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anyone else find these films sad for same reason as me?


I just rewatched the whole saga across 3 days. I love these movies (parts 1 n 2) but always feel sad by the end of them. And I really dont like 3 and i finally figured out that the same reason I hate the third is what I don't like about the first two.

The part that gets me is the falling apart of the corleone family. While I know the mafia is bad, I can't help but love the corleones. They are good people (for most part), and good morals. Family comes first and that's how the don ran it. But even in the first movie we see people die, and close people betray them. That actually is sometimes sadder than dying in that lifestyle.

In part two even more deaths. Mike becomes a monster of a person and nothing like his dad. He kills his brother!! The family went from a big happy family with 5 kids, down to mike Connie and tom. Even their relationships are broken. (I hate how they make it appear as if mike doesn't view tom as a brother).

And part 3, the worst! No tom. No closure on his death either. Just mike and Connie (the fact that Connie becomes mature and part of the family is the only uplifting part) and a whole lot of bad pasts catching up to mike.

Am I the only one that gets sad for these reasons?

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Yeah, it's sad how much the family fell apart by the end of Part II. Especially after you see the flashback to everyone together and then Michael just sitting all alone, as he should be. Betrayal was a bigger thing in Part II, but it was all over the place in Part I as well. Paulie, Carlo, Tessio, Fabrizio. That's just life for people who live that way.

And I agree with you about Tom. His relationship with Michael was definitely broken by the end of Part II, and one of the main reasons I don't watch Part III is because he's not there. Or at least spoken about more often. I like to think that after he visited Pentangeli and convinced him to kill himself, that was the last thing he would do for Michael. No more after that.

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I agree. That's what I love about The Godfather films. I know these are gangsters but to me they're more than that. And I like the Corleones and want to see them succeed!

Even with Michael's turn to the dark side in TGF2, I still root for him. I don't know if TGF3 showed the Corleone's actual downfall but it does seem like it, in the hands of a hothead like Vincent. I didn't see anything in him that would assure me that the Corleones are in good hands.

And like you, I also missed Tom Hagen and tbh I didn't like Michael's children in it. Neither looked like Pacino, their characters were weak, and the actors acted poorly. Vincent looked more like Michael than he did his father Sonny.

I think the most jarring thing here for me is the change in Michael. And I don't fault Pacino for this because he too did not agree with the direction Coppola wanted for his character in TGF3. I lay this on Coppola's hands. I understand where Coppola is coming from, people change as they get older, and they do have regrets but we never saw that bridge between Michael of TGF2 and Michael of TGF3. I hated seeing Michael so weak and vulnerable but I guess that was the intent, to close the circle. Michael in TGF3 is just like Vito in TGF1, his time has come to an end.

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Leaving Hagen\Duvall out of this was definitely a mistake. It's funny, when they first announced Part III, I was put off by the idea of Andy Garcia being in a lead role. I thought he turned out to be the best thing in the movie.

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LOL, I was too young to be familiar or aware of the hype in TGF3.

And although I liked Garcia in it, Pacino is still the best. His silent scream in the end alone is worthy of an oscar IMO. I can't imagine anyone else being able to pull that off with such heartbreaking loss like he did.

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It is a tragic saga. Part of me feels sorry for then since they are mostly likeable people, but there is a part of me that sees the logical conclusion of the maffia life. It seemed like they all knew what could potentially be in store for them, but still decided to live the life they did for various reasons.

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I'm not affected by it, but yeah, it's sad. As it's supposed to, after all, you can't expect a happy ending from these types of movies. The drama is an overarching theme.

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I think it was correct to end the movies in a sad and punishing way. Yes, the Corleones were a likeable family but let's face it they did many horrible things.

I think when you do the things they did it well eventually catch up with you. That was the message I took from it.

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Yeah, the last three replies have it right: The old proverb "Live by the sword, die by the sword" was played out over three films.

The Corleones chose a way of life based on violence and brutality, OF COURSE the violence and brutality they engaged in affected their personal relationships and shortened their life spans! It wouldn't have been realistic if they'd all stayed close and lived to a ripe old age, that's just now how things go when you think of shooting people as a standard business practice.

And that's the difference between sadness and tragedy, you're sad when something unfair happens but nothing that happened to the Corleones was unfair.

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Their morals were rotten, and they just covered that with a hypocritical "genteel" facade. They didn't typically get their own hands dirty but had their underlings hash out the messy business while they themselves strutted around like aristocrats. The destruction and falling-apart of their family was an inevitable consequence of the mafia way of life. It couldn't have been any other way. Sad? Sure. Not because of what they had been, though, not because anything good was lost; it was never good to begin with. That's the sad thing. They were doomed from the day they were born because their family was in that way of life.

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Well said.

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I think that's where the realism lies, that kind of life never ends well, people die, relationships never recover and sadness is the legacy.

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"They are good people (for most part)"

No, they were bad people with a few good qualities. They showed love and had a sense of clan loyalty, but there were limits to both. When Michael had to choose between familial love and power, he chose power.

And that's why I'll never love the "Godfather" films, I don't like or identify with any of the characters.

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They certainly were not good people, but as critics even of '72 noted, the movie took pains to show them pretty much only killing off other gangsters. Godfather I is essentially about a gang war, in which each family ambushes members of the other's family. I think the movie guy Woltz is the only "civilian" really "attacked" by them, and he is a pretty crummy guy, and he doesn't get killed.

Movies are manipulative. Had we seen one scene of Sonny beating a man nearly to death in front of his wife and kids over owed money; or Clemenza whipping a prostitute with his belt, or even Fredo telling some local grocer to pay protection money or die -- THEN we would have hated the mobsters in The Godfather.

But its not about that kind of crime. These guys pretty much only kill each other. But they also NEGOTIATE with each other, which is why The Godfather is kind of a "business school MBA movie."

And keep in mind: Don Vito resists drugs because "its kind of a dirty business." He likes making his money by providing what society won't allow: gambling, women(hardly "victimless" but to Don Vito it is), loan sharking. Probably booze during prohibition.

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After Vito dies, you see the Corleones cause a level of collateral damage that I always assumed would never have been tolerated while he was alive. Tattaglia's lady friend was killed along with him at the end of I, and they killed another hooker to set up Senator Geary in II.

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After Vito dies, you see the Corleones cause a level of collateral damage that I always assumed would never have been tolerated while he was alive.

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That's a good point. Vito does seem to want to keep a lid on collateral damage and cruelty. Its probably one reason he has so many politicians and judges in his pockets. He's "respectable." Once Michael takes over, civilians are in more danger.

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Tattaglia's lady friend was killed along with him at the end of I,

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I guess that is indeed the one "civilian" death in I, but I suppose "hookers to mobsters" are in a high risk profession.

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and they killed another hooker to set up Senator Geary in II.

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THAT was a cruel and heartless murder -- "for a business reason."

Though there's a nasty theme here -- "hookers are expendable."

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