Given the fact that Hitch was still in the process of becoming one of the most influential Hollywood directors of all time AND the fact that, therefore, the budget for this film was not the lush amount of his films made in Hollywood, I'd have to say it's totally acceptable given the purpose of the opening scene as well terribly creative given the film's limited budget.
Most likely, they couldn't get any realistic-looking location footage since the Alpine terrains of Europe at this time were under siege.
What I thought was sort of an endearing touch was having the small figurines in the model jerk so as to give them some sort of life.
What I find far less forgivable is Hitch's insistence on using movie fakery in his later movies, when he had bigger budgets and Technicolor film.
"Dial 'M' for Murder" is probably the worst, with its big fake finger shot for the purposes of 3D as well as the rear-projection shots for scenes that could have easily been shot on a small set (i.e., the outside entrance to a townhouse, etc). "Vertigo" employs the classic "zoom-pan-out" shot that IS creatively disturbing, but there are other shots in V that annoy me, most of all the shot where James Stewart sees Kim Novak in his apartment for very first time and there is this blurry greenish oval that covers her while he tries to adjust to the fact that his fantasy has now become reality. I don't see how those scenes were "acceptable" back then. I find them tacky now.
"Don't call me 'honey', mac."
"Don't call me 'mac'... HONEY!"
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