It seems like he didn't rape the babysitter, but it appears highly likely he did rape the fan (although we didn't see what happened between her protests about her boyfriend and the sex - the footage seems to support her courtroom account and that she did not at any stage give consent, but there's still a very minute possibility that she could have changed her mind prior to intercourse - we didn't see what happened).
with the babysitter it us still statutory rape as he knew she was underage. with the other victim the cries that the friend heard outside the caravan didn't sound in any way like pleasure so yes, he did it.
I thought the babysitter was under 16. And when did Paul admit having sex with her? I was under the impression he only admitted having sex with Rebecca (the fan).
Didn't he say in court that the babysitter removed his clothes (hence the exchange with the Prosecution barrister about his shame over his 'fat' body) preceding intercourse?
'with the babysitter it us still statutory rape as he knew she was underage. '
We do not have statutory rape in the UK. It is rape or sex with a minor. The babysitter was over 16, which is above the age of consent. It is different in the USA.
If Paul Finchley was a teacher or in another position of responsibility (i.e. in locus parentis) with respect to the babysitter, he would be guilty of committing an offence unless she was an over 18.
However, since she was simply a babysitter/his employee, he was not committing a crime, assuming, as the footage seemed to suggest, that she gave full consent, since she was 16 (as you say, the standard age of consent).
"No, she was 15 at the time she had sex with him, or when he raped her"
Thank you i thought it was the only one here who seemed to have picked up on this. So even if it was consential she was underage so they didnt believe her that he had "sex" with her, hence at the end why they also showed the scene of the daughter witnessing him with the babysitter.
Do you not think it was obvious when Karl / Colin came to get Paul because of Dee's overdose, the sounds coming from the trailer were very much of someone in distress?
Yes, on balance it sounded like rape. But my mind was more preoccupied with whether Karl would open the trailer and discover Paul raping the young fan, that I admittedly wasn't paying enough attention to the sounds coming from the trailer.
I'm just simply trying to imagine the best case scenario.
Sadly, I think the truth is, no one ever wants to believe a person committed rape, hence the shockingly low conviction rate for this offence (and one has to logically figure that these women can't all be liars or misguided, and that a large number of 'not guilty' rape defendants did in fact commit the offences alleged). That said, the Prosecution really did not establish its case beyond all reasonable doubt, from what we saw of the trial footage, and the Defence did put up a relatively credibility version, hence the verdict.
Sorry, my last post should have said "I was trying to imagine the best case scenario", but you're right, it's almost certain he raped the fan who visited his trailer (but not the babysitter).
And I think Coltrane at the very least deserves to be nominated. Walters and Riseborough were excellent too.
I'm just simply trying to imagine the best case scenario.
One of the things the show does well is show the soft gentle side of Paul, and all the hardship he goes to after the allegations to make you fall in love with the character so much that you cannot possibly imagine he'd done the things he was accused of, totally convincing you that he was innocent. Then in the last episode it gradually lets on that their is a chance the character might not be as innocent as his sob story portrays him, then right near the end, reveals he actually committed the acts and shows how easily we can get suckered in to believe someone is innocent because of we don't want to tarnish our opinion in some we behold highly.
From a drama standpoint, this ending works really well. Its sticks to the viewer so much they cannot help but think about the ending for weeks to come, and really gets people thinking.
However, one thing I don't like about the revelation that Paul was guilty all along, and makes me wish that they made him innocent, was the message the show gives of. The show is advertised, and for the first 3 parts, shows the effects that false rape allegations can make to public figures,not only to the individuals, but also their family and friends that are also thrown into the motions, and how this can really affect these people, then the ending all of a sudden turns the shows theme on its head, transforming the theme to if your a woman and you get raped by a 'national treasure', you're screwed because you'll never be a match against the celebrity's power and wealth that can afford him the best lawyers, which totally makes all the points made in the early episodes void. I liked the show tackling the topic of false allegations has this is a subject not tackled too often, yet is a problem of this modern age, and really would have liked to show to end on this theme, showing how these allegations can make affect the lives of those involved, especially even after the trials end and the accused is cleared, there is still aftermath.
