Those of us familiar with the theatrical version have had some thematic legends passed down to us through the years. I played Virge in a production in the late 80's. The director, then directing his fifth production of the play, had me play it with the idea that Virge knows that he is about to die. So, his decision to stay would make perfect sense, given his love (as a father figure) to Beau. A key to directing the play is in the question of "Who is telling the story?". And it clearly is told from Virge's (Virgil---the great storyteller)perspective.
This idea that he knows he will die, not only gives the character a rather frantic motivation for all of his actions, but also gives the story a darker "Inge" edge. In the stage production, the final moments have Grace telling Virge that the diner is about to close and that it looks like he is simply "Left Out in the Cold". Virge's reaction to this, while vacantly watching out the window as the bus disappears is "I guess that's just what happens to some people..." This is a perfect moment for the character to reveal to the audience, (with his back to Grace and Elma) that something is very wrong.
In typical Inge fashion, this play is very dark. Dr. Lyman is a pedophile, Carl the Bus Driver is married and screwing around with the ever-hopeful Grace, Cherie is just-this-side of being a callgirl and her young lover Beau--the cowboy virgin---refers to her as "Cherry". The story deals with the theme of people being reminded of themselves at an earlier time. i.e. The Sherrif/Beau, Beau/Cherie as an innocent Girl, Elma/Dr Lyman as a young man, etc.. A brilliant American play. The movie cuts most of this story out.
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