Wives abusing husbands is ok for comedy but not the other way round. I know it has been the other way round once or twice before. But as we all know it is 99% women abusing men in comedy. That sh!t was funny back in 1970, not now!.
In fairness, you do also have the men complaining about how the women are unreasonably harsh, seemingly irrational, and overly critical and generally angry and brutal. Both of those sexes are stereotyped in their own ways. That seems to be the underlying conflict or tension that really drives many of the character interactions and stories. Both the men and the women view the other sex essentially as caricatures, which perhaps becomes a sort of self-fulfilling expectation. I sometimes wonder if the ridiculousness of it isn't meant to be part of the comedy in this case.
On the other hand, there are some great tender moments between the husbands and wives where you realize they do like each other underneath all of the other layers. I remember one time the three old men accidentally gave Edie the impression that Wesley had been in a terrible accident. When he appears alive and well, at first she is shocked and angry, but then she just breaks down and they hug. For me, that was an unexpected poignant moment. Or in an early episode, Sid was painfully injured testing ride Clegg's bike which he'd just fixed. You could tell from the expression on her face that Ivy really felt bad that Sid was in pain, even though it came as a result of his shenanigans. Decades later, right before Compo's funeral, she is surprised with a tender moment when she finds an old photograph of Sid at the bottom of her handbag.
Speaking of which, I found Compo's passing and funeral trilogy to be very well-written. American sitcoms in particular either avoid topics like that or tend to get sappy when they're aiming for "serious". But Roy Clarke wrote a genuinely touching and utterly respectful tribute to Compo (and Bill Owen). It was poignant and amusing in a tasteful, gentle way. Not to mention that Peter Sallis's performance is very moving. His initial silent response to Compo's death, when you can see the grief and shock in his eyes, is close to heartbreaking.
'Irregardless' is not a word
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