Was there really one big, revealing thing that got Lt. Manion off? To me, I didn't really see how it was "proved" that he was temporarily insane. It just seemed like everyone stated their case, then the jury simply decided he was temporarily insane. There wasn't one fact or one witness that made me say, "AH! So he IS innocent afterall!". Am I missing something?
Neither he, nor his wife were likable characters. I didn't stand up and cheer when he got off or anything.
Also, it seemed as if husband and wife weren't too happy with each other. Why'd they run off together?
Maybe we're all forgetting about the jury. Maybe they related better to the homespun attorney that Jimmy Stewart portrayed. Maybe they felt that he was too honest a man to defend indecent people.
It's just a thought. I'm trying to figure it out just like everybody else.
"First I dream my painting and then I paint my dream."--Vincent van Gogh
Brilliant film. You are in no way, supposed to like ANY characters, even Stewart. He plays a crooked lawyer, however, he still gives off that sleek homely type.
I've seen this several times and still don't get the ending (the not guilty when all appearances are that Manion is) and moreso the final scene at the campsite where the groundskeeper says that they left in a hurry, she (Mrs Manion) looked beat up and there is a barrel of empty liquor bottles and her broken shoe. Seems that this flirtation on her part had been an ongoing thing and that she had had affairs before and been beaten before.certainly every scene between the couple reeks of a resentment between them...I take the ending to mean that they did some celebrating, still had a fight, took off without paying their legal bill and Lt Manion left what was an insulting note to Biegler. It has often been said that part of the greatness of this movie is the ambiguity that the viewer was left with. My take is that Laura had brought this on with Quill, that Manion did kill Quill, resented his wife and felt happy about beating the system. He made enough references to "getting off" after being seen by the army's psychiatrist.
Neither he, nor his wife were likable characters. I didn't stand up and cheer when he got off or anything --------------------------------------------------------------------------- Yes, I agree. Even "The Law" wasn't a hero in this movie to my way of thinking. I guess that's why the movie begins with a cartoon-man being cut apart and put back together.
I am in the middle of reading the book on which "Anatomy of a Murder" was based. It was the 25th anniversary of the printing of the book and the publisher had the author-- who at the time of the writing was a 50 year old lawyer who, like Paul Biegler, had just lost his bid for District Attorney after a long term in the office. He said that he wrote the book because he had to finish putting his two daughters through college, he didn't have the time to establish a legal practice of his own, and he had always been unhappy about how Hollywood portrayed courtroom exchanges. Ironically, because Jimmy Stewart as Paul Biegler did a lot of "tearing up the screen," "Robert Traver's" (a pseudonym) chief complaint was that there was much more quiet, many more legalities spoken in undertones and background information that surrounded the real courtroom drama.
I watched this movie again and again just because I couldn't figure out the character of "Laura Manion." As Maida described to Paul at the beginning, Mrs. Manion was "soft, and easy to take advantage of-- which many men did," implying her not-so-innocent involvement. An uncompromising flirt, but oh-so sweet in her realistically-portrayed naivete. And then she comes on to Paul Biegler. One of the reasons I am reading the book is because I want to figure out how "Laura Manion" is portrayed by the writer. I doubt that she is as "innocent" as the movie portrays her to be. The book was written in 1958 so I had wondered what kind of constraints the Hollywood censure-system had placed on the movie.
If there is a "hero" or "herione" to be had in the movie I judge them to be McCarthy and Maida, maybe Mary Pilante.
(Everybody knows, don't they, that "Mary Pilante" was portrayed by Bing Crosby's wife, Kathryn Grant?)
If there is anything "dramatically different" in the book, I'll post it.
Hey, I met Kathryn Crosby once! (I used to be a journalist.) I wish I'd told her how she really holds her own in her scene with George C. Scott.
But to your main point: Not sure how "innocent" the movie paints Laura's character! It really hammers home the doubts about her character; especially in 1959 terms, she seems like one loose woman. The scene where she's especially eager to invite Biegler into her trailer is devastating; it's the movie's strongest suggestion that when she feels lonely she really wants to do something about it.
