One of my all-time favorite films. I love the part when Fred MacMurray and Barbara Stanwyck are in the restaurant and the band starts to play "My Indiana Home" ("Back Home Again in Indiana")- their dance and the realization that they are both Hoosiers is the common thread. Nostalgia waxes perfect here, when Stanwyck allows the song to get to her in remembering her youth. She leaves MacMurray on the dance floor to collect her thoughts and regroup and get that tough outer shell of hers back. MacMurray sees the impact that the song has on her, and makes the overture to drive her back to her family on the way to spend the Christmas/New Year's holiday with his own.
The soundtrack is just fine, with "The End of a Perfect Day", and of course the aforementioned Indiana theme, which comes its peak at a very emotional time of the film.
Barbara Stanwyck could have been nominated more than just the four times that she was during her career. I am happy that the Academy finally saw fit to award her with an Honorary Oscar, the year after her beloved William Holden passed away. It was great to see her "Sorry, Wrong Number" co-star, Burt Lancaster in the audience applauding her recognition. Too bad Holden didn't live to see it. Her acceptance speech acknowledging his wish that she would one day be a recipient was so gracious, as was his tribute a few years earlier in letting the entire worldwide film community and audience know as well, how Miss Stanwyck salvaged his budding career, when Harry Cohn of Columbia Pictures was ready to let him go from the set of "Golden Boy" - the 21 year old would never have had the career that he did, and Billy Wilder saw that edge, cynical, sarcastic but all knowing that put Bill Holden on the superstardom track. Ironically, I could see Fred MacMurray portraying the Joe Gillis role, and even Holden playing the Gary Cooper part in "Love in the Afternoon", and if he was slightly older "Balls of Fire". There is something about the facial expression or tone of voice that allows these three to be interchangeable. Ray Milland could have done this as well to a certain extent, but he became that villain of the 1950s, and then went into sci-fi.
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