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Live-Action Series in the Works at Netflix - UPDATE


https://www.hollywoodreporter.com/tv/tv-news/scooby-doo-live-action-series-netflix-1235886217/

Greg Berlanti and Netflix are going for a ride in the Mystery Machine.

The streaming giant is near a deal for a live-action TV series based on the beloved Hanna-Barbera animated cartoon Scooby-Doo. The project has a script-to-series commitment at Netflix, meaning if the script is well received, it would trigger a straight-to-series order for what is considered a live-action update of the classic cartoon.

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Plus a CGI dog.

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I love Scooby but I'll wait till I see the cast before I get excited.

Also, Berlanti doesn't exactly inspire me with confidence.

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July 9th: Greg Berlanti Talks ..., Scooby-Doo
https://deadline.com/2024/07/greg-berlanti-ponders-peak-tv-strikes-scooby-doo-scarlett-johansson-and-channing-tatum-chemistry-in-fly-me-to-the-moon-1236005236/

DEADLINE: What’s cooking with your live-action Scooby-Doo series?

BERLANTI: One of my first jobs in this business was as a temp at Hanna-Barbera. I’d sit with Joe Barbera and Bill Hanna while they autographed animation cels. I would go in the morning and I would retrieve with my boss a bunch of these animation cels. I’d go to Bill Hanna’s office first. He was a very stoic guy. His office was very spare. And then came my favorite part of the day, going to see Joe Barbera. He was such a life force. He would sign the cels, but he would stop and regale me with the greatest stories. He was such a raconteur.

DEADLINE: Give us a good one…

BERLANTI: He would tell stories of how Scooby was created and what they were thinking, and how it was the late ’60s and kids felt under assault by adults, and they felt overwhelmed and they needed to be empowered. When they pitched it to Bill Paley he was like, you need a dog or something. And that was the birth of Scooby-Doo. Joe was such a special storyteller, and I was so, wow. I’d always loved them as a kid. And again, with any of the properties be they Hanna-Barbera or DC or anything at Warners, you feel lucky to be the historian who helps usher them into a new generation. You just go back to the spirit and the DNA of what makes ’em special. With Scooby-Doo, we went out and heard pitches for a year and a half and finally found one that we really felt really captured it. I just was working on the pitch for it this morning, for the first episode. So we’re really pumped.

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Still need to see the cast before I get excited.

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