MovieChat Forums > Play Misty for Me (1971) Discussion > is it just me or was this movie REALLY B...

is it just me or was this movie REALLY BADLY DIRECTED


I like Clint Eastwood's later films, but I think Play Misty For Me might be one of the worst directed movies I've ever seen. I say that because it had a pretty well-written script and characters, and still managed not to be a good movie.
In horror movies, the director always has to cheat a bit, and make it look like it's harder to escape from a situation than it actually would be- ie cut really quickly, and only use closeups, so that you can't tell the character should have been able to see the knife coming and run from it. It's hard to explain, but watch any well-made horror movie (ie Psycho, and most De Palma films- no matter what you say about De Palma, he can direct convincing horror scenes) and you'll see what I mean.
In this movie, Clint Eastwood utterly fails at this in one crucial scene, which I won't mention in order to avoid spoiling it for anyone who hasn't seen it. All I'll say is that the scene is directed so badly, it almost looked like a parody.
If that were its only fault, it would still be a good movie. However, at this point in his career, Clint was highly amused by long shots of himself driving along a coastal highway. It didn't make a bad opening scene, but I really was not interested in seeing virtually the same sequence nearly every time Clint drives his car- especially in a movie where much, much more interesting things happen. Clint also pauses for twenty minutes or so near the end to show a slow love scene, and then a jazz concert. In these scenes, we see nothing of relevance to the characters- in the love scenes, we don't see the couple's faces, we see them posed in pastoral scenery and we see shots of their legs in the grass. In the jazz concert, we hardly see the characters at all. It seems as if Clint thought he was making a concert film for ten minutes.
If he wanted to make a film that was a mishmash of styles, he should have indicated it at the beginning. But, as it stands, we have a movie that abruptly turns into a soft-core easy listening music video, and then a concert film a good two thirds in, and then gets back to finishing the story it started earlier.
Oh yeah, and the cinematography is dark and dull. The Californian coast is beautiful, but you wouldn't know it from this movie. Maybe the old film is deteriorated? In any case, compare the cinematography in this film to many other movies, and you will probably agree with me that the colors in this movie are dull and pasty-looking. I saw a super-8 film of my family from 1971, and even that looked better than this.
It's a shame, because it's a good story, with believable characters. As a matter of fact, the script and the acting are so good in parts that they almost redeem it. But they don't. In a world where bad scripts can be made into fun movies with good direction (Dressed to Kill, to me, is a good example of that), it's a shame to see good stories ruined by bad direction.
Clint- if you by any chance should read this (though I doubt it)- don't take offense, I think you became a great director when you got older.

reply

[deleted]

Remember, during the Monterey Jazz Festival sequence, it's revealed that the unsuspecting Tobie has a new roommate named "Annabelle." In other words, amidst the music, a crucial plot development is slyly brought to our attention.

Also, just because the story is set in California doesn't mean that everything has to be perfectly sunny. In fact, a more ominous lighting scheme is appropriate to the narrative.

Overall, Eastwood's direction is tensely atmospheric, hypnotic, and coolly pulsing with violent sexual angst.

reply

Play Misty for Me is my favorite Eastwood film. Yes,the direction is undistinguished:unobtrusive and leisurely and the film could use some edting. However, the film is memorable and entertaining due to the story and Jessica Walter's over-the-top psycho.

reply

[deleted]

Gone to the police and said what, exactly? "This chick wants to sleep with me and I don't want to sleep with her?" Or, "This girl wants to give it to me and I don't want it?" He would have been laughed out of the building. Besides, police attention would have given him, as a public figure (disc jockey), unwanted publicity, especially since he was trying to move up the career ropes.

Also, Dave Garver is a sleepily macho guy who thinks that he can handle his own problems just fine. People don't want to let their private lives out of the bag, and men, especially, tend to believe that they can handle women on their own. Indeed, the film represents a critique of masculine egotism and self-absorption.

reply

Maybe Dave could say to the police that THE WOMAN WHO ATTEMPTED SUICIDE IN HIS BATHROOM, SLICED HIS HOUSEKEEPER TO RIBBONS STILL HAS NOTHING BETTER TO DO THAN STALK HIM EVERYWHERE

reply

Dave didn't go to the police about the suicide attempt because he didn't want negative publicity harming his career. He was a public figure in that community, and he was trying to go up the ranks and host a Woodstock/Monterey Pop-type music show on television. As for the housekeeper attack, the police do arrive and arrest Evelyn, but she later receives her release. After she attacks him again, Dave indeed communicates with the cops.

reply

It's just you...

reply

Yep. It's just you.

reply

.....it's just you

reply

Definately just you, but hey, "Weekend at Bernies II" needs an audience too.

reply

I agree, It is just you.

reply

I though the point of those two scenes was to show them starting to live normally again. Until the crazy lady (forgot her name) came back.

reply

[deleted]

Yeah, Robert Flack can't carry a tune in a bucket. His wife, Roberta, can, though.


"Sorry. I wasn't listening, or thinking, whichever one applies."

reply

I didn't know they'd made a movie about the United Nations: Forgiven. Let alone that it was that bad.

Unforgiven, however, was an excellent movie. I'm sure if you'd like to discuss it there are many people waiting in line on the relevant board, wendi.

reply