MovieChat Forums > It's a Mad, Mad, Mad, Mad World (1963) Discussion > Why This Failed To Be 'The Classic' Come...

Why This Failed To Be 'The Classic' Comedy


Each comedian has his own rhythm and style and 'setting'. Get every imaginable comic together to do their shtick and it will be the funniest movie ever, right?
WRONG! We constantly shift to the 'comic world' of each comedian. It is exhausting. No other film has ever made me more tired. Go figure. Ethel Merman as the mother-in-law from hell is by far the funniest thing on screen. Rather than try to top everyone else's comedy she goes to the limit with her actual given character.

reply

[deleted]

Who can tell someone else what's funny? No argument.

reply

This is definitely not a "failed" classic comedy. Are you kidding?

---
Emojis=💩 Emoticons=

reply

Over 50 year's old and it continues to sell out when it is screened. It was part of the 60th Anniversary of Cinerama a couple of years ago and the screening for IAMMMMW sold out 4 months in advance. 50 year old films that still sell out are classics, regardless of what someone who like likes to fancy themself as a critic might want to argue. If that many people still like it that many decades later, it's a classic by default and it's no longer up for debate. Someone may not like it. That's fine, but it doesn't mean it's not a classic, period.

"It's not the ups and downs that make life difficult, it's the jerks." Charles Chaplin

reply

Fine but I didn't take a vote. I gave a CRITICAL PERSONAL OPINION. At the time the film came out it had mixed reviews as well.

reply

I remember the first time I saw it, it was while being babysat at an older neighbor's house. I was probably about 9, and I remember being SO BORED, but my babysitter kept laughing. And it seemed to drag on ALL AFTERNOON (especially with commercials). It kept me occupied, and was in color, and on a "big" 27' console TV, but beyond that, I didn't get what the big deal was. I knew it was an "old" movie because of the cars with fins and the clothes/hairstyles. It just seemed to be paced so slowly, especially scenes like the couple locked in the basement because the store closed at noon (?!) which was never explained btw.

I think the primary reason I didn't find it very funny was that I had no idea who most of the actors/characters were, and without the knowledge of WHO some of them are, many of the scenes simply aren't funny. I could name several scenes that if played by an extra, people wouldn't like at all. It's the fact that it's JACK BENNEY saying "Well!" that makes that comedy note hit. I didn't know him when I was 9.

Now as an adult, and having gotten to know most of the actors over time, and having seen it as a second time 30+ years later on HBO yesterday, I found myself saying "HEY! That's young Jonathan Winters!" (I only knew him from Mork and Mindy.) Several of the others I now recognize but couldn't quite place, because I had known them as much older actors or hadn't seen their work on early television. But I got a lot more out of it, even if some of the scenes still seem over-long or completely unnecessary.

All of that said, also now looking at it as an adult, I am FLABBERGASTED with some of the stunts in this movie. Simple things like the cars speeding down an alley and an extra nearly getting squished against a brick wall...and those scenes were not sped up artificially! Many similar sequences with cars moving very fast and barely missing each other...made me wonder how many mistakes were made, how many takes it took, and how many crashed cars and injured stuntmen there were. (In today's movies, we all subconsciously think "CGI" if something looks incredibly dangerous, but this movie did it for real!)

Not to mention how many of the stunts and physical action was done by the actual (mainly middle-aged) cast! Again, today, even if someone has to fall off of a step they use a stunt double. These people were slamming into walls, jumping all over cars, jumping in and out of planes, etc. I know some doubles were used, but in many scenes where there are uncut shots, you can see that it is the real actors. They'd NEVER do that today.

So, "THE Classic Comedy"...I have to say no, because it depends a lot on people being "in on the joke". Like "Hey, there's Moe and Curly!". But for people who DO recognize and are familiar with the work of the cast, I'm sure this might BE "THE" Classic Comedy.

For me, to have the same impact of big name stars that I recognize from a long history of work (which I really didn't for this cast when I was little and still don't know them all now), it would have to be a cast like: Carol Burnett, Robin Williams, Richard Pryor, Chevy Chase, Mary Tyler Moore, Goldie Hawn, Bill Murray, Lilly Tomlin, Mel Brooks, and Steve Martin, and been made around 1985 when they were just at/past their primes to have the same effect.

That's when you light up when you see someone, or CRACK up just seeing a comedian because you've seen them in so many things before, and just their face makes you laugh (if you know them). That face brings with it all the previous comedies you've enjoyed with them and makes it much funnier.

So for me, this was just a bit off generationally to be "THE" Classic Comedy, but I respect it now that I know what an undertaking it was to get all those big stars in it and to perform the movie's incredible stunts without any special effects. But for pure humor...aye, sorry. I respect it, but I can't say it's a favorite from the aspect of true comedy.

reply

As for a film critique I give it a "7".

If one is not disposed towards broad, physical comedy with exaggerated characters and situations then this film is not for you. This might eliminate about a quarter of the population right off the bat. For those that are inclined toward this style of humor, this is a generally well made but flawed film.

I think the film holds up well after 52 years. The only dated aspects are the Sylvester character and his girlfriend. The huge cast and massive scale is both a strength and a weakness (if that is possible!).

A recurring criticism is the film is much too long, that it becomes numbing as it piles on slapstick scene after slapstick scene. I think many apply this criticism even to the edited down version. I feel there is some validity to this line of thought.

Having said this I've never failed to be entertained by IMMMMW, and I saw it during its first release.

reply

I think you have made some very good points with regard to how one defines classic. Many people, perhaps most, would regard classic as synonymous with greatness. However I do tend to agree with your definition of classic, that is a work that still holds considerable popularity many years after its creation. Using this definition certainly a strong argument can be made that "...,Mad World is a classic (irrespective of how one rates the film).

reply

Well they all seemed to be more or less in the loudmouthed, face-pulling broad slapstick mode; can't say I found any of them particularly funny (although I kinda liked Spencer Tracy). Probably least of all the "momma's boy".



"facts are stupid things" - Ronald Reagan

reply

If you found this film 'exhausting', give The Lego Movie a whirl sometime.



Never defend crap with 'It's just a movie'
http://www.youtube.com/user/BigGreenProds

reply

Ah,but it is a comedy classic.Deservedly so.😀

reply

but somehow it is the biggest Comedy Classic of all time.

I guess most people don't agree with you.

The only thing about this film that was exhausting was the laughter.

reply