Halloween and ran into November/December. I guess though this was the era of the Summer blockbuster boom. Every studio wanted a big hit.


Poltergeist earned more in it's sixth week than The Thing did in it's first.

"The Thing never stood a chance against E.T." - Idiocracy.
"The Thing never stood a chance against JoMilf Williams." - Intelligence.

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"People just keep regurgitating opinions they hear from others. I've seen on another site today (it's the 40th anniversary so people are discussing The Thing) the E.T. argument once again."

John Carpenter himself thought the release of ET was a factor, and he ought to know better than anyone. Nothing in his career embittered him more than the reception The Thing received and subsequent descent back to B-level funding. Any Carpenter fan will enjoy a book called "Prince of Darkness" that shares his thoughts, interview transcript style, about pretty much every movie he made.

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If ET is to blame for The Thing's failure, it has more to do with the fact that ET was the highest-grossing film of all time and was a record-breaking, earth-shattering release with over a years-worth of hype. Adjusted for inflation, ET grossed $2.3 BILLION. Imagine The Thing being released the same day as Avatar or Avengers Endgame; that's quite literally the exact same thing that happened here. ANY movie in that situation would've flopped. Like another user said, releasing this in a very busy summer made the movie dead on arrival against not only ET, but also Poltergeist, Star Trek 2, Rocky 3, and Tron. This is definitely an Oct-Dec release if I've ever seen one and I'd bet The Thing would've done much better.

I respect Carpenter but he's also always been a very paranoid and "woe is me" kinda guy. He's made a career out of making high-concept, highly ambitious and ambiguous movies that are purposely made not to be crowd pleasers, and then gets frustrated when the crowd isn't pleased. He quit the film industry because he couldn't handle the fact that people didn't like his movies in the 90's, even though it was his fault that they were bad. Not saying I wouldn't be hurt either, but he retired from his dream job because he wasn't getting his way. The whole "people only wanted friendly aliens" is either something that wasn't meant to be taken literally, or is just delusional.

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It is interesting seeing the cold hard facts on the matter.

The lack of legs that Blade Runner and The Thing had is disappointing. Seeing Poltergeist, Star Trek III, Rocky III, Firefox, Annie and co' endure the E.T wave and also see of competition from films like the aforementioned two is impressive.

The longevity of a film is interesting. It's often thought to be heavily influenced by word-of-mouth. Blade Runner opened in second place (just behind E.T.) but within two weeks had fell behind Poltergeist which was 3 weeks older than it (not to mention also falling behind other older releases like Star Trek, Rocky, Annie & Firefox). Off a cliff. A blimp on the radar and then it's gone.

Imagine in modern days. Marvel release a film then 3 weeks later DC release one, with the Marvel film earning more in it's fourth week than the DC film in it's opening week. And the Marvel film earning more in it's sixth week than the DC one did in it's opening. That's what Poltergeist did to The Thing. Box office homicide in the first degree.

The narrative really needs to be redirected away from E.T. and partly towards Poltergeist, but also inwards. The failure of The Thing is partly Universals fault.

I think the fact Poltergeist is a Horror film is part of the reason it's the elephant in the room and ignored in discussions. People would rather blame a kids film than say The Thing got trounced by another Horror flick.

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SPOILERS FOR THE THING AND ALIEN:

Well, both ET and Poltergeist had Steven Spielberg's name on them. It was a huge summer for him. He directed ET but produced Poltergeist (and was rumored to have done SOME of the direction, over the named director Tobe Hooper.)

Poltergeist, Star Trek II and Rocky were something that The Thing was not: rated PG. Poltergeist was sort of a "family horror movie" -- both in terms of the protagonists and its "not too scary" scares. The Thing was hard R, raw and bloody and MEAN.

I suppose ET and The Thing were matched up because both were in the SciFi area of fantasy (yep, Star Trek as well), and both were released by Universal. I think as ET became the bigger hit and The Thing didn't "take," Universal pulled out of promoting The Thing.

The Thing opened rather low (Number 8 for the week?) but to flop as big as it did meant that it got bad word of mouth. Here are three reasons why, I believe:

ONE: The terrorizing and killing of innocent dogs. Its one thing to see grown men -- who know what they are up against -- getting horribly killed. But when "the Thing dog" is put in the cage with the other animals, it is sickening and saddening to see the terror of the real dogs as they realize they are trapped with a monster. And then Carpenter shows them being attacked and in pain and in terror. Horrible stuff. And later in the film one more dog is found with an axe in its throat(killed by a man.) The pain inflicted on these dogs is cruel, not entertaining.

TWO: An unhappy ending. Director Ridley Scott wanted to end "Alien" with an alien popping out of Sigourney Weaver, killing her and thus killing everyone(save the cat?) in the movie. Fox executives refused that ending, and Weaver survived (and the cat, too.) The Thing ends pretty much in certainty that the final two men will NOT survive, and the Thing may escape to harm others worldwide.

CONT

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THREE: An ambiguous ending. Even with likely doom and an unhappy ending, The Thing goes one step further in aggravating "general audiences": it leaves open the question of whether or not one or both of the men HAVE the thing in them. More likely Childs, but maybe MacReady. So audiences felt the movie started strong and ended in ambiguity and on a down note.

People who love "The Thing" love that doom-y aspect of it, and the horror, and the effects, and Russell and the overall cast.

But I'd say that the dog killings, and the ambiguous downer ending helped kill the film's chances in 1982 and required video and TV to make a cult classic.

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I don’t think the ending is ambiguous - neither MacReady nor Childs is a Thing. It’s a downer insofar as they will both die of cold before the chopper arrives, but Mac successfully killed the alien so ‘yay’ sorta.

