Whatever merits this film has as art, I've always hated watching it for the shameless, demeaning abuse Cary Grant heaps on Joan throughout the film.
This must qualify as the great-granddaddy of all those Lifetime Movies for Women, where a vulnerable, naive woman stays in a pathetic relationship with an abusive, manipulative man who's just out to use her.
No matter how many times he humiliates and mistreats her, mentally, emotionally and psychologically abuses her she inexplicably takes him back -even when it's obvious how guilty he is.
The man has absolutely no redeeming qualities other than being handsome. He's a liar, thief, killer and abusive. he doesn't even grant her the humanity of using her name; he continually de-humanizes her by calling her "Monkey Face," -a name he gave her originally as an insult.
WHY does she stay with him?
"If you don't know the answer -change the question."
Lina stays with him because he is charming and she wants to believe her truely loves her. He brightens up her boring life and he probably was the first man to really pay attention to her. You can tell she is scared of being alone by how violently she reacts to her father's comment that she will never marry. She wants to believe Johnnie loves her, and probably he does in his way. But his first love will always be himself, and her accepting his every selfish action just helps reinforce his behavior. She does almost leave him, but then her father dies and she feels she has no way out. In most movies of the time there would be a dashing young man whos real love for her would save her, but this movie is a bit more true in that the vicious cycle will never end.
It has been a while since I have seen the movie, so bear with me. A bout the nickname "monkeyface", that was from their childhood an d now over time has become a cute petname. She knew he wasn't insulting her and that he really did feel love for her. About his behavior, lying and all, I think he truly admired and looked up to her and did not want to let her down so he told white lies. Remember when he bought all those gifts, he was trying to please her, but was going about it completely wrong. Now think about how much time the dated before getting married, not a lot. They hardly knew each other, so ofcourse they would be a little leary of each other and defensive--not as open with each other as a normal couple. Keep in mind, she thought he was a serial killing, gold digger, know one could completely hide those kin d of feelings with someone they're living with. He picked up on her apprehension, distrust, and suspicion so that of course would cause some odd behavior. And he was not a killer, it was all in her head. He wasn't perfect, but her susipicion wasn't exactly helping him improve any. And also, this movie was supposed to lead you on to think he was a killer so of course Hitchcock isn't going to present you with a long list of qualities in this guy.
How was 'monkeyface' from their childhood? When they met they were both adults. 'Monkeyface' was a tease about how silly she looked squinting into her mirror. I agree it is a cute petname, because it reflect an intimate moment that is just between them. While Johnny did love her, he was a selfish husband. The suspicion of Lena was directly because he lied and such, not vice versa. And he told everyone white lies, more because he had a childish manner and didn't want to get in 'trouble'. I'm sure he loved her in his way, but she was getting shafted in the marriage department.
The original script had him as a killer before the studio forced Hitchcock to tack on the "happy ending" and make all his crimes simply "misunderstandings."
And even granted the "happy ending" scenario, they guy is still an abusive bastard, no matter how you gloss it over.
"If you don't know the answer -change the question."
You talk about original script, but you constantly complain about the "film." The original script is not "the film" so he's not a killer.
Also, I don't believe the stories of tacking on a happy ending. Why would Hitchcock set out to make the movie based on the original script, cast Grant, and then change the ending (thus changing the entire tone of the film) based on the studio? Why not just cast another actor and go with his original vision? If it IS true, then what a weak-willed jellyfish Hitchcock must have been, huh?
You think it's demeaning to call someone by a pet name? Yeesh. Stop watching Lifetime. Do you spell women with a "y" by any chance?
I think the ending is left up to you to decide. You arent getting any real answers as to whether he did or didnt kill Beaky. We must remember that Johnny is a liar, are we going to believe his alibi to Lina? They ride off into the sunset but who is to say what the future holds. She fell for his charm so many times, maybe she just fell again.
