Welcome to 2018.
Animal House would not be made today. Blazing Saddles would not be made today. MASH(the movie) would not be made today.
Irony: Animal House postulates a tough-but-welcoming house that will take "anybody" -- including overweight Flounder and wimpy Pinto(and, I think, one black student who admittedly is more of an extra) -- whereas the villainous house up the block is for "the elites only". The coded idea is that the guys up the block are uptight rich Republicans and our Animal House guys are hard-partying, all-inclusive, fun-loving Democrats -- at least in terms of how such characters USED to be coded (with Neidermeyer as the military branch of the Reps.)
None of that matters today.
As for the scene at the black bar...part of how comedy USED to work was that it made folks uncomfortable enough to laugh and took a look at things like race relations in a funny but significant way(Boon THINKS he's simpatico with his black brothers and Otis -- but he isn't.)
And this scene follows the "set up" of Otter exploiting the death of an arty Beatnik-type college co-ed "in a kiln explosion" so as to get a "sympathy lay" from the dead girl's roommate and "dates for my friends." A certain amount of offensiveness was EXPECTED from the National Lampoon comedy factory.
As for the sex stuff in the movie...well, enjoy it, because its gone.
PS. The people who write these articles today against Animal House will never matter as Animal House did...to multi-millions across all political parties(and NO political parties) and several generations.
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