reboot?
so she gain the ability to reboot just because she opened a new stub? if the new stub has a version of her that doesnt expain how the memories and stolen data of 'deceased Flynne' get transfered over to the new Flynne.
shareso she gain the ability to reboot just because she opened a new stub? if the new stub has a version of her that doesnt expain how the memories and stolen data of 'deceased Flynne' get transfered over to the new Flynne.
shareThey probably fast forwarded it, or whatever. It was supposed to be a heartbreaking self-sacrifice or something. It could be that I'm too stupid to understand it.
But I was warning people that the writer is the weak link in this otherwise very professionally made TV show. He doesn't understand sci-fi, futurism or even basics of good story telling. He was too often forcing his characters into making stupid and illogical decisions just to keep us interested. I'm not surprised at all that he fucked up so badly at the end.
Agreed.
shareI struggled to grasp that as well, at first. Without wearing a device, how exactly did she get into a Peripheral? This article suggests that the Flynne that gets shot isn't "occupied", so to speak, but is rather being driven remotely by Flynne from the new stub she created as if it was itself a Peripheral. It requires some assumptions, and although I suppose its plausible, I'm not sure the show itself supports it.
https://www.cnet.com/culture/entertainment/the-peripheral-that-ending-and-post-credits-scene-explained/
That end stitch is where things become Westworld-level tricky. Because of the show's editing, it looks like the consciousness of the dead Flynne has been transferred to Flynne's peripheral (the future robot body accessed via the special headset). However, the past Flynne died without wearing a headset. The way this is possible might be that, because Flynne created a new base stub, she was only a pilot in her old body. When it died, she returned to her new stub, then from there, still wearing the headset, she could jump into her future peripheral. Good luck deciphering all that!
My interpretation below, as far as I understand
Her opening of the new stub created a diverging timeline from about the moment she devised the plan. There was no transfer needed to the "new" Flynne because she is an exact copy, with the same history. Meaning the "new" Flynne got the data the moment she downloaded it together with Aelita in the beginning of the season.
You can view it as two different plotlines:
One takes place in the original stub, where everything happens exactly like in the series up to and including Flynne getting shot and dying. After that all other characters will go on, grieving her and continuing their lives.
In the other plotline, everything happens like in the series up to the part where Flynne devises her plan but then in some way finds out she does not need to go along with it because the RI has now lost the ability to influence her stub(since it branched off and is now a new stub). She doesn't have to involve Conner in her assassination in this plotline but can instead focus on going forward with her revenge.
I see Season 1 as the telling of the first plotline, so this season ended with Flynne sacrificing herself to save the others.
Season 2 will then be following up on the other timeline, the "what if Flynne didn't have to sacrifice herself" plotline.
An article I followed which is in line with my thinking: https://screenrant.com/why-flynne-survived-death-peripheral-finale/
thanks that certainly make more sense, terming it as a 'reboot' confused the hell out of me.
shareYes, this is exactly it. The new stub is literally exact same time and place she takes the watch and breaks it, so the RI cant track a new version of her anymore and they leave old stub alone b/c OG Flynne is no longer alive in there. It is a greater sacrifice. Its a time clone that will carry on her revenge plot.
shareThat doesnt stop Dr. Nuland from threatening to kill off her family as a way for her to get the data from Flynne.
shareShitty storytelling when you have to infer stuff all the time. As if the director couldn't be arsed or he believes murky plots make for high-brow entertainment.
share