to Alex;
"That's because Deckard wasn't sorry. He merely wants her to stop crying and go home."
Yes. That is not a simple scene. It's complex and Ford has to quickly go from one emotion to the next.
I wrote;
This is a very difficult scene; Ford has to go from held in intensity, to emotionally demanding, to pretending to push aside the whole thing by saying something he does not believe in, and at the end his facial expression has to show concern about what he has done.
It's complicated. I'm going to put headings on each section of that dialogue to match the emotion that imo Ford gives.
1. Ford/Deckard has held in intensity, he is almost interrogating Rachel.
Deckard: Remember when you were six? You and your brother snuck into an empty building through a basement window. You were going to play doctor. He showed you his, but when it got to be your turn you chickened and ran; you remember that? You ever tell anybody that? Your mother, Tyrell, anybody? Remember the spider that lived outside your window? Orange body, green legs. Watched her build a web all summer, then one day there's a big egg in it. The egg hatched...
Rachael: The egg hatched...
Deckard: Yeah...
Rachael: ...and a hundred baby spiders came out... and they ate her.
2. Then Ford/Deckard becomes emotionally demanding by bluntly confronting Rachel.
Deckard: Implants. Those aren't your memories, they're somebody else's. They're Tyrell's niece's.
3. Ford/Deckard sees that Rachel is breaking down under the weight of revealing the truth in such a direct way.
Now Ford/Deckard wants to pretend to push aside the whole thing by saying something he does not believe in, that it was all a joke.
Deckard: O.K., bad joke... I made a bad joke. You're not a replicant. Go home, O.K.? No, really - I'm sorry, go home.
4. Then Rachel drops the picture and quickly walks out.
The camera remains on Ford. He is not happy with what he has done. He does not look relieved or have a look of contempt for Rachel.
Instead his facial expression shows concern about what he has done.
* That range of emotional changes is not easy for an actor to do. It reminds me of some of Bogart's best work such as in "The Maltese Falcon" or "The Treasure of the Sierra Madre".
Most modern method acting is pretty one note, having a limited range.
An exception would be with Daniel Day Lewis who has plenty of range.
That is what Ford does in this scene. He shows range. Again for me his BR performance is the best acting of his career.
Imo at least, BB ;-)
it is just in my opinion - imo - 🌈
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