MovieChat Forums > Where Eagles Dare (1969) Discussion > Killing Wireless Operators.

Killing Wireless Operators.


I know it's a small gripe, but the same thing happened in `Guns Of Navarone'. What was the point of stealthily sneaking-up on the radio-operator in the castle with a view to stabbing him, when you have a handgun fitted with a silencer, and which you ultimately shoot him with anyway.

Okay, I know he had to set-off the alarm, but he could have recovered breifly long enough to have done that and then collapsed and died.

It `vexed me mightily' - as Pepys used to say.

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[deleted]

What was the point of stealthily sneaking-up on the radio-operator in the castle with a view to stabbing him, when you have a handgun fitted with a silencer, and which you ultimately shoot him with anyway. - screenman


I thought the same thing when I watched this recently. They could have saved themselves a whole lot of trouble if they had just shot him with the silenced handgun. Apparently they were counting on the music coming out of the radio to cover the sound of Schaffer's approach, but that turned out to be a faulty assumption.

Here's another question. Why did the castle have two radio rooms? Redundancy in case one of them was out of order?

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My only explanation for the scene is, since they wanted to use the radio equipment, they didnt want to risk damaging the radio by shooting. I dunno why they didnt just walk up and stab him since they were still in uniform.

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no set-off alarm = no actions

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Maybe he was only 2 radio operators off getting his "Stabbing" badge.

www.igloooftheuncanny.blogspot.com

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I believe the first "radio room" may have been the telephone switchboard for the castle. The second was a real radio room as evidenced by transmitter like looking equipment. Being a radio engineer I notice things like this.
I agree that using a bullet to kill the radio operator would have easier but more risky in potentially damaging the equipment. However I'm not quite sure a silenced bullet fired at subsonic speeds would have much power left after traveling through a body to impart much damage to metal boxed radio equipment.

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Not just may have been. It was. You're right on the money. They specifically refer to it as the phone switchboard and when Smith tells the helicopter pilot that Rosemeyer - who is at the castle and therefore reachable by inside line - wants to talk to him, it is to that room that the pilot goes.

"I mean, really, how many times will you look under Jabba's manboobs?"

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Ha! I came on here to post something about that very scene. It still makes me laugh. It's a really good example to use when you want to explain to someone how ludicrously brilliant (or brilliantly ludicrous) this film is.

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Pistols are notoriously inaccurate (except in the movies) and more so with a silencer which gives less opportunity to aim (obscuring the sights). A little on the random side with all that equipment around.

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"Pistols are notoriously inaccurate (except in the movies) and more so with a silencer which gives less opportunity to aim (obscuring the sights)." Not so. And sights weren't needed (or used) for their close-in shots. (All their other silencer shots were right on the money.)

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Smart soldiers play the odds. They might be good enough to hit what they want most of the tim but if the only thing that can get you out alive is on the other side of what you're planning to shoot with a gun then maybe you don't want to pretend to be such a badass.

If you'll recall, during the double blind scene when Clint shoots the Gestapo officer after Burton ducks during the distraction of the door opening he shoots twice but only hits him in the head once as far as I can tell. This to me implies they can in fact miss at close range.

Between that and a penetration you never know. Bullets do crazy things. You may not believe the JFK magic bullet theory but there's enough forensic evidence of similar if less improbable bullet paths in gunshot victims. Imagine the bullet hitting a bone, traveling up some appendage and coming out right in the radio.

Seems like reasonable logic to me. Its the kind of logic you should expect from a WW2 spy action thriller.

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The striking thing about the scene though is the music the radio operator has tuned in. It's haunting and out of context and the men can't help but take notice. Then when they get close they see he is just paging through a book or magazine and listening to the music. I think the hesitation is about the human reluctance to stab a guy in the neck when he's at his most happy and relaxed. Not a good commando instinct perhaps, but humanizes the Eastwood character a little.

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I understand it's supposed to be a tense, suspenseful moment that somehow goes wrong and allows the alarm to be activated...but...sheesh....

They're wearing uniforms and could simple walked in and said "Hello". When the operator turned to face them, he'd be out of position to hit the alarm. At that point, they can WWF his behind = the end.

But of course, we lose the suspense, the accident...etc....

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I wondered why they didn't just shoot him with the suppressed Walther P38 as well. Because then the alarm wouldn't have been triggered, and Clint couldn't mow down swathes of Germans with his akimbo MP40s, and they would have got away scot free, and it would have been a short movie. I guess.

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Impossible to supress a P38: supersonic rounds (9mm Parabellum) break the sound barrier: lots of mini-booms.