She screams 'he's my father' and the jury decides he's not guilty? If this is a true story I feel sorry for such a travesty of justice in the 1950's. Badgering, leading, calling for conclusions is the only interrogation that goes on and it's all acceptable. Just another contrived melodrama.
It is worth noting that this film is based on a very real case and many of the points of law are grounded in the events that took place. (And the locations!)
The case was controversial at the time.
But it is interesting that the real defendant, like Manion had been in Korea and quite possibly was suffering post traumatic stress disorder which at the time would not have been adequately recognised or treated.
So "Manion" in our film could actually be suffering PTSD and therefore whether or not anyone believed he was insane at the time.
Brilliant film, perfectly executed example of legal ambiguity. The facts are not made clear, this is by design. Preminger believed that no one person is either all good or all bad. His wish was that each viewer would arrive at their own conclusions.
Not wrapped up in a pretty little bow, just like real life.
one of the more controversial aspects of this film is the shots it takes at our legal system(not to mention the at-the-time frank language).the ending shouldn't be a surprise since Stewart himself tells his client that there's no way to know how a jury will go.definitely not your typical Hollywood movie in that,as you say,all the ends are neatly tied up.
The daughters final testimony goes south. The Lt. goes to jail or even the chair.
Then the lawyer discovers the dames were in cahoots, one wanted to get rid off her jealous husband, one wanted her father dead so she would get the hotel.
The rape was staged, knowing full well how the jealous husband would react.
The shoe Jimmie Stewart finds....the "irresitible impulse" Ben Gazzara's character throws in..:
He killed her. He killed Lee Remick for being a slut who almost sent him to jail. His "irresistible impulse" was a sly stab at Jimmie Stewart's insanity plea...i.e.:
Ben Gazarra gets out of jail...but realizes that his wife was flaunting her deliciousness (and, oh, you kid, was she yummy)...takes her to the woods...downs a pint of Gin...and gives that slut just what she deserves...and vanishes...
In my eyes he could be found innocent based on what the law stated, however I feel the law is wrong. A revenge killing is a crime of passion, yes, but it isn't an "irresistible impulse".
One of the great things about this movie is that nothing that happened is clearcut. It doesn't take a stand on whether Barney Quill actually raped Mrs. Manion, how much faith Mr. Manion puts in her account of whatever happened between her and Barney, just how far Mrs. Manion's fliratiousness will take her, whether Mr. Manion really acted under irresistible impulse, whether he's innocent or guilty. As the secretary says, she doesn't know how she'd vote if she were on that jury. That's the position a jury is put in: they only know what they've heard during the trail and have to decide on that basis whether to send someone to jail (or their death) or whether they have a reasonable doubt.
Remember what Stewart says to his client early on: The jury will be sympathetic to his case if they believe his wife was raped; they just need some hook on which they can hang a not guilty verdict. The real bombshell at the end of the trial is not the introduction of the torn panties, even though they finally provide some physical evidence that substantiates Mrs. Manion's story; it's that Barney Quill was not, as everyone in town had assumed, Mary Pilant's lover, but her father, removing any motivation for her to tarnish his name other than it being the truth.
As far as the couple taking flight at the end, remember that Mrs. Manion is described as being in tears, so it wasn't necessarily a happy ending for them. There've been some hints about Mr. Manion's character to suggest he really will kick her from here to kingdom come.
I was a teenager when I first saw this movie -- a pretty idealistic teenager, at that -- and I LOATHED the ending. I think I wanted everything to be perfectly black-and-white, and Manion not to be such a complete and total jackass, and Biegler not to have won that victory for such a complete and total jackass. (Especially since Biegler was played by my favorite actor. :-) ) I hated that ending so much I never wanted to see the film again.
But I've come to terms with it since. It's like Biegler says at one point: Most people aren't all good or all bad. The film reflects real life's ambiguity pretty well.