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A Review of Season Six


Last night I finished up my weeks-long review of ILL as an overall series. With the sixth and final season, I continued to pick eps I'm not generally crazy about, or routine offerings I rarely watch.

I started with the sparkling Bob Hope premiere. While never a huge fave, it is nonetheless a strong season opening, with Richard Keith making his debut as five year-old Little Ricky. The sets look painted, there's new carpeting, the new hallway "door" for Little Ricky's room, a "modern" telephone, and, best of all, Ricky now owns a piece of the Tropicana, which is gorgeously remodeled and renamed Club Babalu.

Hope and Ball work marvelously together (they made several films) and the musical finale is actually quite witty.

Why don't I love it? Too little for Ethel to do, Ball and Arnaz are showing their age, and, more than anything, it's the beginning of the end.

Moving on, I watched "Little Ricky Gets Stage Fright", a surprisingly mature look at both parental and childhood anxieties. As always, I was less impressed with "Visitor From Italy", a pointless remake of the Ernie Ford offering, although Lucy's pizza bit IS funny.

I watched two I love - "Lucy and the Loving Cup" and the Superman classic. In the former, it's interesting how great Ball's expressions remain, despite our not being able to see her eyes after the first ten minutes or so.

I checked out "Lucy Hates to Leave", a surprisingly emotional ep, in which I'd forgotten how genuinely teary-eyed Lucy becomes when leaving the apartment. Too bad, though, that the writers failed to mention the FIRST apartment.

I finished things out with "Ragtime Band" and the series' final offering, "The Ricardos Dedicate a Statue." Both are very routine shows, but each felt fresh as I hadn't watched them in years.

Mid-way, I did force myself to watch "Lucy Meets Orson Welles." I still don't care for it and neither did Ball. By this point, the celebrity gimmick had been done to death.

On balance, a fun revisit.

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I've found catching up with the shows after work, etc. on the Pluto App (as I think they're uncut), that there are some episodes I don't like much overall, but they stick out for a funny line/situation. "Ragtime Band" is one of these. I like when Lucy Fred, Ethel and Little Ricky each come in individually to complain about the lack of talent of the others. Ethel's line about Lucy's saxophone playing ("Lucy's saxophone sounds like a WOUNDED MOOSE calling to its' mate!") is great as is Ethel's expression when she says it to Ricky.

That said, I think Lucy's lack of instrumental musical talent was a plot hook that had been done to death by this point. I suppose the writers felt they were freshening it up by adding the Mertzes, but I think there was at least one other episode where Ethel's lack of ability on the piano was referenced (the one in which Ethel kicks Lucy out of the band she and the other members of the womens' club are planning to form).And how is it that the only tune Lucy can play is "Sweet Sue" when in at least one previous episode she played an equally horrific, off key version of "Glow Worm"?

I've found I do overall like the Connecticut episodes. They inject some fresh ideas into the series. I wish there were more of them and that the Ramseys were featured more often. I thought Mary Jane Croft and Frank Nelson worked very well with the established star foursome.

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The first episodes of season six really give the newly cast Richard Keith a lot to do. that kid was a trouper! The character really brings out the selflessness of Lucy and Ricky too. In the school play episode, Ricky is ready and willing to give a lot of time to the production. He's even miffed when they don't take advantage of his show biz background and instead, make him a tree instead of the show's director!

Ricky sets a good example for his son by being a good sport and a team player. In earlier episodes he usually threw a fit when Lucy wanted him to perform in one of her club events. She often had to wheedle or trick him into doing something. But here he was a devoted father and nothing was too much for his son.

The stage fright episode isn't one of my faves, but it does show both couples to be very mature and devoted to Little Ricky.

The Bob Hope episode is funny. No one could match Hope for a witty comeback. The end number shows a real warmth between Lucille Ball and her old friend from MGM. But I actually prefer the Orson Welles episode more. In one Lucy bio , it's mentioned how he was staying in their guest how and the Arnazes thought he was a real pain. But his talent simply shines through when he recites Shakespeare.

