I just couldn't stand John Wayne's character in this movie, totally ruined it for me; he came across as an annoying prick trying to be badass by putting others down and show no respect whatsoever for anyone, I don't understand how anyone could have any sympathy for a constantly angry one dimensional character like this, especially compared to other western heroes such as Clint Eastwood in the dollar trilogy and Yull Brynner and Steve Mcqueen in the Magnificent Seven; these were also somewhat rough, even anti-heroic characters, but at least they had heart and were guys that the audience could root for
Poor John Wayne is damned if he does and damned if he doesn't!
If he plays the dashing cowboy hero or a fighting member of the armed forces, it's "John Wayne can't act because he always plays himeself!"
If he plays morally ambiguous and complex characters like he did in THE SEARCHERS, REAP THE WILD WIND, WAKE OF THE RED WITCH and THE MAN WHO SHOT LIBERTY VALANCE, then "artistic merits," "storytelling" and "characterization" be damned (especially for THE SEARCHERS and LIBERTY VALANCE) and Wayne bashers who cannot see the forest for the trees are equally blind to the kind of nuanced portrayals the Duke capably brought out as Ethan Edwards, Tom Doniphon and even Captain Nathan Brittles in SHE WORE A YELLOW RIBBON.
I will be the first to admit that there were many actors who were much better actors than John Wayne; however, when Wayne was outdoing himself with the fine support of a great cast and the guiding hand of great filmmakers like John Ford and Howard Hawks, few if any of his peers in the profession could best him or even equal him in pictures like:
THE SANDS OF IWO JIMA (Best Actor nomination) HONDO THE SEARCHERS THE MAN WHO SHOT LIBERTY VALANCE TRUE GRIT THE COWBOYS
...and about a dozen others I could name. There were quite a few stinkers and mediocre films and performances in Wayne's resum`e, to be sure, but it's just plain philistinish to find less to appreciate about THE SEARCHERS and Wayne's work in that picture than no less than industry giants like Martin Scorsese and George Lucas, who rave over this picture, have drawn from it in their own screen works, and who have given Wayne his just accolades as Ethan Edwards.
"I just couldn't stand John Wayne's character in this movie"
What a shame. I don't think he's worried.
"I don't understand how anyone could could have any sympathy for a constantly angry one dimensional character like this"
Because his mother was killed by comanches, he lost the woman he loved to his brother, he fought in a war where he would have seen many people, including his friends killed, and then he returns home to his family who are massacred, including the woman he loves who was also raped. He also finds his niece's raped corpse that he buries. And how was he one dimensional and constantly angry when he was nice and caring towards Martha and the kids in the beginning.
"especially compared to other western heroes such as Clint Eastwood in the Dollar trilogy"
Yeah Clint was a real three dimensional character in those movies. And he went through a range of emotions.
"at least they had heart"
Ethan isn't supposed to have heart. He's a deeply troubled, flawed, bitter, sometimes bordering on psychotic, person.
That was well put Buddyboy, I couldn't agree with you more. KUDO's. I think that's what acting is all about, playing a totally different person that what you really are. Not like Jack Nicholson, or Adam Sandler, Seth Rogen, or a ton of nowaday actors that are supposedly very good.
You're not supposed to like his character. His character is extremely flawed in this movie. This is a much more complex movie than the typical good-guy, bad-guy cowboy movie. He is bitter and uncaring and a racist, driven by a burning desire to kill his niece so that she never turns Comanche. His character is deeper and more complex than the typical John Wayne character. I think it's his best performance.
"The omnly thing I would say is that his character wasn't necessarily perceived in the way you described by 1950's audiences."
Hmm. I'm old enough to have seen this picture on its initial release. And have, since, read a good deal of what was written about it then. So . . . "the only thing I would say is" that's exactly how it was perceived by most audiences, and critics too, in the 1950's. . . You think the 1950's was the 101,950's? . . . Kudos, rpgrosso!
My point was that many Americans probably sympathized with the openly racist John Wayne character in 1956. Native Americans have been painted as savage, deceitful, lazy, stupid, drunken thieves throughout American history, and this film does nothing to change any of that.
"Again, I have no idea what you're trying to say."
Read it again . . . slowly.
"My point was that many Americans probably sympathized with the openly racist John Wayne character in 1956."
Where have you been, sir? There are "many Americans" who would sympathize with openly racist characters -- now. Just as there are many Europeans, Japanese, Russians, Iranians, Brazilians, etc., etc. who so sympathize. Racism has never been - and probably never will be -- without its sympathizers . . . everywhere on the planet. I venture to guess, true racists are no fewer in number now than existed in the 1950's -- anywhere. (Anti-semitism in Europe is at an all-time high.)
"Native Americans have been painted as savage, deceitful, lazy, .... ", etc., "... throughout American history."