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I'm not sure where you got the idea that you can't supress a P-38, since there is such a version: http://www.aacblog.com/?p=1017

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Suppression systems rely on subsonic rounds. The MP-5 has a system to render supersonic rounds to subsonic speeds, thus rendering them (relatively) silent, but you cannot effectively suppress a pistol with supersonic rounds - you have to bring them down to subsonic speeds. Otherwise the bullets, flying at supersonic speeds, continually break the sound barrier. It's called physics. All a suppressed pistol with supersonic rounds will do is reduce the sound of the report. But it's not entirely effective.

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Your initial comment was that it's "Impossible to supress a P38". It appears your whole reason for making this statement centers around the use of supersonic rounds. Perhaps that's why subsonic 9mm rounds are used? There are manufacturers that currently produce subsonic 9mm rounds for use in suppressed pistols. You seem to totally ignore this fact.
This subsonic 9mm ammo has been around a while, too. The declassified information I have read about the suppressed P38s used by the CIA, circa 1958, states that they where issued with subsonic ammo.
So it's absolutely false to say it's impossible to supress a P38. Maybe you should have said it's "impossible to completely silence a P-38"?

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They used silenced PPK's, so your argument is moot

'You are receiving this broadcast as a dream.'

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[deleted]

Subsonic 9mm parabellum rounds were not available during WW2: the only way to supress at that time was similar to the HKMP5SD, with holes drilled in the barrel to slow down the bullet's travel. This requires a large silencer to trap those escaping gases, or the same problem applies. It's noisy. One example during WW2 was the silenced version of the British Sten gun.

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Subsonic 9mm parabellum rounds were not available during WW2


Interesting, the information on this website proves you wrong: http://iaaforum.org/forum3/viewtopic.php?f=8&t=12623

Regardless, your original statement was "impossible to suppress a p-38", not "impossible to suppress a p-38 during WW2 because subsonic ammo didn't exist."

I was commenting on what you actually wrote, that it's impossible to supress a p-38, which is untrue. If you were referring only to the WW2 time period, you should have clarified your statement. Even so, the link I posted above suggests that subsonic ammo DID exist during WW2, which makes you wrong on all counts.

Anyway, as another poster pointed out, your point is moot since the silenced pistol used in the movie wasn't even a P-38.

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Sorry, my point wasn't moot in one sense: I haven't seen the movie in years and was not aware of the pistol used in the scene. I was replying to a poster who stated:

"I wondered why they didn't just shoot him with the suppressed Walther P38 as well"

And I replied to that. So I followed an inaccurate earlier post. Sue me.

Hands up to your link. I wasn't aware that the Germans had developed subsonic 9mm Parabellum rounds at that time: however, whether or not the Allied forces had access to German ammo is not clear from your link, and they still went down the road of reducing the speed of existing supersonic rounds, which was impossible in the P38. If they were aware, then it’s probably because they didn’t see any benefit in the possibility of a gun accidentally being loaded with mixed rounds - the bolt and/or spring may well have had to be lighter to compensate for the smaller charge. Weaker rounds in an unadapted gun could have caused a jam, while a heavier charge in a gun with a lighter bolt could have had other consequences...

There's also a difference between "suggests" and "proves". We're all entitled to a little pedantry.

However, enough is enough. The fact is they were using a different gun in the movie. And it turns out my knowledge and memory were not quite as they should have been.





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OK, I realize I must sound like a d**k at this point, but we've come this far and I still can't get you to clarify if you meant if it was "impossible to suppress a P-38" during the WW 2 time period or if in general it's "impossible to suppress a P-38".

I guess it doesn't matter since I've shown that (1) suppressed versions of the P-38 exist, & (2) subsonic 9mm ammo exists, and was even around during WW 2. So you come back with the idea that the Allies might not have had access to 9mm subsonic ammo during WW2, implying that it would still be incorrect to show a suppressed P-38 being used in WED(or any WW2 movie), in an effort to not have to admit you're wrong. I could go into the fact that this is a fictional action movie, not a documentary, and that you are now just splitting hairs, but that is really beside the point.

Lets just forget about discussing this in the context of the movie. I was originally responding to your statement, "impossible to suppress a P-38", which is incorrect. For some reason you're unwilling to acknowledge your statement was incorrect. However, when I have evidence the CIA had suppressed P-38 pistols in their inventory circa 1958; that the writings of former MACV-SOG member John Plaster specifcally mentions that SOG recon men employed suppressed P-38s; that I know Walther produced factory suppressed versions of the P-38; and that there's a website with photos showing the testing of a P-38 SD; you might then realize that when someone persists in stating that it's "impossible to suppress a P-38", why I'm not going to let that slide.

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"Impossible to supress a P38: supersonic rounds (9mm Parabellum) break the sound barrier: lots of mini-booms."

Not true, actually; all sorts of 9mm weapons are successfully suppressed, including automatic weapons.

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