The weakening of the female in certain movies is truly bizarre to behold. The simple inclusion of Roberta here is strange as the actual book had a mother, a father and four sons, no daughters or females at all. It was obviously a boy's adventure.
My alltime favorite movie is Mad Mad Mad Mad World ('63) and even with Ethel Merman as the shrewish mother-in-law, it is obvious the three women involved are extensions of their men. Edie Adams is present only to keep Sid Ceasar from being in the basement alone and Dorothy Provine keeps Ethel Merman from walking alongside the road alone.
Still, the ending bit works with the women being excluded from pursuing the money, but I can't help but wonder in today's age, if a woman were traveling alone, would she be expected to stay on the ground like that and perhaps cut herself out of the money? How would it work?
Then why would she have entered the hospital room at the end if no man was her husband or boyfriend or anything.
Of course, none of this I pondered when I watched it as a child.
My second fave movie is Seven Brides for Seven Brothers, and well, that's a winner in and of itself there, isn't it?
I really don't know how the dialogue occurred about women not being able to pick a flower for themselves back them. Either those in the movies thought, well, this is how the PUBLIC wants to see women, men as well as women.
Guys don't want to take their girlfriends to a movie where the women are charging around and not waiting for the menfolk to rescue them?
I guess there are any possibilities of reasons for back then.
A second movie I got a kick out of, Mysterious Island ('61) had two women conveniently wash up on shore, as once again, the story had no women in it, only the five men.
So putting women even IN the stories, no matter how weak and demure, was considered a breakthrough for feminist rights back then, I'm sure. Simply being included!
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