I disagree. At least in novels and in film, I believe it's quite the opposite. I can't think of a film, including The Searchers, in which Indians are portrayed as other than worthy opponents, often cheated by an American government, slaughtered needlessly, oppressed, etc. I'm sure there have been a few. And, in The Searchers, the white community's religion, customs, and competence are treated with more contempt by Ethan (the film's central character) than those of the Comanche.
Btw, Ethan is not a racist. I've made this point before, or tried to. He is a "hater" . . . of people who tortured and murdered members of his family, and who want, and plan, to kill him. Not exactly an unjustifiable reaction, when you think about it. This was a war. Ethan is portrayed no differently than would my uncle have been had he been depicted as he was during WWII fighting the Japanese in the Pacific -- an uncle who, years after the war had ended, developed great friendships with Japanese families with whom he did business. He respected and admired them (as he had before the war) -- just as Ethan respected, though hated, the Indians he fought in his own time.
than would my uncle have been had he been depicted as he was during WWII fighting the Japanese in the Pacific -- an uncle who, years after the war had ended, developed great friendships with Japanese families with whom he did business. He respected and admired them (as he had before the war)
That's an interesting story; Sure I've heard it before, but I have also heard that many people who had dealings with Imperial Japan who hated them and continued to hate them after the war & up to their deaths...the most common statement is they won't even buy a product from Japan.
Why can't you wretched prey creatures understand that the Universe doesn't owe you anything!? reply share
Well it's not like Native Americans are cunning examples of perfect human beings, they're no more savage, deceitful, lazy, stupid and drunken thieves than any other race of people that have existed.
And read his message again, it made perfect sense dummy.
Congratulations. You got it. He's NOT likeable. He IS an annoying prick.
One thing though: he wasn't trying to be a badass, he was a badass. Note how quickly Captain Rev. Johnson wanted him in his company? He knew that Ethan would kill Comanches if it's called for.
He wanted no sympathy. After his family was killed he wanted nothing but vengeance. He wanted nothing but to kill those responsible.
Note that he didn't - like so many today - need to "share his pain" by killing a bunch of innocent people; no: he went after those responsible and took as look as was necessary to bring them to his version of justice.
That was the nuanced performance by The Duke.
And people say he can't act- this whacks Eastwood's character in The Unforgiven to the wide.
The line between anti-hero and villain is indeed very blurred here. While not nearly as layered, i'd say Wayne's role in "Pittsburgh" edges more on villainy.
Haven't seen "PITTSBURGH" but Wayne's Thomas Dunson in RED RIVER was a very unsympathetic Captain Queeg or Bligh-type character, as close to a villain I've seen Wayne play.
He is not supposed to sympathetic or likeable but represents areas of life - The military etc- that we dust off when needed and forget about after.
He lives on the periphery of society which is represented at the start and closing of the film with the door opening then closing on him. He has done what we needed and then they ignore him (notice the entire family ignores his presence) again and eliminate him from our consciousness..
To me nickm2, the ending seems bittersweet. I feel bad for Ethan, but the half smile and expression on his face tells me that he is rather satisfied with the outcome and he knows he has done a good job.
Notice how he steps aside as family members enter the front door. Check out the look on his face. To me it says that he accomplished what he set out to do and has reconciled some deep troubling issues in his heart. That may be his only reward and maybe that's all he was searching for.
Check it again. The mother takes Nat Wood off him says nothing the other older man walks past him and says nothing and the two young couple walks right by him as he steps aside. He has just brought her back and zero thanks or acknowledgement. Yes he knows he does not fit in but he's also now not needed.
Also go back to the beginning. Its obvious that Ethan has been called back 'to home' for a reason - there's trouble a brewin'. Its certainly not like he just decided to come home and the injun' trouble begins.
Ethan represents a part of society we don't like but on occasions need. He's in fact the precursor to the Nicholson Character in A Few Good Men.
The comparison to Nicholson in a few good men is a great analogy I hadn't though of. I'm envious.
In answering other posts above, I agree he is supposed to be a creep. Jeff Hunter is clearly the character we're to identify with, and follow the story with, and to an extent, Ward Bond and most of the others.
Scar is still the villain. Ethan is an anti hero on the verge of becoming a villain. He is coming dangerously close to being a killer of women and children in the movie, just like Scar, till he realizes it at the end. He's sort of a second villain reformed.
Ethan qualifies as "anti hero" more than Eastwood characters. Eastwood is a classic Greek hero, always seeking to prove god status as a demi god. Whereas Ethan would kill from ambush, like an anti hero, Eastwood demands the code of honor fair fight, knowing he is a demi god.
But if ye do doubt your courage, go no further, for Death awaits you with nasty pointy teeth!