MovieChat Forums > Anatomy of a Murder (1959) Discussion > the ending ? (did anyone want a twist?)

the ending ? (did anyone want a twist?)


i was so hoping for a twist like say in primal fear or the usual suspects...something where we will know thatthe lieutenant was guilty of murder out of jealousy ...

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Yeah, I think I was expecting that as well.

Especially after the scene where Lt Manion practically manoeuvred the lawyer into finding him a legal "excuse" for having committed the crime. Maybe I'm just overly-suspicious or overly-analytical, but I really thought Manion was just playing dumb in that scene, that maybe he was a lot more cagey and manipulative than he seemed, and that it would come to light later. Like he already knew how to get himself off, and he led Biegler there by the nose.

But I think the movie was a lot less sophisticated than I was anticipating. And I don't mean that as a negative comment.

Or ... I don't know enough movie history or US Legal history for this era and genre of movie. Maybe the whole basis for his plea in this case was a bit revolutionary and would itself have been controversial enough with the film's audiences at the time, without the need for making it more sensational with a plot twist ?


You might very well think that. I couldn't possibly comment.


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i felt the same ...for that time probbaly the basis for the plea i his case was sensational enough that they didnt want the plot twist ..i am sure though thatthey kept the suspense deliberately on whether he was fooling or not.

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Well, the lawyer didn't get paid and the defendant, with tongue-in-chick, fooled him well enough. That WAS a real twist.

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"Tongue-in-chick", indeed. 

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If no twist, at least there should have been some acknowledgment on the part of Jimmy Stewart that at the very best, he does not know the truth of what happened. (But he probably DOES know and yet he just stands there and says "Well, we get to be the lawyers for Barney's daughter! Let's go!" That's it? That's all he has to say about the situation?)

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It happens- attorneys get snookered by their clients-- even in murder cases. In this case- the case actually happened up in Big Bay, a tiny village way up in Michigan's Upper Peninsula (the names were all changed of course). and yeah the guy probably did "get away with it." A lawyer owes his client the best defense possible. Not all clients are the most likable but a lawyer doesn't get to throw the case because of it. The Manion character is a creep- and probably worse but that doesn't lessen Beigler's obligation to give him the best defense he possibly can. The fact that the characters move on to the next thing is also true to life. That happens too.

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True, and many lawyers defend people they know are guilty. what is hard to believe is that he doesn't have one line to Even Arden or the old guy where he says "Hey, I don't WANT to know what really happened. I just want to win." Because it's Jimmy Stewart playing the part, his apparent lack of interest in what the real facts might be comes across as odd. The George C. Scott character seems like the cynic who is just in it to win - whereas the truth is, he's not being a shark because he's "mean." A guy did get killed here. He may not have raped anyone.

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Oh yes, lawyers get taken by clients all of the time. The ending is a perfect example of an excellent defense without having locked down the fee. I am a lawyer and I've had clients who come into my office plop down a "big check" and want to get right to work - and only a couple of months into the case the client can't or won't pay for work done beyond the retainer and some judges simply won't let you withdraw - it was your job to see to it that you got paid.

The end is all too real.

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Grolaw makes a great point. I would add that this ending actually WAS a twist for me, brought up on Perry Mason and Matlock where you KNOW what happened at the end. I also found this gritty and realistic, just right--and twisty in an unusual way.

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I think that kind of twist would have spoiled the ambiguous and cynical tone of the movie. There are two major points:

1) Truth itself is sometimes quite impossible to reach.
2) Although theoretically justice is about truth, in reality it isn't.

In the end of the movie, we know that the whole business about Manion, his wife and the murder was in fact totally different of what we've been hearing, but we can't tell in which way. The main characters (Biegler and his pal) know this by experience, that's why they are not surprised and "go ahead" leaving the closed case behind.

It's a VERY disturbing finale, and the lightness of it makes it extremely cynical. I don't think it would be so complex or interesting had it the typical "surprising twist" à la Perry Mason.

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I have to agree that it is an amazingly cynical ending with Beigler and his new partner heading on to do the probate for the murdered rapist's estate. It was rather over the top, frankly. Still, it is completely unexpected...and therefore very memorable.

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Once a lawyer accepts the case, even one in which the defendant admits that he did the deed, the lawyer is still obligated to do his best to either get the charges dismissed or get a reduced sentence. In today's legal climate, this is often done through plea agreements.

In the case depicted in this film, the basic fact is undeniable, the Gazarra character admits guilt. It is the Stewart character that encourages the defendant to "think harder" on why the homicide would not be considered a murder. The lawyer is coaching the insanity plea indirectly, and the defendant is made to recognize his difficult position, as the only other legal options in a capital case of the time, plea bargain to a lesser charge or guilty plea with a request for mercy, would be a much bigger risk as far as sentencing.

As far as the "irresitable impulse" to skip on the promissory note...that is well within character for both the Gazzara/Remmick portrayals.

The cynical ending of Biegler and McCarthy handling the murdered man's estate, well, that is more of a stretch, but, certainly there would not be surplus of attorneys in the small town depicted.

