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Roger Ebert's (dishonest) criticism of "The Jackal"


Critics love to lambaste "The Jackal" (1997) because (1.) it deviates too much from the original 1973 film "The Day of the Jackal" and (2.) because of the mounting nonsensical elements. But (1.) “The Jackal” was made to stand on its own in late 90’s cinema and (2.) why do other action thrillers like James Bond get a pass when it comes to ridiculous plot holes? Besides, many of the supposed nonsensical moments can easily be cleared up if you pay attention to the details; perhaps not all of them, but most of them.

What I don’t like is the disingenuousness of many of the criticisms. For instance, Roger Ebert -- trying to be a smartaxx -- opens his criticism of the film by mocking the way The Jackal (Bruce Willis) sneaks into the USA from Canada by purchasing a sailboat and entering a race from Mackinaw to Chicago. Ebert reasoned that there are easier ways to enter the US inconspicuously along the 3000-mile border, but he left out an important detail: The Jackal was smuggling a huge computerized machine gun and its formidable mount. THAT is why he bought the yacht and used the race as a means to enter the country unnoticeably amidst a crowd of other crafts. Aduh.

If you're going to mockingly criticize a film, great; just make sure it's honest, based on legitimate flaws.

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Considering Mackinaw is in the US, it deserves to be mocked.

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The Jackal departed from Canada and proceeded to join-up with the race that started in Mackinaw, MI. What's to mock?

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I watched this film for the first time a few years ago. I remember it coming out in the 90s and was hyped by the trailer, but then the reviews were poor and I skipped it.

It was, overall, okay. Pretty average for its genre I suppose. It doesn't deserve to be heralded as anything more than that, but on the other hand it's not a terrible movie either.

I doubt I'll ever watch it again but I also didn't feel like I had wasted my time either.

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After the convoluted first act, the film settles into an entertaining political action flick not far removed from the tone of "The Saint" with Val Kilmer, released the same year. So I agree with you -- not great, but entertaining enough for what it is. I give it a B-/C+.

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The Saint is actually another one that I was disappointed by. I still remember going to see it. The trailers had me hyped, and then the movie was just OK.

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I agree.

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Wasn't the mount made in the US? It's been a while since I've seen it but aside from probably a small satchel of documentation the only other thing I recall him smuggling in was the machine gun itself.

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I think you are right, the gun was smuggle, the mount was crafted by Jack Black character who make a mistake and force Willis charater to have to aim manually

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I know for the movie they kind of just went with it but the mount wasn't at fault. Just from the purely shootist end of things... The optics are to be aligned with the firearm. If the target is in the scope and the bullet still misses it's a matter of either the optics or the gun being hosed. The mount doesn't play into it.

But in any case, the gun is still a relatively easy smuggle. The boat thing was a bit excessive.

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Dont know much about The Jackal but Ebert and any other critic for that matter shoulnd't be taken so seriously the worst i read from him was the critic of Malena, he criticized things din't even happen in the movie and was clear he dint pay attention to the movie

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I've never seen "Malena," but I love Monica Bellucci, so I'll have to check it out.

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Is a great movie Tornattore is a great director i recomend to watch the Italian cut

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And of course he doesn't give any examples by which we might judge whether he knows what he's talking about.
https://www.rogerebert.com/reviews/malena-2000#:~:text=It%20doesn't%20help%20that,%2C%20alas%2C%20than%20it%20can.

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I mostly agree with Siskel and Ebert: The Jackal wasn't a good movie. I maybe liked it a little more than they did, but it is (at best) a ho-hum action thriller.

But I do find it interesting that you compare The Jackal to Bond films regarding their plausibility. I don't have a good answer, but I will be turning over in my head the idea that one film gets a "pass" for a plothole or an eye-rolling break with suspension of disbelief while others do not.

Here's what I know is true: From Russia with Love is my favourite Bond flick and I love that movie. Yet, it has a periscope in the Russian embassy, which is ludicrous. In another movie, I would hate that. In FRWL, I don't care. Why? What is it about the Bond films that lets them get away with it? It's not limited to Bond (and to be honest, the Jackal's goofy plot elements didn't bug me so much as its forgettableness did), but it is true that some movies will have me go, "Oh, come on," while others just leave me munching popcorn.

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lol! Isn't ho-hum exactly antithetical to the main appeal of a thriller?

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Yeah, that's why I don't think it's a good movie.