Lucy running out of the department store dressing room in snorkeling gear is hilarious. I know she supposedly buys a scuba diving kit, but that takes a LOT of training. You don't just go scuba diving as a novice. The moment where she says she's going to Florida and Welles comes back with a dry, "Under water the whole way?" always makes me laugh.
And I love the magic act at the end with the Princess Loo-Si. I am fascinated by magic and I can never figure out how that trick is done.

The loving cup episode is hilarious. It's true that Ball's expression are obvious even with that big cup covering most of her face. And her question in the subway, "Where am I?" is met with a hilarious, "Earth".

I'm not a huge fan of the Florida episodes. But I do like the one where the girls share a ride with Mrs Grundy, as played by the charming Elsa Lanchester with that musical lilt in her voice. She sings out all her questions like, "Didn't I tell you to pack a lunch?"

Favorite line, "I love buttered grass!"

The two episodes in the boat are okay, but I always marvel at how Fred overcame his earlier seasickness! I never have. I can fly in the worst turbulence. But boats make me queasy.





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Fred got over his seasickness by facing his fear and taking dramamine. That's how I did it.

You think Fred would be afraid of a small boat after spending days on the Constitution?

I'm sure Fred took more pills on the Florida boat, but that hardly required putting that in the script.

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Actually I've experienced more seasickness on small boats than big ones. Yeah, they wouldn't have to revisit his seasickness in the script. But the show made a whole episode out of something like that and later, it's all forgotten.

I just wasn't too crazy about the two episodes on the boat. One thing is interesting though. They land on that desert island and Claude Akins scares them at first. Ricky tells Fred that he made a picture in Hollywood with him. Wouldn't Fred KNOW that? And it's a glimpse into the unnamed picture that Ricky made. He went from starring in Don Juan to making a movie with Claude Akins. Did Ricky make a western? lol

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True, a small boat - where I suffered such seasickness, I wished I was dead, I was so nauseated - would be way worse than a luxury liner, but they wound up finding the right pill for Fred and he got over it, so it's not a lapse in writing when it's not in the Florida scripts.

But you're right about Lucy not understanding why snails were in her food (again, Lucy wasn't that uncultured), but we forgive this, as the scene is so funny!

Claude Akins was NOT a big name in the '50s, so he might've had a small part in Ricky's film. Fred would not have necessarily known that.

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Yes, I guess I was thinking of the later years of Claude Akins career. But he did do a lot of western early on. I just can't picture him in a romantic musical like something Ricky would do.

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I like the Bob Hope episode, though I think he could be a little more understanding about Ricky's desire to avoid having Lucy participate in his club numbers, especially after all the trouble Lucy caused Hope at the baseball game.

In the episode about Little Ricky's School Pageant, Lucy also sets a good example by not raising a fuss over being cast as the Witch. I like her comment that the casting is "ridiculous" because she's a Witch and Ethel's a Fairy Princess.

I thought Welles was excellent, and because of his performance I liked that episode a lot. I like his response on meeting Lucy in her scuba gear: "My War of the Worlds" broadcast was 17 years ago. Where were you?" and then the one about every woman he's ever met having played Juliet to an audience that's "practically awash with overactive tear ducts!"

As I said, the only Florida episode I've liked is the one with Elsa Lanchester. You're right, PJ, she does sing her lines, and I like when she tells Lucy and Ethel: "I'm sure you won't mind changing a TI-RE!" When the three women are trying to mime the danger they're in to counterman Strother Martin, Lanchester's gestures are a riot, gritting her teeth, raising her hands about her head and miming the downward blow of the hatchet.

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The War of the Worlds comment is funny. It's also funny that every woman he ever met played Juliet, 16 curtain calls, not a dry eye in the house. lol As a Shakespearean actor he's supposed to be impressed.

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