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yeah would rather watch Alien(1979) than The Thing, Alien is terrifying yes but The Thing is disturbing and terrifying the way i
it Assimilates victims

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I've never heard about any of this before, but based on what you, and other commenters, have written, it seems like E.T. and Poltergeist had a lot to do with The Thing's lack of success. They both came out before The Thing, and were both very successful, so audiences wanting to see a sci-fi/aliens film were going to see the big hit E.T., while audiences wanting a scary film were going to see Poltergeist. Also factor in Poltergeist being clearly a horror film, while The Thing is more ambiguous. Is it scary? Is it aliens? What is it? E.T. and Poltergeist both being PG made a huge difference as well, as families going to the movies together were going to avoid the R-rated film.

When it came down to it, movie-goers had the following choices:

Rocky 3 - everyone knows Rocky, sequel to two successful films, movie for sports and action fans; rated PG
Star Trek 3 - everyone knows Star Trek, sequel to two successful films, movie for science fiction and action fans; rated PG
E.T. - Spielberg's latest, huge hit, kid-friendly, the big hit of the summer; rated PG
Poltergeist - Spielberg-affiliated, huge hit, scary kid-friendly, obviously a ghost/haunted house movie; rated PG
The Thing - Unknown quantity, maybe aliens, but we have E.T., maybe ghosts but we have Poltergeist; rated R

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^^^This says it best^^^

Everyone forgets that Star Wars marked the beginning of the end of the 1970s doom/gloom-fest. Morose, rated-R films like The Thing and Blade Runner seemed very out of place in the upbeat early-1980s. Both movies picked up their devoted followings long after they ran in the theaters. Please also see ecarle's posts above: very specific points. If you're going to blame E.T., you might as well blame Ronald Reagan at the same time.

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It's true that Star Wars heralded the arrival of upbeat action-adventure films, but the 1970s definitely persisted into the early 80s. In many ways the highly successful Road Warrior was like The Thing. It indicated a gloomy future for mankind, it was violent and often ugly, and it had that same ambiguous ending in the sense that our anti-hero's fate is completely unresolved. It did have the benefit of being released a year earlier (before ET), but it's apocalyptic tone certainly didn't work against it. Other early 80s films like Cutter's Way, Raging Bull, The Dogs of War, Thief, Blow Out, The Long Riders, Southern Comfort, Conan the Barbarian, Cat People, etc. were definitely rooted in 1970s filmmaking sensibilities. What had disappeared by this time, however, were things like existential road movies (Vanishing Point, Two Lane Blacktop), those Altman-like reboots of classic American genres, and utterly grim endings (with certain exceptions like The Thing and Cutter's Way). I'd say by 1983 or so the death of 70s cinema was nearly complete (which is not to say outliers didn't exist at all, but they were very rare).

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It is ET's fault. Not the movie ET, but the character.

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I have never heard this argument come up.

Wasn't The Thing the only R rated film in theaters at the time?

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Your criticism of the ET argument is misguided. For this debate I think it's apt to view ET as a proxy for audience tastes of the time. In this sense it's a completely plausible theory that mainstream audiences were looking for more lighthearted and optimistic fare than the relentlessly gruesome and cynical pistol whipping of the senses that The Thing provided. It was almost like watching the chestburster scene from Alien for 2 hours. Poltergeist isn't fair to bring up because, despite a couple of intensely frightening scenes for kids, it was drenched in cutesy suburban family cliches and humor that characterized numerous Spielberg films (he wrote and produced it) since Close Encounters. Poltergeist was far more similar in tone to ET than The Thing.

My view is that The Thing was way ahead of its time and pushed a general audience's tolerance for gore too quickly and too far. It's obviously garnered far more respect decades later than it enjoyed on release. Whether it would have done better business had ET been released a couple months later, who knows? It's impossible to say. But I think it is fair to say that films like Star Wars, Raiders of the Lost Ark, and ET primed audiences to shift away from the gritty cynicism of 70s cinema and left The Thing holding the bag of a bygone era.

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Very well stated.

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The Thing is so gory you need a puke bucket on hand when watching it. General audiences don’t enjoy that level of grue.

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Does anybody watch E.T. today? I've had no desire to see it since I saw it in the theater in 82.

The Thing and Blade Runner? I can't think of two more important movies from the 1980s.

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I'm in 100% agreement. I loved ET as a kid, but now I find the child-oriented humor and the suburban archetypes as typical of Spielberg's worst cloying and cheaply manipulative tendencies. You can see this style as early as Jaws, but then it was kept in check because the story centered on a trio of very interesting and distinct adult characters. ET still has a certain magic about it, but these days I can't watch it without seeing a certain clinical approach to moviemaking loaded with distractingly obvious scenes designed to manipulate my emotions and make me think, "awww...isn't that cute?"

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I don’t think the ending is ambiguous - neither MacReady nor Childs is a Thing. It’s a downer insofar as they will both die of cold before the chopper arrives, but Mac successfully killed the alien so ‘yay’ sorta.

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I like that: so 'yay' sorta.

And maybe that's how the ending ends.

I'm not sure myself. I"ve read all sorts of analysis that suggests maybe one of them has "the thing" in them. And did they get the alien?

I would suppose, still, with all this debate about why The Thing didn't do well on release, its downer ending and "grossness" to some watchers killed word of mouth. And I still think the dog deaths were mean.

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Devil's Advocate: The dog deaths were mean, but the dog handler (Clarke?) does yell at McCready for shooting one of the dogs. He is shown mourning for them afterwards. We know for a fact he was never assimilated by the thing, so his reaction of concern for the dogs is genuinely human, not out of concern for the thing's safety.

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