MovieChat Forums > Dracula (1958) Discussion > Anyone find this film boring?

Anyone find this film boring?


I just watched this film a little while ago. It is the first Hammer film I have ever seen. I grew up looking at my grandfathers Famous Monsters mags, but still never got around to seeing one. I heard people rave about them over the years. I came across the Dracula 4 pack DVD for $10, so I said what the hell. There were good scenes, but found the film to be boring. Granted, it is much better than the Universal Dracula film. I thought Lee was good as Dracula. Cushing was good, but I expected more from him. I then realized all the people who loved it are only the people who grew up watching them. I don't know anyone my age (34) who is into them. Is everyone on this board people who grew up with the film and like it for nostalgic purposes or saw it later in life like I did?

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Definitely didn't find this boring. (I'm of roughly your age and have no sentimental attachment to Hammer Horror films. I've seen roughly a dozen of them, but it's been years and I've largely forgotten about them.)

Indeed, one of the things I enjoyed most about this is how quickly paced it is. Like a lot of older genre movies, it really crackles, packing a lot of story into its (roughly) eighty minutes. And everything here is in service of the story--nothing is added for the sake of padding the runtime. The movie doesn't take time to round out its characters (the characters are developed to the extent they need to be to play their roles in the story, and that's all) or luxuriate in its setting (there really aren't lingering shots to admire scenery or sets); it just plows ahead with one significant incident after another. I suppose that results in a loss of atmosphere and attachment to the characters, but the streamlined narrative compensates for those losses by clarifying the contours of the story (and its themes) and by generating some tension that would be lost with more deliberate pacing.

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Well, I'm 29, and I think this was the first Hammer movie that I had ever seen (I watched it this month, in fact). I had heard of the Hammer Horror films and finally watched this one and loved it. Peter Cushing as Dr. Van Helsing was phenomenal, and just as the character should be, rather than Hugh Jackman in "Van Helsing". Granted, I already liked Peter Cushing and Christopher Lee, but I certainly have no nostalgic attachment. I think I'm just sick of most of the modern horror films which are far too silly anymore. Also, I think that monsters such as vampires and werewolves seem out of place in a modern setting (for the most part). Also, there is a tendency these days to make vampirism out to be some sort of blood disease. I prefer the old school, supernatural aspect in which holy items such as crucifixes and holy water can harm them.

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I see your point. I watched it for the first time after having enjoyed the sequel (Dracula, Prince of Darkness) a lot. For some reason, it disappointed me as it did to you, and it was only after many viewings that I started to appreciate it. Perhaps it happened because it was much more subtle and balanced than Prince of Darkness why it took me sometime to like it. In most of the film Dracula is not physically present, that was something that bothered me. But it is great to feel that although you don't see him he is somewhere near.

The prologue is wonderfully elegant, and the ending dynamic and exciting. And in the middle, I love the night scenes when Dracula visits Lucy, and the ones with the female vampire in it. Now I see as obvious that it is a superior film than its sequel, and I love the fact that, even when most of the action is rewritten, it is the film that best translates the essence of Stoker's novel. Christopher Lee always complains about the fact that Dracula has never been filmed as Stoker wrote it, but to me this is absurd: Stoker wrote to be read, not to be seen.

Also, what I love about this film is that it feels very economical: a short running time and a style that is as precise as elegant and full of subtleties. I suspect all of this is thanks to Fisher's direction (Sangster was a mediocre screenwriter, and, as far as I know, the best scenes of this film are merit of the director and his actors who slightly modified what was on the original script).

I would recommend to you Fisher's The Brides of Dracula, to get a different perspective on the same subject. It is a very different film, riskier, less canonical, and also weirder and faulty in its internal logic and structure. However, in terms of expressive quality, I would rank it on par with this one.

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It's major drawback for me is the deviation away from Stoker's story. In contrast to Tod Browning's DRACULA I felt that the action moves a little to briskly; combining the pace with good performances by Cushing and Lee, a good supporting cast and tense score, this film is anything but boring--especially for 1958 when all previous DRACULA films had been rendered in black and white.

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I just watched it today for the first time and I share your opinion. I don't know if it's my age (I'm 28), but I was completely unimpressed with it. Found myself wishing it to be over half way through. It didn't feel atmospheric al all to me, I didn't particularly care for the music and the characters and the story lacked depth in my opinion.



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Yeah, I saw it as a kid on TV and so now it's more of a nostalgia thing. I love Lee as Dracula (and everything else he's ever done) and found it scary then. I think if you're brought up on the realism and gore of the 80's and 90's horror films, this could be viewed as boring, sadly.

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I then realized all the people who loved it are only the people who grew up watching them. I don't know anyone my age (34) who is into them.

This is extremely flawed logic. This movie must have had something to appeal to the people of the time; after all, the critics weren't kids. I feel a similar way about many movies (I was in a discussion in Raiders of the Lost Ark, for example), but we just have to realize that age and growing up with classics really doesn't explain why they were acclaimed at their release.

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Dracula was not acclaimed at its release by critics. It was considered distateful.

It happened much later, arount the 70s, when horror & sci-fi film buffs (particularly from France and Spain) started to consider Terence Fisher as a serious director and Dracula as his best film. So it was acclaimed at a time when its style was not "fashionable" anymore.

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For me it is easily the lest compelling Hammer Dracula and the leas interesting even semi adaptation of the Novel.

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