One of the greatest horror scores ever, but...
Hammer fans typically praise this first film in the series, Lee's first gig as Dracula, and it is a solid entry with the typical Hammer highlights: Lush Gothic ambiance, bright colors, Lee & Cushing and bodacious women. Lee's diabolical interpretation of the Count is another highpoint, not to mention one of the most stunning horror scores by James Bernard. Unfortunately, the abridged story loosely based on Stoker's novel is somehow unsatisfactory and there are too many 50's limitations IMHO.
Here's one curious abbreviation: In the book the story starts in Transylvania, switches to England with Dracula voyaging to London, but ends up back in Transylvania for the climax. Coppola's 1992 film adhered to this European globetrotting, but Hammer decided to simplify the geography where travel time is condensed to something akin to a European theme park rather than reality: The tale starts outside of Klausenburg, the capital of Transylvania in Central Romania at the time, with Drac's castle nearby; then switches to Karlstadt in South-Central Germany, which is roughly 750 miles from Klausenburg in reality, yet a mere carriage drive away in this film, perhaps 20 miles. Why Sure!