Speaking as a spaghetti western afficionado, I disagree with the opinion that Joe Kidd couldn't possibly be the same character as the man with no name. I believe that the idea of Joe Kidd being a slightly-older man with no name is in fact a very plausible theory. Now of course we know that the Good, the Bad and the Ugly (last part of no name's trilogy) is set during the American Civil War of 1861-65 whereas Joe Kidd is set in the late 1890s, which obviously means the Joe Kidd character has to be at least 30 years older, which he clearly is not. That was logic, here is where it gets complex:
A) The man with no name trilogy is supposed to be watched in this order: A Fistful of Dollars, then For a Few Dollars More and finally the Good the Bad and the Ugly. However, it actually makes chronological sense to watch the Good, the Bad and the Ugly first of all, because it is set in the 1860s - there is evidence that the first 2 'dollars' films should be watched next as there is at least one scene in the films that states they are set during the 1870s or 1880s.
Just as a small but valid addition to this point, Eastwood's character in Fistful and For a Few Dollars More wears his iconic poncho from the outset, through to the end of each film, whereas in the Good, the Bad and the Ugly he doesnt seem to acquire the poncho until later on towards the end of the film. So if the Good, the Bad and the Ugly is watched last, this begs the question of where the poncho has been for the first 3 quarters of the movie, since Clint was still wearing it at the finale of the previous film.
B) Yes, the man with no name is called Joe in a Fistful of Dollars, Manco in For a Few Dollars More and Blondie in the Good, the Bad and the Ugly and yes, they are all monikers as he never reveals his real name. But they are not necessarily the same character, they just use the same laconic symbolism e.g the poncho. Therefore, Joe from a Fistful of Dollars could still be Joe Kidd if Joe from Fistful is not the same character as in the other 2 trilogy films.
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