lisibet...
She would have been fine with "Marnie." I mean, she didn't break down after "Don't Bother to Knock" and that was fairly close to the bone. I love Kim in "Vertigo" but it is a role I can imagine MM doing. Ditto "Suddenly Last Summer." (The years with Miller were such a waste.)
By the time of "Marnie" Monroe had been done with Natasha for years. Alas, although her mannerisms decreased, the Strasberg influence, with Paula on set, would have been a total no-go for Hitch. He figured the movie out in his head and in story-boarding. The actors had to adjust themselves to him and his wants and needs. Not the best thing for MM. Although her life and certainly her career would have benefited from practicing that kind of discipline and professionalism.
Marilyn often said how much she needed and wanted good, sensitive directors--director approval was a vital aspect of her 1956 Fox contract. But she would then proceed to apparently disregard all attempts to actually direct her! Perhaps it was some holdover from her childhood, or the early years in Hollywood, but MM seemed to have a real and unfortunate aversion to being told what to do, by a man, in a position of power. (Wonder how would she have fared with a female director?)
Like I said, she would have had to undergo an almost complete transformation in her professional and personal habits to survive with her stardom and dignity intact as the 1960s rolled in.
In my best-case imaginary scenario, she does prevail. (In that fantasy, she heads to Europe, where they adored her, the material was more interesting and her age not nearly the issue it was in America.)
Realistically, looking at the way things stood in August of '62, probably not.
reply
share