I am definitely a romantic because I always believed that Scarlet and Rhett would get back together...even before the lousy sequel was made BUT in this case......... 1. They would probably have a kid and she would mature and even with all her household help, she would get tired of also having a child for a husband. By that time, she would also be sick and tired of the monkeyface routine and what was considered his endearing "weaknesses" at first would be regarded with contempt. Since she would no longer look up at him with adoring eyes, he would eventually meet another young woman and proclaim that his wife does not understand him but that is his problem....she does. He will always need someone who will adore him as much as he does. 2. He grows up. Naaaaah 3. He eventually kills her. It could happen. 4. They continue in a co-dependant relationship. He has affairs and she always forgives or pretends not to notice. 5. She kills him. That could happen too... She would finally be fed up and fired by the flames of menopause she pushes HIM off a cliff.
That is a good analysis of their potential real endings. Obviously, a guy like this never changes. The only thing that happens here at the end, is that she is willing to give him a chance, and will help him to pay back his debts. But we know he will accumulate more debts. he has bad habits. HE FEELS COMPELLED TO LIE, TO GAMBLE AND EVEN STEAL. Those qualities are never addressed by her at the end, only that she was relieved he didn't kill her, or mean to kill her. He will never like working- so how will they live and pay bills in the future? Even if he starts a successful business, he will gamble away his winnings or squander his money on overspending. There is really no happy ending- I laughed at your comment that she could eventually push him off the cliff! One possible way out for them is to move in with her mother in the mansion and that would eliminate a lot of their expenses, for rent, food, etc. He would definitely sweet talk her mother without the father there. With his suave con man maneuvers he would do very well in Lena's mothers mansion, he would convince her mother to lend him most of her inheritance over time. They could live there for 20 years very comfortably. AFTER that, he would probably move onto another younger woman.
She stayed with him, because she loved him deeply. And She felt more comfort with Johnnie than living with her parents.
In the Book "Before the Fact", he is guilty. But in the movie, he isn't guilty. There are lots of evidences in the movie that show that Cary Grant isn't guilty.
When Hitchcock was forced to change the ending, he and his wife Alma Reville cleverly changed some scenes in the movie to make Cary Grant not guilty.
To be honest, I didn't really pay attention to this movie and I haven't read the book, so I'm not qualified to comment, but I thought the studio-made ending was a bullsh** ending. I felt gypped. I definitely would have preferred Hitchcock and the book's ending. There's something I like about charming killers.
I never did it either. I'm not a nymphomaniac, I'm a compulsive liar.
It wasn't particularly uncommon for childless couples to divorce. People generally didn't divorce after they had kids in those days. In many of Cary Grant's films of the time (His Girl Friday, Awful Truth, Philadelphia Story) his character is divorced
I think people carry on too much about the ending being changed. If this had never been a book, the movie would have been accepted as a very good film, and probably was by the 1941 audience. We know too much nowadays, but i don't let it spoil the movie for me.
Johnny is a child-man and always will be. But Lina loves him and it's her nature to be nurturing. They'd have evolved into a comfortable marriage where she always had to be the strong one, the grownup. And he loves her and needs her.
Taking the movie as is, it has a different pyschological premise. The suspicion is in Lina's mind. It was interesting to me to see how the suspicion grew. That's really more interesting than a garden variety wife killer.
I don't think he was abusive really. He was just thoughtless and irresponsible and rather selfish. Certainly Monkey-face was not abusive. It was a term of affection from the very beginning. He was drawn to her from the start. As Lina said, if it was about money, he could have married far better.
It could be argued that Johnny does all these things for Lina. He sells those chairs because they need the money. He steals from his cousin to buy the chairs back, as well as buy her a mink coat, jewelry and a bunch of hats. He buys things too for his friend and the maid but the only thing he gets himself is the little dog which is hers too. He then goes into this hare brained development scheme and doesn't go through with it (she doesn't want him too). He tries to cash in her life insurance policy so they could have enough money. It could be argued that his strange behaviour is because he doesn't want her to see him as a failure and wants her to be happy. He's really immature. Stealing and lying are symptoms of his problem. Except for the argument about Beaky, he only really starts getting pissed off with her at the end after she tells him to get out of their bedroom. That's when he really starts feeling worthless and unloved.
