I see your point. I watched it for the first time after having enjoyed the sequel (Dracula, Prince of Darkness) a lot. For some reason, it disappointed me as it did to you, and it was only after many viewings that I started to appreciate it. Perhaps it happened because it was much more subtle and balanced than Prince of Darkness why it took me sometime to like it. In most of the film Dracula is not physically present, that was something that bothered me. But it is great to feel that although you don't see him he is somewhere near.
The prologue is wonderfully elegant, and the ending dynamic and exciting. And in the middle, I love the night scenes when Dracula visits Lucy, and the ones with the female vampire in it. Now I see as obvious that it is a superior film than its sequel, and I love the fact that, even when most of the action is rewritten, it is the film that best translates the essence of Stoker's novel. Christopher Lee always complains about the fact that Dracula has never been filmed as Stoker wrote it, but to me this is absurd: Stoker wrote to be read, not to be seen.
Also, what I love about this film is that it feels very economical: a short running time and a style that is as precise as elegant and full of subtleties. I suspect all of this is thanks to Fisher's direction (Sangster was a mediocre screenwriter, and, as far as I know, the best scenes of this film are merit of the director and his actors who slightly modified what was on the original script).
I would recommend to you Fisher's The Brides of Dracula, to get a different perspective on the same subject. It is a very different film, riskier, less canonical, and also weirder and faulty in its internal logic and structure. However, in terms of expressive quality, I would rank it on par with this one.
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