Honestly,I'm sure there wasn't really supposed to be a message to this show, or that it was taking an sides in this argument, it was just meant to be an intense drama keeping you on the edge of your seat until the explosive climax, which I must stress I think the show nails perfects. But at the same time, I feel that people will, and have, watched this show and take from it the moral that if a high profile celebrity get vindicated from false rape allegations, it's because they have enough wealth, power and stature to get away with his crimes, and couldn't possibly be because, you know, he/she might actually be innocent, and reinforces the views of people who are adamant that some of the people who have been vindicated are still guilty, and I feel there was already enough of that going around before this show.
I liked the show tackling the topic of false allegations has this is a subject not tackled too often, yet is a problem of this modern age
I don't understand what gives people this impression. From all we know of Savile and others, including celebrities in the present day (e.g. musician Ian Watkins), it is extremely difficult to have rape allegations taken seriously. Victims or "alleged" victims will always be suspected of lying in a way that does not happen with other crimes.
When you consider how many victims stay quiet, and how many are not taken seriously when they do have the courage to speak out, I'm not sure how you can conclude that there's some kind of epidemic of false allegations. As this programme showed, even when rapes do take place, it is extremely difficult to secure a prosecution, especially when the abuser is in a position of power as victims can simply be branded as attention seeking or desperate for cash.
I find it quite disturbing that even with this show, where I think that it's quite clear the writers wanted to convey that the fan had been raped (if the babysitter was not underage that's a slightly different matter, but still highly questionable), people are still questioning whether this was actually rape as the scene cut away before showing the actual act. If people are questioning even this, I dread to think what their starting point of believing victims would be if they didn't witness it firsthand.
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It would appear that the problem here is actually your perception.
In the first instance, what we actually know about Savile is that the accusations made to the police in his life-time were very vague and sporadic, with little corroboratory evidence. The latter is also the case with many of the posthumous complaints that have been made public - quite of few of them clearly did not happen, and those who investigated them have said as much. The number of complaints that have resulted in compensation is also significantly lower than when that process started, even though those making the decisions set a very low bar for acceptance.
In the case of "others," some like Stewart Hall were convicted of the bulk if not all of what they were accused of, while in other cases most counts were dismissed, and only a few - or even one in the case of DLT - was upheld. Some accused have had no charges brought against them at all, or were cleared on all counts.
You say, "even when rapes do take place, it is extremely difficult to secure a prosecution," and talk about "believing victims." That's pre-judging every accusation merely on the basis of there being an accusation in the first place. False accusations are a fact. Mistaken accusations are a fact. A genuine victim projecting their abuse onto someone who did not actually abuse them is a fact.
There used to be a very clear principle in law known as Blackstone's formulation: "It is better that ten guilty persons escape than that one innocent suffer." These days it seems to have a rider of, "unless someone says he's a nonce, in which case the deck should be stacked against him."
As to the ambiguity in what happened to the fan, people are questioning what actually happened precisely because it is ambiguous. If the writers genuinely wanted to convey what you think they did, then why not actually show it? To me it just seems like a cop-out, and actually quite manipulative to no great purpose.
We see the fan tell him no, and him advancing on her menacingly and determinedly, and then cries that are obviously of pain/anguish, not pleasure, are heard coming from the trailer. How is any of that ambiguous? Do we really need to see yet another rape scene? Personally just hearing it was bad enough!
Yeah you are right. And if that was not enough there was the urgency that Karl was in when Marie was heading towards the trailer and he headed her off. That could have been because he was protecting his pal, but when he got to the trailer he did not knock on it, and turned around not knowing what to do. No question he raped her, or intimidated her forcefully.
Yes, that seems to be the consensus, and with respect to the fan it does seem pretty clear. Like I said, I'm simply trying to imagine the best case scenario since we (thankfully) didn't see the rape (although admittedly the exchange between Finchley and the fan made it highly unlikely that she would have changed her mind with respect to consent).
How do you figure he did not rape the babysitter, she was underage?
By law, statutorily, he did. One can argue about the justice of the idea
of statutory rape, but it is classed as rape.
The babysitter however willing, was underage, so technically he raped her.
He also raped the woman in the trailer. I've rarely seen movies, tv or miniseries that explores so many issues in one story. This was pretty brilliant.