Also, every time Johnny does something really sh*tty, he redeems himself after, making Lina forgive him and stay in love him. ble but unable to resist.
-For example, he leaves without a word but then comes back and proposes to her.
-He sells the chairs, but then buys them back along with a whole lot of other stuff. You can see when Lina finds out that Johnny bought back the chairs she eyes the necklace Johnny bought her with more interest.
-She finds out he's a thief, but then he's there to support her through her father's death.
-He speaks harshly to her and she thinks he's a murderer who no longer loves her. But then it turns out he didn't kill Beakey at the cliff after all, and he doesn't go to Paris because he's a 'married man.'
Lina has low self esteem, in addition to loving Johnny too much to leave him she would find the idea of divorcing Johnny going back to her parents embarrassing considering how they thought she was going to be a spinster. She also finds Johnny's attention flattering, he had girls throwing themselves at him but he chose to marry her, and I think that Johnny does love her. But as someone else said, he just loves himself more.
I don't want to read the novel, I don't think I could handle it. Johnny sounds way more horrible. At least in the movie Johnny always treated Lina herself well. When he did stupid stuff, it never really directly hurt Lina, and when he did do something that hurt her (selling the chairs) he bought them back. In the book, doesn't she go mad waiting for Johnny to murder her? Why doesn't she just LEAVE?
Well, I tried to read the book after all. It had a great opening sentence, but I couldn't finish it. It was well written, but I feel the same way about the book as OP does about the movie, the emotional and psychological abuse Johnnie heaped on Lina was just too much to handle. It even disturbed me a little.
I found his blatant unfaithfulness to her particularly discomforting, and the point where I stopped was when he deliberately hurt her by listing all the women he'd slept with during their marriage.
And I was grossed out by the ending, (I skipped to read the last few pages) and the fact that Lina let Johnnie murder her AND her unborn child. Even to the end Lina is absolutely deluded. "Johnnie will miss me..." Yeah right.
I don't think he was abusive really. He was just thoughtless and irresponsible and rather selfish.
Pretty much... if we're going to ignore that original ending, of course... and it's probably silly to be making this distinction since the title of the thread is not, in fact, Spousal Murder.
Yes, this is definitely an abusive relationship. It's the second film in which Joan Fontaine's husband is a misogynist and, I believe, a killer- in Rebecca the argument seems to be that being a loose woman, she deserved to die, and her husband could be excused for killing her.
I don't think it is abusive relationship. Lina McLaidlaw never understood Johnnie. After the marriage, she thinks he is an immature husband. But after that she thinks he is a thief. And after that she thinks he is a murderer.
She easily makes judgement about Johnnie just because he was broken all of his life.
The irony in that response is how commonly exactly such rationalization is offered in defense of abusive spouses. He's not the problem; she is. It's not that he's insensitive, it's that she doesn't try to see where he's coming from. He's not cruel and indifferent, he's just misunderstood.
From "why doesn't she try harder" to "why doesn't she just leave, then", abused spouses for whatever reason often get blamed for their own abuse.
In the case of this movie, Grant's character spends her inheritance before it's secured, without consulting her; lies to her; hides the reality of his job situation; dominates her as a business partner; is indifferent to her security; infantilizes her at every turn. Yes, it's an abusive relationship.
Butaneggbert - Spot on reply! Even with the gorgeous embodiment of Cary Grant, Johnnie is an abuser, plain and simple. The red flags were evident from the beginning. Anyone who rationalizes his behavior, or worse, blames the victim, is justifying the intolerable Imo. He was a master manipulator. Suspecting Johnnie of murder was not a big stretch to me.
Uh, did you not watch Rebecca? He didn't kill her, she tried to bait him into doing it, but he didn't, she slipped and fell. We have to go with the movies, not the source material, because we're talking about the movies.