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IMDb Film Festival 2016: Just Before Dawn/Documentary Thread


Here is the thread where we discuss the films in the Just Before Dawn and Documentary sections of the festival! Perhaps these categories don't have much in common, but because of their small size I decided to combine them into one thread.

JBD:

Bone Tomahawk (S. Craig Zahler - 2015)
Bone Tomahawk (2015)
An instant cult classic, Bone Tomahawk features an all-star cast including Kurt Russell, Patrick Wilson and Richard Jenkins as Wild West townspeople who set out to rescue two of their own from cannibalistic cave-dwellers.
Festivals: London, Karlovy Vary, Austin Fantastic, Sitges

Greatful Dead (Eiji Uchida - 2013)
Gureitofuru deddo (2013)
This blood-soaked Japanese comedy-horror follows a disturbed young woman who is able to pursue a variety of left-field interests when she inherits a small fortune, including tormenting a lonely old widower from afar.
Festivals: Austin Fantastic

Late Phases (Adrián García Bogliano - 2014)
Late Phases (2014)
Ambrose (Nick Damici of Stake Land) might be a blind veteran moving into a retirement home, but he proves he has more than a little badass left in him when a series of werewolf attacks plagues the fellow residents of his community...and one attack hits unacceptably close to home. Featuring a who's-who cast of the indie horror scene, this film is as quirkily independent as it is just plain cool.
Festivals: SxSW, Seattle International, Fantasia, NIFFF, Toronto After Dark, Fantaspoa


Docs:

Cartel Land (Matthew Heineman - 2015)
Cartel Land (2015)
Prepare to be literally thrown into gunfights, shown brutal real-life violence and become stranded in moral quagmires in this action-packed documentary (executive produced by Kathryn Bigelow) about José Manuel 'El Doctor' Mireles. Mireles leads a group called the Autodefensas, a group of paramilitary vigilantes determined to drive the cartels from Michoacán, one town at a time, but in addition to the brutal cartels they have to deal with internal strife, corrupt government officials and police, townspeople who don't want them there, and the stomach-churning moral ambiguities that present themselves when civilians take the law into their own hands. Meanwhile, their story is contrasted with a small American vigilante group, of which at least some members are explicitly racist, who consider it their duty to guard the Texas/Mexico border from both the cartel and immigrants. If you think you know who the good guys are, this film will leave you disturbed and shaken.
Festivals: Sundance, Seattle International
Academy Award Nominee - Best Documentary Feature

The Fear of 13 (David Sington - 2015)
The Fear of 13 (2015)
Prepare to hear one of the most remarkable life stories you've ever heard in this documentary that sits down with passionately articulate death-row inmate Nick Yarris and lets him tell his life story. Is he as innocent as he claims? You decide.
Festivals: London

Life Itself (Steve James - 2014)
Life Itself (2014)
Steve James (Hoop Dreams) intended this touching documentary tribute to the career of then-hospitalized film critic Roger Ebert to be shown during his lifetime; when he passed away during filming, the film morphed into a moving eulogy to a man beloved by family, friends, and readers around the world.
Festivals: Cannes (Special Screening), Sundance

The Propaganda Game (Álvaro Longoria - 2015)
The Propaganda Game (2015)
This eye-opening documentary follows Longoria as he is given controlled, limited access to film inside North Korea - the parts that the government wants him to see, anyway - and philosophizes on the difficult relationship the country has with the rest of the world.
Festivals: San Sebastián

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Hey. I just finished watching and rambling on 'The Fear of 13'. Now see my notes, after reading your and Rmiles' reviews, are unintentionally similar to yours, although you liked it much better.

So I just need to see 'The Propaganda Game', hopefully tomorrow evening I'll be done.

As for the other two I'd say we're pretty much in agreement other than the ratings. I like that in your write-up for 'Life Itself' you mentioned that Ebert's death had an effect on the development of the film, how it becomes "something more", with greater poignancy and reflection attempted and perhaps this recognition that death (itself) is inextricably linked to life, such that in a certain way, Ebert's death truly "completes" the film('s title). Moreover, Ebert seems to have been untroubled, unflinching and preparing for his death, and that acceptance makes everything even more distinguished. And a problem that the film touches upon is that his wife wasn't ready to accept his upcoming death. That was one of the parts of the film that I liked better.

IT iS A GiANT CREEPY FiSH HEAD THiNG!

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