Worst 'do of '42?
When I saw the Maltese Falcon again recently it struck me that Mary Astor had probably the frumpiest, least becoming hairdo of any female lead in any movie. (Well, maybe Elsa Lanchester in Bride of Frankenstein comes close.) Now I've just seen Across the Pacific, and she has her hair done in a very similar manner, with a couple of twists and curlicues to make it even more repulsive.
Mary Astor was no great beauty anyway. I notice in each movie the Bogart character raves about how beautiful she is: the filmmakers quite rightly wouldn't trust us to come to that conclusion ourselves, I guess. How did she ever get these roles?