It's not a "bad" movie. It had okay action scenes, some okay acting - it just painted by numbers and didn't really do anything memorable. I think the best thing I could say about it is that while watching it it's okay. That's about it.

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I agree it's kinda forgettable, although that one sequence with Jack Black is memorable, not to mention the absurd computerized gun he was determined to use to carry out his assassination (like he couldn't find a less conspicuous way to do it).

My main issue was Roger ignoring the reason why The Jackal used that boat race on Lake Michigan to enter the USA.

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Roger would miss stuff like that occasionally, but so do I (so do most people) so I'll give him a pass.

With that said, I feel like if you broke down the components for the gun and stowed it with a bunch of car parts, you could also take it across the border in a truck with far less convolution than the boat race. Maybe there was an in-movie reason why it had to be the boat race, but remember that it's been more than a decade since I watched The Jackal, I only watched it once, and it was pretty bland and forgettable.

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His contract was to kill the First Lady in a very specular and over-the-top method. To make it messy and memorable. It was meant to be conspicuous.

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I haven't seen it for like five years, but it's good to find out there was a reason for that bit o' madness (I obviously missed it when viewing). Thanks.

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That was my biggest gripe with Siskel and Ebert. They would nitpick supposed plot holes and then pat themselves on the back for how smart they were for finding the "plot holes" and this would be the basis for why the movie was "bad".

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It's amazing how many "plot holes" in movies turn out not to be plot holes when you reflect a bit on the details and put the pieces of the puzzle together.

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siskel and eberts had mostly bad taste in film.

they were also snob.

but they were entertain to watch, that why people watch them. but there opinion should mean nothing to movie fan. all movie fan have own taste. critics have own taste too. there is no good and bad movie, just movie you enjoy.

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Whether they like the film or not, good critics are both entertaining & informative with a knack for commenting on the movie in such a way that the reader (or viewer) will determine if they are interested in seeing it.

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i use to take notice of critic before and value there score. but then i realise they really just telling you about own taste, but in entertaining way!!

then i also find out they are mostly snob!

i like film with character who are likable. played by good actor. and story that you can follow easy, with hearts. any film is good with set up like this. but critics bash many film like this, but if film have big budget, with overrate actor, or sjw theme, critics on film like flies on shit. they turn there nose up on so many good film! if critic dont like film, i see that as good sign.

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I hear ya, but I'd be careful of making blanket statements of critics in general. While they might sometimes seem like "film snobs," they'll surprisingly give thumbs-up to the most unlikely of flicks, as well as honestly criticize dubious in-vogue crapola. For instance, Ebert gave thumbs-up to the underrated "Hideaway" and 2003' maligned "Daredevil," as well as thumbs-down to the award-winning "Gladiator" and the supposedly 'hip' "Fight club."

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Ebert is more than a film critic. He was a lover of film. He would tackle an analysis of a film to the nth degree. His reviews were journalistic. I can only think of one critic who was more amazing than Ebert. And yet I did not agree with her most of the time. And that was the late great Pauline Kael. She was a little bit more aggressive but her writing was out of this world. I too didn’t like Gladiator. Why because we already saw Spartacus. And Crowe’s performance in The Insider was out of this world and it was this film he should have received an award. But I loved Fight Club. Calling Ebert a snob is just lazy thinking. Siskel had his own brand. Both showed genuine love of movies and a thoughtful approach to film. Their arguments for liking or disliking a movie are well taken. And Raiders is a great film. Anybody thinking it’s a kid’s movie is out of their mind.

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Yeah, Roger's prolific reviews were entertaining and informative (often on more than just the movie) even if you didn't agree with his conclusion.

I also agreed with him (and you) on "Gladiator." It was a'right, but I didn't see how it was awarded all that praise. I'll take the original "Spartacus" any day over it.

Like Ebert, I didn't like the second half of "Fight Club" as I found it tedious, but the themes the flick explored are brilliant.

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do not take my words for it! eberts was disliked in movie community. gorge lucas name one of his movie monster "eborsisk" after him and siskels. there was a mayor ebert character in 1998 film godzilla who was inept fool. many people who work in movies think he is snob too!

eddie murpgy say making harlem nights was "worth having roger ebert's thumb up my ass" hahahahahaha

ebert bashes most film i like. however i still like to watch clips of his tv show on youtube, he is entertainig man. him and siskel good to watch. but they are just entertainers, not critics. critics have no value. they are front runner.

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