I prefer to replace the word "taste" with "baggage", because each person has a unique life experience that influences how they react to a movie, to a book, to music, etc.
For example, I've listened to classical music for almost 50 years. Intel's new "Beethoven's Fifth" commercial is musically very clever, which most classical and jazz listeners will catch, but others might miss. How many of you caught what its creators were doing?
That said, no one is entitled to an opinion unless they can rationally defend it. At the very least, one should give the criteria for "goodness" or "badness" one is judging by -- which LukeCoolHand does not.
I haven't read Cool Hand Luke, but I have read Horseman, Pass By, and can tell you -- factually -- that Hud is a simple-minded and shallow adaptation. But that doesn't mean it isn't a good -- or even great -- film.
Cool Hand Luke is about a man who can't handle the "slings and arrows" of life, and has little desire to live. He eventually gets his wish. His death serves no higher purpose, and is arguably self-indulgent. Though I'm a thoroughly anti-establishment person, I find nothing inspirational about Luke's "victimization". He has no particular world view or goal to guide him, so his behavior is largely reactive. That he stumbles and falls is largely his own doing.
Hud, on the other hand, offers the possibility of getting the audience angry about something that matters. Both the novel and film are attacks on America's "grubby materialism" (which, at the moment, is moving our society towards what could be irreversible collapse). Hud doesn't "win" at the end, because he's thrown away every good thing that money can't buy.
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