It has been written that Anatomy of a Murder broke a load of Hays code restrictions, especially to language and "hardening attitude to crime", but, due to the realism injected by Preminger, was unassailable by the censorship board.

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It had a twist. Beagler got to settle the estate for Mary Pilante, whose father was killed by Manion, who was found not guilty through the efforts of Beagler.

Talk about irony.

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I have to agree that it is an amazingly cynical ending with Beigler and his new partner heading on to do the probate for the murdered rapist's estate. It was rather over the top, frankly. Still, it is completely unexpected...and therefore very memorable.

I don't understand why anyone would think the ending was cynical.

The defendant was certainly cynical. He had stiffed his legal reps.

However, the 2 lawyers (especially the old guy) appeared to have been given a new lease of life by the case. Instead of spending all their time drinking, and making excuses to people they owed money to, they had decided to go into business together, and to try to make a success of it.

It's hardly immoral of them to make a pitch for administering the dead guy's estate. After all, his family can say "no" if they want.

Laughing off what the defendant had done seemed to be the opposite of cynical to me. A more cynical ending would have been for them to head off to the bar (old guy) or to go fishing with a bottle of whisky (Jimmy Stewart), which would have implied that they had both gone back to where they were at the start of the movie.

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The thing is tho, it does not really matter wheather or not he was sane. It was quit clear earlier in the movie that he was guided to that insane plea by Jimmy's character.
Basically they wanted to excuse Marion for murdering the guy because his wife was raped, it doesn't make much difference to the lawyers if he was sane or not. The whole irresistable impulse thing is a joke anyway, it may be a defense but I mean come on. I have an irresistable impulse to kill my boss everyday, but that wouldn't get me off. He got off because the guy raped his wife and the jury sympathized with him. If someone raped my girl I would be on them like Ray Liotta in Goodfellas

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[deleted]


i was so hoping for a twist like say in primal fear or the usual suspects...something where we will know thatthe lieutenant was guilty of murder out of jealousy ...

I was expecting a twist. I guess we have become conditioned to anticipate them these days.

A guilty vwedict wouldnt have been a twist, imho. Nor would a revelation that the Defendant had committed the murder due to jealousy.

As we were watching the following possibilities occurred to me:

1. The defendant had inflicted the injuries on the wife, then killed the victim, and then told his wife to claim she had been raped so that he would get off.

2. That the wife had self-inflicted the injuries so as to trick her husband into murdering the victim.

3. That Jimmy Stewart would realise that the lawbook with the crucial "irresistible impulse" case had recently been checked out of the library (and the relevant page marked) BEFORE the homicide.

4. That the wife would deliberately try to lose the case by changing her testimony in a way that would catch Jimmy Stewart by surprise.

5. That the victim's daughter wanted the victim dead so that she could inherit.
a) I was mainly thinking that her accomplice was the defendant, and that they would run off together (using points 1 and 3 above to achieve that oucome).
b) But the best twist would have been for the defendant's wife to be the co-conspirator with the daughter (using points 2 and 4 above to achieve that oucome). A lesbian liaison was unlikely for the time (save that for the remake), but it could have been that they each had motives for wanting to get their repective menfolk, and that Mary had agreed to give Laura a slice of the profit.

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Good analysis.

I figured either 1 or 2.

I must say 3 is a neat little twist. Not sure about 4..

5 seems a bit unlikely...

Lesbian liaison remake would be fantastic... It would be a twist with a twist and a couple in twist ;) Well, throw some explicit twisting scenes in there as well... I'm not complaining ;)

I'd probably say Alexa Davalos as Mary Pilant and Alexandra Daddario as Laura Manion remake would be spectacular.

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I can’t explain exactly why I felt this way but I expected the film to end with the twist that the lieutenant was guilty of murder out of jealousy. I expected Stewart to discover the wife was having a voluntary affair, the lieutenant discovered it, killed her lover and he (the lieutenant) was the one that actually gave the wife the beating and through fear manipulated his wife into aiding him with the rape story.

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" can’t explain exactly why I felt this way but I expected the film to end with the twist that the lieutenant was guilty of murder out of jealousy. I expected Stewart to discover the wife was having a voluntary affair, the lieutenant discovered it, killed her lover and he (the lieutenant) was the one that actually gave the wife the beating and through fear manipulated his wife into aiding him with the rape story."

I feel that this very nearly IS the accurate ending, and that Stewart knows it - and has known it in his bones for some time. Remick was at the very least "fooling around" with Barney when he drove her home on the fatal night. It must have gone further than she intended, since she lost her panties and Barney took them back to the hotel to get rid of them. Manion realized what his wife had done, or intended to do, beat the crap out of her and went off to kill Barney. At the end, he drags her off to the Army base and skips out on paying his legal bill. I have no doubt Jimmy Stewart will put the Army on his case and eventually get paid.

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I think they should have ended it w/the three of them at his office wating on the verdict to come in. Everything up to that point led you to believe that you don't know how this will turn out and what the truth actually was. They should have ended it that way.

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