It's unfortunate. I recall seeing "A Perfect Murder" and "The Pledge", two movies that were great all throughout that were ruined by a horrible ending. This movie has to be in that same category. The ending was so stupid that it totally ruined for me what was a good romantic movie.
Yeah, I enjoyed watching this film and so wanted a different ending, both for Owen and Alva. This one was bad, rushed and unrealistic. I have to disagree with Pollack that every memorable story has to have a unhappy ending.
Did Alva not die in Tennessee Williams' play? This was a one-act play, and obviously Sydney Pollack had to take a lot of liberties to film it. I don't mind bleak endings, but this one seemed very tacked-on.
Alva is not in the play. It is a one-act "memory play" with only two characters, Willie and Tom. Alva is only mentioned (as in the opening scene of the movie) in Willie's monologues. FYI, Williams hated the film adaptation.
Thanks for the details, Schmidtkenn11! I could see Alva not being an actual character in the play, and I'm not surprised Tennessee Williams didn't like this film. It seems he didn't like many film adaptations of his work, but this one seems weaker than most.
This movie was tacked together from beginning to end. First off, they had no script, or hardly any script. The movie bears little to no resemblence to Tennessee's one-act play, and the people of the small town they shot the picture in were horrified that Hollywood was in their streets shooting a amoral Tennessee Williams play. They went as far as to clean up the streets at night when the crew wasn't there so that the crew had to correct the situation the next morning before shooting. The restaurants of the town went asfar as to refuse to feed the crew. That's how nasty things got. This film was put together by what is known as a "film-writing committee", that simply means that everyone from the grips to the actors had a hand in coming up with a hopefully workable script. Not very promising.
I loved the picture, In fact, it's one of my very favorite pictures. It has a nuaunce to it... Kate Reid is wonderful. Robert Blake is fabulous, Charles Bronson is scary/sleazy at it's best and of course it has Mary Badham as the supporting female. She is most widely known as "Scout" from "To Kill a Mockingbird". She left films... but anyone who's interested in seeing her again can, There's a little-known new film called "On Our Own" that's been playing on and off on the movie stations where she has a cameo as woman who has left her children and disappeared into the mountains only to be found at the very ending of this film by an alcoholic Keith Carradine. She has about eight seconds on the film but it was marvelous seeing her.
I thought the movie started a bit slow, but then it got going and I was really enjoying it. Till the ending that is. I was very disappointed in the ending. It's still a very good movie, but a better ending would have made it much more so.
This film can hardly be called a romantic movie, it's very much in the 60's vein of tragedy-drama, a genre that is almost forgotten today. Williams was a master a setting up these snarling, hateful avarice family scenarios, and the film is no exception. The ending is just an afterthought for audiences. Going into the film, the title tells it all, "property" and "condemned" -- not much left for allusion or allegory or happily ever after. Everyone is a looser and the story remains true to this position, a refreshing change for once.
-- If Ewan McGregor were a lollipop I'd be a diabetic strumpet --